tom

Français : L’Appropriationnisme ou le « Remake » est un concept simple. En effet, il suffit de reprendre le travail d’un artiste et signer la nouvelle production de son nom. Il ne s’agit, en aucun cas, de copier l’œuvre comme pourrait le faire un faussaire. Il ne s’agit pas non plus de plagier l’œuvre. En ce qui me concerne, j’utilise l’œuvre célèbre d’un artiste reconnu. En réutilisant une œuvre originale préexistante et célèbre, condition sine qua non, je propose de rendre un hommage. Il ne s’agit en aucun cas d’un manque d’inspiration surtout lorsque l’on sait maintenant que : « l’art naît de l’art et non de la nature » : Ernst Gombrich. Dans cette série, j’ai voulu revisiter des œuvres célèbres en utilisant ma technique graphique de l’éloge de l’approximation mettant en évidence la problématique de la défaillance et de la mémoire vaporeuse. English: Appropriationism or Remake is a simple concept. Indeed, it is enough to take again the work of an artist and to sign the new production of his name. It is not a question of copying the work as a forger could do. It is not a question of plagiarizing the work. As far as I'm concerned, I use the famous work of a recognized artist. By reusing a pre-existing and famous original work, condition sine qua non, I propose to pay tribute. It is by no means a lack of inspiration especially when we now know that: "art is born of art and not of nature": Ernst Gombrich. In this series, I wanted to revisit famous works using my graphic technique of praising the approximation highlighting the problem of failure and vaporous memory.

Réalisation du portrait de @Olivia Schaller dans le cadre de la préparation de l’exposition : « Les chroniqueurs de #Télématin sur #France 2 et la dissipation et vapeur de la mémoire télévisuelle.

Realization of the portrait of @Myriam Seurat as part of the preparation of the exhibition: "The chroniclers of # Télématin on #France 2 (French television) and the dissipation and vapor of television memory. Réalisation du portrait de @Myriam Seurat dans le cadre de la préparation de l’exposition : « Les chroniqueurs de #Télématin sur #France 2 et la dissipation et vapeur de la mémoire télévisuelle.

7'x7' copper plate decorated by myself using acrylic paint and coated with paint protection gloss. Safe to use as an ashtray, rolling tray, or decorative plate. This is my take on the starry night painting. I bought the little tray and decides to recycle it. After painting and glossing I personally tested this product out to be sure of the the safety in the product. It can be cleaned with a damp cloth. This is not safe for putting food on, but it's great for kitchen decoration. For custom products message me or contact me on instagram @quin.de.artist for sale @ https://www.etsy.com/shop/QuinsHarlemDesigns

I had $560,000 in Bitcoin saved up to fund my life's passion, an off-grid solar project designed to bring light to rural villages. Years of scrimping, saving, and explaining to skeptical relatives that no, Bitcoin wasn't just for internet gamblers, came down to this. But a slip of the finger almost sent my plans into eternal darkness. Making a final transfer to consolidate my project funds, I had copied the wrong wallet address. It was so quick. One paste, one click, and my stomach dropped faster than a solar panel off a roof. My entire investment vanished into the digital ether. I stared at the screen, waiting for it to grow arms and slap me in the face. When it didn't, I knew I was in trouble. Desperation led me to an energy summit, more for a diversion than anything. But fate has a sense of humor. During networking in a break, I heard a speaker casually mention Salvage Asset Recovery, as one might refer to a weather app, not the digital cavalry. I pounced like a man who'd seen a power outlet in the desert. From that first call, their crew oozed competence and tranquility. They treated my busted transfer like an engineering challenge, not a personal disaster (even though I was seconds away from rechristening the project "Bit coinless in the Dark"). Using advanced blockchain tracing techniques, they mapped the Byzantine trail of transactions. I imagined them in hard hats, working the blockchain like electricians restoring downed power lines. Each update brought hope. Eleven days in, they located the funds. Two days after that, I had it back, every Satoshi. I nearly hugged my solar panel prototype. The Salvage Asset not only recovered my money; they future-proofed me. They walked me through address verification processes, multi-sig security, and how not to let jitters turn your dream into a nightmare. It did not come across as a lecture but more like taking advice from an older brother who went through every tech blunder imaginable. Today, my project is charging forward (pun intended). The first village will soon bask in sustainable power. When they flip that switch, I’ll know it was made possible by hard work, a bit of luck, and the brilliance of Salvage Asset Recovery. Reach out to Salvage Asset Recovery via below, Telegram---@Salvageasset Email--- Salvageassetrecovery@alumni.com

