train

So I am making a little animation (as part of my art training) and this is the first frame. It's to a song, so I put the words on the screen, so that's why the word is there

Day two of my art training! It took way too long, haha. So, anyways, this is my DnD character, Pox's, dad. I have no idea what to name him because lately, I have been very uncreative. Anyways! This guy is the god of illness and poison, and is just generally really cool. I like him, even if I don't like this drawing all too much.

DAY ONE OF INTENSIVE ART TRAINING! Okay, back up, calm down... So! A little background. I am going into INTENSIVE ART TRAINING because I'm not the best at drawing humans. I want to get better so I can draw people, characters, and find my style. There will be 50 days, and this is day one. This drawing came from an old sketchbook from middle school. I won't post the original drawing (it's...less than ideal...), but you can see this redraw of the character. Thanks for reading this!

I'm uploading the two pages backwards so when they are all uploaded you can see them left to right. But this is page two. I worked on this at at training the other day, training days make for great art doodle days. If you want to see more I do have a tumblr account.

Stripped of skin, status, and story, what remains is the truth beneath it all. Bone Deep is a minimalist skeletal portrait rendered in graphite and ink on canvas, built through cross-hatching, stark contrast, and deliberate restraint. The exaggerated skull and hollow eyes confront the viewer directly — not with fear, but with inevitability.

A quiet study of restraint at altitude. Framed through an aircraft window, the world below drifts by while the interior remains still—objects worn, familiar, and waiting. Subtle distortions in perspective and muted tones emphasize the tension between motion and pause, progress and endurance. This piece captures the discipline of waiting while suspended between departure and arrival, where patience is not passive, but practiced under pressure.

A restrained hybrid subject is documented during intake. Contained not for what it has done, but for what it may become. Done on 16x20 canvas

24x30 canvas A weathered steer skull fixed against a wagon wheel, drawn in graphite, charcoal, and ink, evokes the grit and resolve of westward migration. The skull stands as a quiet emblem of endurance, sacrifice, and survival, while the wheel anchors the piece in motion and passage. Westbound ’49 references the year many headed west in search of promise, capturing the stark beauty and cost of that journey in restrained black and white.

This feather rests as a symbol of gentle guardianship. Light enough to drift, yet preserved with intention, it speaks to protection without restraint—something watched over, not controlled. It represents care that is quiet, constant, and strong precisely because it does not weigh anything down.

A moment suspended between departure and arrival. Interim explores transition—where movement pauses, direction is uncertain, and meaning exists in the waiting. Rendered with restraint and negative space, the piece invites reflection on the quiet spaces between what was and what will be.

This is the 5th piece that I painted during my train journey. I painted this scene after passing so many bridges, i was wondering how the people from below might see us when the train is crossing the bridge. A group of girls ( students ) got excited when I showed some of my paintings. So I gifted one of them this (●'◡'●)

This is the 4rth piece that I painted during my train journey. I painted this scene after getting mesmerised by the view from the train window. It was Day 1, evening, 4 pm. We were passing through mountains and lakes. A group of girls ( students ) got excited when I showed some of my paintings. So I gifted one of them this (●'◡'●)

This is the 3rd piece that I painted during my train journey. I painted this scene after missing my greeny patches on house from outside. I didn't like how this painting turned out to be. But still fine T_T

This is the 2nd piece that I painted during my train journey. I painted this scene after getting mesmerised by the view from the train window. We just passed by a lake which had flowers on the riverbank. A group of girls ( students ) got excited when I showed some of my paintings. So I gifted one of them this (●'◡'●)

This is part of a beautiful moment that was created as I was painting on these mini watercolour sheets. During the journey, I painted around 5 paintings. This is the first painting I painted during my train journey. A group of girls ( students ) got excited when I showed some of my paintings. So I gifted them this. More on the way ....

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Photograph taken in a moving car.

Just some of my bat creations. Also, training at work was very boring.

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Apart from it being a hamlet in East Lothian somewhere, I have no idea what Phantassie’s like… The places you pass by on trains, innit.

Narwhal flavours, washi tape as always and a cheeky Cymera sticker to start my current sketchbook… this one entitled “All Fishes Are Weird”. One way to kill time during delays getting back home on the train back from London yesterday!

I am an art teacher with a master’s degree—trained by brilliant professors who believed that art could do more than decorate walls. I offer safe spaces for teenagers to grow—nourishing soil where their imaginations can take root. And yet… I am assigned to hallway duty. This is compulsory education, after all. So I sit—posted like a sentinel—watching young lives stream past. “Get to class,” I say with a smile and a nudge. The system wants attendance; I’m hungry for presence. Armed not with a whistle or clipboard, but with a pen— my scribble’s soft insurgency. The hallway stretches out like a geometric hymn. Columns and corners chant structure. Teenagers swirl past—half-formed galaxies of limbs and laughter— their orbits chaotic, their gravity pulling time forward. I begin to draw. Not their tardiness, but their motion. A shoulder. A blur of sneakers. A tilted head chasing freedom. Feet flickering like seconds. Each mark a pulse. Each smudge a breath. My paper becomes a seismograph of seeing— trembling gently through the mundane. This isn’t about making art for a frame or a feed. It’s about refusing to leak away in the fluorescent hum of obligation. It’s a quiet mutiny against the clock. I do this on long car rides, too (passenger side, mind you). Letting the lines grow wild, jagged, and unapologetic. Not for polish— but for presence. This is how I remember I’m still alive. Still growing. Still watching. Still choosing to see. Because sometimes mental health looks like a piece of scrap paper, a moving pen, and the simple, sacred act of marking time with wonder.