ugh

I went on ahead to the house, crying all the way, but now it was mostly to make an impression. Daddy followed and lit a candle because all the lamps were in the theater. He showed me the pike he had caught. It's a lovely one, I said, because one must always say something when someone catches a fish. And then it was too late to cry any more. I put on my ordinary clothes again and we had a cup of tea together. Sculptor's daughter by Tove Jansson. #dailydrawing #toveJansson

#29 Breath of Fire 2 - My fanart drawn in ibis paint on iPad pro. I recently discovered this game on the Super Nintendo. I really like the artist’s concept artwork for BoF2. I wanted to draw a few of the characters and the logo in my style. Ryu is the main character, and I like Catwoman type characters, so I thought Katt looked fun to draw. Also, I drew the logo slightly different from the original. I don't like to draw every detail exact. As usual: [No Tracing] [No Ai] [No free form line tools for inking except for the perfect circles]

I stared and stared at her until I had stared her into little pieces and I thought, you're big and scraggy like a carthorse and nobody can hunt for you in the grass and you couldn't hide anywhere because you can be seen the whole time and you can't surprise anybody and make them feel good! You have completely spoilt our games for no reason because you can't play games yourself! O alas and alack! No one wants your presents. He doesn't want them! You're nobody's surprise, and you can't understand because you're not an artist! And so I went a little closer and humiliated her by saying the most terrible thing of all : amateur! You're an amateur! You're not a real artist! - Sculptor's Daughter by Tove Jansson #dailydrawing #tovejansson

Finally getting back into the swing again , heres my p40 drawn out on the canvas . I inked it so hopefully the details will show through when im painting it ...

A predator reduced to bone but not to silence. The body is gone, yet the motion remains — jaw open, spine curved, still moving through water that no longer needs flesh to carry it. This is not a fossil resting in sand; it is a hunter that never learned how to stop. The ocean keeps its shape alive. Instinct outlasts life. Some creatures don’t die — they continue.

Stripped of skin, status, and story, what remains is the truth beneath it all. Bone Deep is a minimalist skeletal portrait rendered in graphite and ink on canvas, built through cross-hatching, stark contrast, and deliberate restraint. The exaggerated skull and hollow eyes confront the viewer directly — not with fear, but with inevitability.

A stylized architectural illustration capturing the intricate beauty of a classic brick gateway and decorative ironwork. This design blends traditional sketching techniques with a modern, vibrant color palette, making it a perfect statement piece for those who appreciate urban history and fine masonry details.

Got inspired recently and made this. I thought I'd have more time to sketch out stuff, but things are busy again...oh well...

If a thousand girls walked past under this tree not one of them would have the faintest idea that I am sitting up there. The pine cones are green and very hard. My feet are brown. And the wind is blowing right through my hair. Sculptor's daughter by Tove Jansson. #dailydrawing #toveJansson

A quiet study of restraint at altitude. Framed through an aircraft window, the world below drifts by while the interior remains still—objects worn, familiar, and waiting. Subtle distortions in perspective and muted tones emphasize the tension between motion and pause, progress and endurance. This piece captures the discipline of waiting while suspended between departure and arrival, where patience is not passive, but practiced under pressure.

Fanny was sitting on the fence singing the great rain song. Sculptor's daughter by Tove Jansson. #sculptorsdaughter #toveJansson #dailydrawing

The house is grey, the sky and the sea are grey, and the field is grey with dew. It's four o'clock in the morning and I have saved three important hours which can be counted as extra. Or perhaps three and a half. I have learned to tell the time, although I'm not yet quite sure about the minutes. Sculptor's daughter by Tove Jansson. #dailydrawing #toveJansson

These thoughts are in my mind daily. I take care of my 91 year old father. I'm certain he has dementia but I can't get his doctor to diagnose him. He can easily pass a competency test, even though he is no longer competent. My mind is messy, to say the least.

I painted this to hang in my daughter's room.