When I first heard about the trading bot it sounded like a dream come true. A fully automated system that could trade cryptocurrencies around the clock earning profits without me having to lift a finger. So without hesitation I subscribed by sending 2 BTC as payment, confident that I was making a smart investment.But that confidence quickly turned into shock. Instead of seeing my balance grow I noticed it shrinking fast. The bot wasn’t trading at all. It was quietly draining my wallet and sending my coins to unknown addresses. Panic set in as I realized I had been scammed.Frantically I tried to reach support but there was no answer. I felt completely helpless. That was when I discovered Salvage Asset Recovery, a company that specialized in recovering stolen cryptocurrency. Desperate for help I contacted them and handed over every detail I had. Salvage Asset Recovery’s team immediately got to work. They examined the bot’s code and found it filled with malicious instructions designed to steal funds instead of trading. Using blockchain forensic tools they traced the stolen BTC through a web of wallets and mixing services which are the tricks hackers use to hide their tracks.The investigation wasn’t easy. The hacker had tried to make the trail disappear but the experts persisted. Slowly they followed the flow through countless transactions until they identified the hacker’s main wallets.With the help of exchanges and legal channels Salvage Asset Recovery managed to freeze those accounts. Weeks later the stolen coins were returned to my wallet.The whole ordeal was a harsh lesson about the risks of trusting unverified crypto services. But thanks to Salvage Asset Recovery’s expertise and determination I recovered my 2 BTC. Now I approach crypto investments with much more caution and always make sure to have trusted allies in my corner. you can visit them via below Email Salvagefundsrecovery@rescueteam.com

As a broke university student juggling classes, part-time jobs and constant stress about money I was always searching for legitimate ways to earn online. One day I stumbled across a platform that promised to pay users in USDC for completing academic study modules. It looked credible; there were success stories, a well-designed interface and even real-time payment logs. I gave it a shot.To my surprise it worked. After completing several modules I earned small amounts of USDC that I could actually withdraw. That small success built my trust in the platform. Then came the pitch for a premium tier, an elite version of the program. They claimed that for a one time $3,000 USDC payment I could unlock higher paying tasks and weekly bonuses.I didn’t have that kind of money but the promise of long term earnings was too tempting. I borrowed from three of my closest friends explaining I’d be able to repay them in a matter of weeks. I made the transfer to the platform and waited for access to the premium modules.The following day everything vanished. The website wouldn’t load, no login, no support page, nothing but a blank screen and an error message. My stomach sank. I refreshed again and again hoping it was just a glitch. But deep down I knew the truth. I had walked straight into a scam. Worse still I had used money I didn’t even own. I felt crushed, humiliated and paralyzed with fear.I didn’t know who to turn to. I couldn’t tell my parents and the guilt about my friends kept me up at night. In desperation I started searching for help and came across Salvage Asset Recovery. They claimed to specialize in recovering stolen crypto. Skeptical but with nothing to lose I reached out.They responded fast, professional, nonjudgmental and direct. They explained how USDC transactions could be traced through blockchain records. Within hours they launched a full investigation and tracked the wallet the funds had been sent to. Within ten days I received a message that felt surreal, all my USDC had been recovered.I paid my friends back that same evening, overwhelmed with relief. Salvage Asset Recovery didn’t just restore my money, they saved my dignity, my friendships and my future. I can’t recommend them enough. YOU CAN GET IN TOUCH WITH SALVAGE ASSET RECOVERY VIA BELOW CONTACT DETAILS TELEGRAM—@Salvageasset WHATS APP +18476547096

For May 23rd, today is Pearl's turn. For this day, I decided to make Shimmy, who, while walking on the bottom of the sea, came across a strange and beautiful Pearl

I'm recently gathering people who like to draw to download this app, 'Stellog'. It's not fully activated yet but If you'd like to share your drawings or doodles via mobile phone, I recommend you to join the Doodle Universe and join other people! I'm currently perform as a concierge, and you can freely message to me in there, and hope we can do many things like Gartic show, or drawing together irt! I love animes like Gumball, Advernture time, Gravity falls and so on... Hope we can meet there! https://stellog.onelink.me/HARE?af_xp=custom&pid=directSales&c=Min

