From Sketch to Final Water Coloring Stages, this is a spread from Tide Day! A lot goes into making a good composition, taking into account the center of the image where the binding is, and how to play with size and negative space. One of my favorite things to do is explore contrasting expressions between characters and highlight their emotions through physical stances and expressions. This was a tough challenge with the lack of limbs and the watery context, but Pearl's stubbornness and attitude shines through!
Stripped of skin, status, and story, what remains is the truth beneath it all. Bone Deep is a minimalist skeletal portrait rendered in graphite and ink on canvas, built through cross-hatching, stark contrast, and deliberate restraint. The exaggerated skull and hollow eyes confront the viewer directly — not with fear, but with inevitability.
In “I Love Lamp,” Ty Patmore blends nostalgia, humor, and subtle unease into a surreal domestic scene where time, space, and memory feel slightly off-center. A lava lamp—softly glowing with drifting shapes—sits on a worn wooden table, acting as the sole beacon of warmth inside a room that is quietly falling apart. The wallpaper peels back to reveal fractured brick beneath, as if the structure itself is shedding its old skin.
A melting wall clock drips down the surface like time losing its grip, while a framed picture of a UFO drifting over pine trees hints that even the outside world may not be quite right. Every object bends reality just enough to make the viewer question whether this room is comforting… or unsettling.
A captivating original painting by Ty Patmore depicting a dandelion seed head bowing under its own weight. The Seed Crown uses powerful shadow work to give this common sight a monumental presence, reminding the viewer of the beauty found in nature's final, quiet moments.
Draped in delicate pencil strokes, this artwork elegantly portrays a historic city gate, standing as a timeless sentry to myriad untold stories. Each shaded contour brings forth the intricate details of the gate's architecture, echoing the urban landscape of a bygone era. The deft use of monochrome evokes a nostalgic journey through the annals of time, where every shadow and highlight adds to the depth and texture of this piece. This mesmerizing blend of artistry and history invites viewers to step into the past and embrace the serene splendor of the city's storied gateway.
Igor Stravinsky (1882–1971)
“I get up at about eight, do physical exercises, then work without a break from nine till one,” Stravinsky told an interviewer in 1924. Generally, three hours of composition were the most he could manage in a day, although he would do less demanding tasks—writing letters, copying scores, practicing the piano—in the afternoon.
Unless he was touring, Stravinsky worked on his compositions daily, with or without inspiration, he said. He required solitude for the task, and always closed the windows of his studio before he began: “I have never been able to compose unless sure that no one could hear me.” If he felt blocked, the composer might execute a brief headstand, which, he said, “rests the head and clears the brain.”
- From Daily Rituals: How Artists Work by Mason Currey
This captivating ink drawing features a fantasy character standing still, deeply rooted to the earth and seamlessly merged with nature. Surrounded by a complex web of trees and plants, the figure embodies the essence of the natural world. In the background, a mesmerizing sunset casts a warm glow over abstract waves of clouds, creating a harmonious blend of light and shadow. This artwork symbolizes the profound connection between humanity and the environment, inviting viewers to reflect on the beauty of nature.
This black and white ink drawing portrays an aged man with a beard lost in deep contemplation within a futuristic spaceship setting. The subtle hints of sadness on his face are contrasted against the vastness of space, where the Milky Way is barely visible in the background. The artwork evokes feelings of isolation and reflection, inviting viewers to ponder the human experience amidst the cosmos.
Detail of Hiroshige's Akasaka Kiribatake, from 100 Famous Views of Edo, 4th month of 1856.
I loved the foggy outlines of the leaves, the extreme foreground, the colors. And his skies! His skies are magical.
The exhibit at the Brooklyn Museum closes in 2 days on August 5. It is wonderful.
#museumsketching #hiroshige #sketch
This artist is an amazing. She sells incredible art for just 30 dollars! Go check them out! https://go.fiverr.com/visit/?bta=487415&brand=fiverrcpa&landingPage=https%3A%2F%2Fwww.fiverr.com%2Fweiicart%2Fpremium-anime-waist-up%3Fcontext_referrer%3Dlogged_in_homepage%26source%3Dviews_related%26ref_ctx_id%3D5a215d2becb7a14a184e3df8c4c52b90%26context%3Drecommendation%26pckg_id%3D1%26pos%3D1%26context_alg%3Dgig_views_graph%26imp_id%3Df27c5841-1e45-47c4-b075-36319d2247ce
it is a zentangle that I worked very hard on while on a car ride with my grandma papa and my mother in the grocery store in a building and in the car. those spikes are the sun and so is that arch. it is supposed to be a sunset. the humps are the ground /hills. thank you for your views, likes, and followers! thank you for your support!!!
Trying my hand at some character design with the intention of eventually modeling it. Only the front view so far. Still have some painting to do to get rid of the rather "designy" black ink outline. Then on to the side view, then to POLYS!
I've already made stylized Jester, so I figured I'd make stylized Dellusion, too. This one is a full body. I did a full body because I need to develop more as an artist, and part of that is to start drawing things I'm not entirely sure of. Like, legs, or perspective, like how his claw is bigger than the rest of his body because it is closer to the viewpoint. I had a lot of fun with this, though, and I hardly ever draw something so exaggerated. Anyways, Dellusion is a private vessel for a specific soul, who works alongside Jester. They both run the pizzaria, but Dellusion is more of the co-owner. Only Jester and Dellusion are sentient, because they're both sort of possesed. Drawn with FireAlpaca.