Behind the Russian Church there is an abyss. The moss and the rubbish are slippery and jagged old tins glitter at the bottom. For hundreds of years they have piled up higher and higher against a long dark-red house without windows. The red house crawls round the rock and it is very significant that it has no windows. Behind the house is the harbour, a silent harbour with no boats in it. The little wooden door in the rock below the church is always locked. Hold your breath when you run past it, I told Poyu. Otherwise Putrefaction will come out and catch you. Poyu always has a cold. He can play the piano and holds his hands in front of him as if he were afraid of being attacked or was apologizing to someone. I always scare him and he follows me because he wants to be scared. - Sculptor's Daughter by Tove Jansson #dailydrawing #tovejansson

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In “I Love Lamp,” Ty Patmore blends nostalgia, humor, and subtle unease into a surreal domestic scene where time, space, and memory feel slightly off-center. A lava lamp—softly glowing with drifting shapes—sits on a worn wooden table, acting as the sole beacon of warmth inside a room that is quietly falling apart. The wallpaper peels back to reveal fractured brick beneath, as if the structure itself is shedding its old skin. A melting wall clock drips down the surface like time losing its grip, while a framed picture of a UFO drifting over pine trees hints that even the outside world may not be quite right. Every object bends reality just enough to make the viewer question whether this room is comforting… or unsettling.

What I Learned from Looking through my childhood artwork, help me discover my art style: It was already within me. A Picasso documentary got me intrigued.The film captures the moment and the mystery of creativity. 

“Haven’t thought too deeply about having children but I wouldn’t shy away from that challenge.”

A striking, high-contrast graphite study of a hand in the act of writing. Created in a rapid 45-minute sitting through self-observation, this piece captures the intricate anatomy and focused tension of the artist's own hand as it holds the pen. The tip being pencil the top being pen and finger tips slightly smudged incorporate all aspects of the mediums used to create it.

Up on a hill, deep in Deadwood Lies an old shack, that fosters no good Inside this shack floats a very old being To seek it out, is to regret such a meeting A blue floating skull, who brings sweet promises of doom Sits all alone in a dark four corner room Why is the reason, this being is there Why does it beckon one to come near Its lonely and bored So it calls out to you The skull was once mighty and powerful too Causing great pain on subjects like you The beast of an age Caught by a mage imprisoned in here no longer to torment the world and spread fear But just being caught wasn’t enough It stifled its power but its will, was left uncorrupt The skull, now a seeker of dreams Destroyer of love, life, and of schemes #embracingnightmares

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A far-too-common archetype that i have observed frequently in people as they converse with another is one in which an individual uses two layers of defense to protect an otherwise unexamined confusion or emptiness. This relates to a defense of the ego and does not apply to all situations involving anything discussed. First posturing: -A mask (or wall) of mockery is sustained in which the defensive individual behaves flippantly as if in jest. This positioning is a way to be aloof from the situation, using incredulity and belittlement to keep a person or their ideas away from the defensive individual. Second posturing: -A mask (or wall) of rage is revealed after a certain level of perceived threat is achieved internally. This positioning is usually the one the defensive individual maintains when they have given up the argument or the introspection. Not risking an ontological or existential crisis, the defensive individual lashes out with anger, often accusatorily in manner, potentially belittling others further or just plain rushing away in a huff. This is usually the end of the engagement. Third posturing: -The masks (or walls) both come off, leaving the defensive individual to examine the thoughts or behaviors involved in the situation more critically. The defensive individual may find themselves feeling deeply uncomfortable, sad, uneasy, lost, or confused. This position leads to introspection and to a genuine openness, which is not something that the defensive individual had been prepared for. They may find that they were incorrect, only partially correct, or that the perceived rightness of their idea/behavior now has an expanded context, all of which may seem frightening. Individuals may become mentally paralyzed at this point. It takes a strength and an honesty to reflect in this position, which is not something that everyone expressing this archetype will be capable of doing. (Based on my professional insights as: a cashier, as a member of various technical support staffs, as an occasional minister, and as a peer counselor. Also based on my casual and repeated interactions with both strangers and with more intimately known persons over the course of my lifetime. Observations are my own.)

If i was real youd see me cry If i was real youd watch me die If i was real youd spit in my eye If i was real youd know a lie If i was real youd know my name If i was real id bring you shame If i was real id show you pain If i was real id drive you insane But im not real Im just a name Meet me in the dark Meet me in the light Ill crawl inside your skin Eager for a bite Ill coil around your thoughts Let me stay Together we can obsess Over every shade of grey Deny my existence Dont say my name I dont love you Make no mistake Im not here for salvation Im here for the pain Embrace me my child Nightmares My name #embracingnightmares

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Got started on the classic show again and got the urge to draw out the greatest evil that ever crossed our screens. Though with the twist of showing the Great Evil in a more desolate, ruined presentation. What do you guys think?

...as my daughter says. Watercolour on watercolour paper. Mixing all the greens was real fun. I enjoyed every minute of creating this piece. And, of course, the first person I showed it to, found some fault with it...