We take things in and digest them before regurgitating them or expelling them again through our being. This is true of many aspects of our reality, not just of caloric intake. We take things in through the senses, through the person. We digest with our intellect and with our perception. Then we are able to share that back out through the senses, through our behaviours, and through our being. Food builds our body even as our experiences build our character. The real mark of a mature human being is developing deeper levels of discretion and recognizing more intimate forms of subtlety. Not everyone likes grapes, but to condemn grapes as evil is not prosperous to our species. Some like cherries, but not all enjoy their flavour. Grapes and cherries are still nutritious even though some have allergies to them. And not all cherries and grapes are ripe and nutritious at all times in all places. We must carry this knowledge into the development of our judgement. If it is important and worth while to discuss food and material nutrition, then it is much more essential that we evolve a greater sense of discretion for experience and for the holistic palette of our physical, emotional, intellectual, social, and spiritual tongues. We do that through consumption and digestion. But be aware that a human being can not live on grapes and cherries alone. We should also do our best to not condemn the taste buds or stomachs of ourselves or others. Namaste.

Check out all the ways our models redesigned the Fierce Stencil to work for them: just the top, just the bottom, on the hand, on the leg. #hennastencil #hennatattoo #hennadesign #henna

TommyInnit and GeorgeNotFound! (and dream...) The background is not mine I found it online. The drawing is my but not the pose. Enjoy!

Oil on paper.

Eternity rings feature diamonds all around the band. The channel setting means that the gemstones are set on the top and the bottom, with the setting sitting on level with the stones, creating a little 'channel' that the stones sit in.

Français : L’Appropriationnisme ou le « Remake » est un concept simple. En effet, il suffit de reprendre le travail d’un artiste et signer la nouvelle production de son nom. Il ne s’agit, en aucun cas, de copier l’œuvre comme pourrait le faire un faussaire. Il ne s’agit pas non plus de plagier l’œuvre. En ce qui me concerne, j’utilise l’œuvre célèbre d’un artiste reconnu. En réutilisant une œuvre originale préexistante et célèbre, condition sine qua non, je propose de rendre un hommage. Il ne s’agit en aucun cas d’un manque d’inspiration surtout lorsque l’on sait maintenant que : « l’art naît de l’art et non de la nature » : Ernst Gombrich. Dans cette série, j’ai voulu revisiter des œuvres célèbres en utilisant ma technique graphique de l’éloge de l’approximation mettant en évidence la problématique de la défaillance et de la mémoire vaporeuse. English: Appropriationism or Remake is a simple concept. Indeed, it is enough to take again the work of an artist and to sign the new production of his name. It is not a question of copying the work as a forger could do. It is not a question of plagiarizing the work. As far as I'm concerned, I use the famous work of a recognized artist. By reusing a pre-existing and famous original work, condition sine qua non, I propose to pay tribute. It is by no means a lack of inspiration especially when we now know that: "art is born of art and not of nature": Ernst Gombrich. In this series, I wanted to revisit famous works using my graphic technique of praising the approximation highlighting the problem of failure and vaporous memory.

Français : L’Appropriationnisme ou le « Remake » est un concept simple. En effet, il suffit de reprendre le travail d’un artiste et signer la nouvelle production de son nom. Il ne s’agit, en aucun cas, de copier l’œuvre comme pourrait le faire un faussaire. Il ne s’agit pas non plus de plagier l’œuvre. En ce qui me concerne, j’utilise l’œuvre célèbre d’un artiste reconnu. En réutilisant une œuvre originale préexistante et célèbre, condition sine qua non, je propose de rendre un hommage. Il ne s’agit en aucun cas d’un manque d’inspiration surtout lorsque l’on sait maintenant que : « l’art naît de l’art et non de la nature » : Ernst Gombrich. Dans cette série, j’ai voulu revisiter des œuvres célèbres en utilisant ma technique graphique de l’éloge de l’approximation mettant en évidence la problématique de la défaillance et de la mémoire vaporeuse. English: Appropriationism or Remake is a simple concept. Indeed, it is enough to take again the work of an artist and to sign the new production of his name. It is not a question of copying the work as a forger could do. It is not a question of plagiarizing the work. As far as I'm concerned, I use the famous work of a recognized artist. By reusing a pre-existing and famous original work, condition sine qua non, I propose to pay tribute. It is by no means a lack of inspiration especially when we now know that: "art is born of art and not of nature": Ernst Gombrich. In this series, I wanted to revisit famous works using my graphic technique of praising the approximation highlighting the problem of failure and vaporous memory.

Français : L’Appropriationnisme ou le « Remake » est un concept simple. En effet, il suffit de reprendre le travail d’un artiste et signer la nouvelle production de son nom. Il ne s’agit, en aucun cas, de copier l’œuvre comme pourrait le faire un faussaire. Il ne s’agit pas non plus de plagier l’œuvre. En ce qui me concerne, j’utilise l’œuvre célèbre d’un artiste reconnu. En réutilisant une œuvre originale préexistante et célèbre, condition sine qua non, je propose de rendre un hommage. Il ne s’agit en aucun cas d’un manque d’inspiration surtout lorsque l’on sait maintenant que : « l’art naît de l’art et non de la nature » : Ernst Gombrich. Dans cette série, j’ai voulu revisiter des œuvres célèbres en utilisant ma technique graphique de l’éloge de l’approximation mettant en évidence la problématique de la défaillance et de la mémoire vaporeuse. English: Appropriationism or Remake is a simple concept. Indeed, it is enough to take again the work of an artist and to sign the new production of his name. It is not a question of copying the work as a forger could do. It is not a question of plagiarizing the work. As far as I'm concerned, I use the famous work of a recognized artist. By reusing a pre-existing and famous original work, condition sine qua non, I propose to pay tribute. It is by no means a lack of inspiration especially when we now know that: "art is born of art and not of nature": Ernst Gombrich. In this series, I wanted to revisit famous works using my graphic technique of praising the approximation highlighting the problem of failure and vaporous memory.

Français : Réalisation du portrait de @Anissa Arfaoui dans le cadre de la préparation de l’exposition : « Les chroniqueurs de #Télématin sur #France 2 et la dissipation et vapeur de la mémoire télévisuelle. English : Realization of the portrait of @Anissa Arfaoui as part of the preparation of the exhibition: "The chroniclers of # Télématin on #France 2 and the dissipation and vapor of television memory. https://www.pierretomyleboucher.fr

Réalisation du portrait de @Valérie Maurice dans le cadre de la préparation de l’exposition : « Les chroniqueurs de #Télématin sur #France 2 et la dissipation et vapeur de la mémoire télévisuelle.

In my pursuit of advancing my career in technology I came across an advertisement for a Harvard Blockchain Certificate program that immediately caught my attention. The website was impressively crafted featuring official logos, detailed course descriptions and what appeared to be genuine testimonials from "alumni." Ignoring my father's warning "Son if you have to pay in crypto it’s probably a scam" I eagerly enrolled and sent $15,000 in Bitcoin as tuition convinced I was making a wise investment in my future.However my excitement quickly turned to despair when the website vanished without a trace. There was no login portal, no customer support and no way to recover my funds, just an empty void where the program had once existed. I felt utterly defeated realising I had fallen victim to a sophisticated scam. My father, while disappointed, chose not to dwell on my mistake. Instead he stood by me and helped me search for potential solutions determined to find a way to recover my lost investment.During our search we discovered SALVAGE ASSET RECOVERY, a firm specialising in cryptocurrency fraud cases. Although I was initially sceptical I felt I had no other options and decided to reach out to SALVAGE ASSET RECOVERY . Their team responded quickly and exuded professionalism assuring me that they had the expertise to handle my case. They explained that they would utilise blockchain forensics to trace my stolen funds, a process that sounded both intricate and promising. SALVAGE ASSET RECOVERY acted swiftly employing advanced techniques to track my Bitcoin through various wallets. Their team successfully uncovered the scammers’ trail revealing how my funds had been transferred and concealed. Remarkably within three weeks SALVAGE ASSET RECOVERY located the full amount still sitting in a wallet untouched and not yet laundered. This was a fortunate turn of events as many victims never saw their money again.Their commitment and skill were clear and I started to feel a sense of optimism returning. Then I received the incredible news that SALVAGE ASSET RECOVERY had managed to recover all my funds. A wave of relief and gratitude washed over me as I realised that not only had I gotten my money back but I had also gained an important insight into the necessity of being cautious in the digital world . With the help of SALVAGE ASSET RECOVERY I transformed a distressing situation into victory. Get in touch with Salvage Asset Recovery Via below TELEGRAM 16592200206

Fraudulent companies have increasingly exploited the rapidly growing cryptocurrency market by offering crypto-backed debit cards that claim to allow users to spend their digital assets seamlessly in everyday transactions. These scams often lure victims with promises of exclusive “Platinum” or “Elite” cards, which require a substantial upfront deposit. Once the payment is made, however, the promised cards never arrive. I found myself caught in this web of deceit when I was enticed by the allure of a “Platinum Crypto Card.” The marketing was compelling, showcasing high spending limits and instant access to my cryptocurrency funds. I was convinced that this card would elevate my financial experience, allowing me to use my digital assets just like cash.After much deliberation, I took the plunge and paid $25,000 upfront, believing I was making a wise investment. But as the days turned into weeks, my excitement quickly turned to dread. The card never arrived, and my attempts to contact customer support were met with silence. It felt as if the company had vanished, leaving me in a state of disbelief and despair.Realizing I had been defrauded was a crushing blow. I felt a mix of anger and shame, grappling with the fact that I had trusted this company. With no clear path to recovery, I felt utterly helpless. That’s when I discovered Salvage Asset Recovery, a service dedicated to tracing and recovering cryptocurrency lost to fraud.I reached out to them, desperate for assistance. They began their investigation by tracing my digital transactions linked to the initial payment. Using advanced cryptocurrency analysis tools, they identified the scammer’s wallet address. To my shock, this wallet was part of a larger network connected to a notorious Ponzi scheme that had defrauded many others. Salvage Asset Recovery didn’t stop there. They worked closely with cryptocurrency exchanges where some of the stolen funds had been transferred. By presenting detailed transaction histories and wallet connections, they managed to persuade several exchanges to freeze the fraudulent assets. In the end, they successfully recovered $18,000 of my original $25,000 payment. While I still faced a significant loss, the recovery provided a sense of relief and justice. This experience has taught me the importance of vigilance in the cryptocurrency space. I now understand that while the potential for profit is immense, so too is the risk of fraud. Services like Salvage Asset Recovery are crucial in this battle against crypto scams, offering a lifeline for victims like me who feel lost and betrayed. Contact them on Whatsapp+== 1 8 4 7 6 5 4 7 0 9 6 Telegram===@Salvageasset Email=== Salvageassetrecovery@alumni.com

Practicing in procreate. Finally got somewhere with this.

Dhammapada verse 127 & 128 You will not find a spot in the world – Not in the sky, not in the oceans, Not inside a mountain cave – Where you will be free from your evil karma. You will not find a spot in the world – Not in the sky, not in the oceans, Not inside a mountain cave – Where death will not overtake you. (translated by Gil Fronsdal) x x x Death ©️ DreamWorks Studios Death : originally voiced by Wagner Moura (born June 27, 1976) from "Puss in Boots: The Last Wish" (2022) Directed by Joel Crawford and written by Paul Fisher, Tommy Swerdlow, and Tom Wheeler x x x Treefood - That Handsome Devil https://m.youtube.com/watch?v=vxcgn.....bWUgZGV2aWw%3D

This one was definitely fun to make! It was created during the chilly nights that November brought. I'd like to say I learned a lesson from this painting, actually. I learned that sometimes it's okay to doubt yourself. The background in this painting was originally pure black with out lettering. It sat in my room for days, but in the pit of my stomach I felt that it just wasn't right. Eventually, I surrendered to the daunting sensation and started incorporating other colors into the mixture. Slowly, but surely, life was brought to what was originally just a plain idea.

Didn't get a chance to finish the piece I wanted to for today's Inktober. I decided to finish up an old piece that I have had sitting around for awhile. Just some quick shading. Will hopefully be able to finish my other drawing tomorrow.

Français : L’Appropriationnisme ou le « Remake » est un concept simple. En effet, il suffit de reprendre le travail d’un artiste et signer la nouvelle production de son nom. Il ne s’agit, en aucun cas, de copier l’œuvre comme pourrait le faire un faussaire. Il ne s’agit pas non plus de plagier l’œuvre. En ce qui me concerne, j’utilise l’œuvre célèbre d’un artiste reconnu. En réutilisant une œuvre originale préexistante et célèbre, condition sine qua non, je propose de rendre un hommage. Il ne s’agit en aucun cas d’un manque d’inspiration surtout lorsque l’on sait maintenant que : « l’art naît de l’art et non de la nature » : Ernst Gombrich. Dans cette série, j’ai voulu revisiter des œuvres célèbres en utilisant ma technique graphique de l’éloge de l’approximation mettant en évidence la problématique de la défaillance et de la mémoire vaporeuse. English: Appropriationism or Remake is a simple concept. Indeed, it is enough to take again the work of an artist and to sign the new production of his name. It is not a question of copying the work as a forger could do. It is not a question of plagiarizing the work. As far as I'm concerned, I use the famous work of a recognized artist. By reusing a pre-existing and famous original work, condition sine qua non, I propose to pay tribute. It is by no means a lack of inspiration especially when we now know that: "art is born of art and not of nature": Ernst Gombrich. In this series, I wanted to revisit famous works using my graphic technique of praising the approximation highlighting the problem of failure and vaporous memory. https://www.pierretomyleboucher.fr