The boy calls his brother to view the Ship. It's cool cozy weather. He feels happy and excited to watch it sail. This one is my favorite painting. It's clean & minimal. Reminds me of a cool, cozy, clear sky and before a rain
I designed this house. It has a really pretty blue exterior, and it has a slight curve to it that gives it a more warm and inviting feel. I like how the walkway kind of curves into the stairs and transitions back into the walkway before arriving at the front door. I like that there’s plenty of yard space with some really nice landscaping. The birds can even come and get a birdbath. I thought that was really cute. I used the multicolored stones to add detail for a more distinguished look. The hedges are neatly cut in a square and follows along side of the house. Looking through those gorgeous windows you can see the house is fully furnished. There are some really pretty chandeliers in there that adds character. There’s a stairway that leads to another level of the house as well. I love how there’s a touch of yellow that highlights the points on the rooftop. Furthermore, the swing in the backyard adds an inviting feel to the scenery. Also, it’s a nice place to sit and enjoy the view.
Trying my hand at some character design with the intention of eventually modeling it. Only the front view so far. Still have some painting to do to get rid of the rather "designy" black ink outline. Then on to the side view, then to POLYS!
I started painting with acrylics again towards the end of 2018. On 4x6" canvas wraps, they were so small, but so much fun to paint. I was pleased with this one except for the fact the magentas for the foxgloves weren't as vibrant as I hoped. The location that inspired it is Irfon Forest in Mid-Wales. I can't imagine it's a particularly touristy spot, but it's an absolute hidden gem with extensive views over the Brecon Beacons.
The drawing contrasts what an individual see's and what the general public see's when viewing a particular topic. outside the frame of the glasses everything is plain black and white and has no important information that grabs your attention but inside the frame of the persons glasses there's a personalized idea or version of each person in the corridor. the drawing gives off the idea of seeing the world through another's eyes and using glasses as the medium to display that.
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I used a reference to draw this scenery. In the reference there was so many details that I really wanted to capture it. I even wanted to capture the details in the bride’s wedding dress. I think the groom looks quite handsome in blue (it’s HIS color as some people might say). I incorporated the long, beaded line under the bushels of flowers (just another element to add to an already beautiful scene). Also, as you can see, I added an audience watching the couple as they have their picture taken. The flowers spread along the table with the view of the wavy waters right behind them looks so refreshing. Every element served its purpose for the ultimate “moment to remember” feeling. One of my favorite things about this drawing is the string lights. It’s one of the smallest items to have, but they add character and charm to the scenery. The string lights give a romantic feel and is even more gorgeous at night. I enjoyed doing this drawing so much that I anticipated the second I’d be finished with it.
(HB pencil on below A6 paper) One of a number of sketches I did in a small sketchbook I made for myself. They became a series of them based on one character contained in its 10 pages. The full series can be viewed here: http://www.skavart.co.uk/2018/10/lulani-greenstar-elven-witch.html
An old-style doodle, with many parts to look at! This took a few days, from the initial drawing, to inking, to uploading to my computer and digitally coloring and adding textures and detail! Lots of fun, and definitely different from my normal doodle-style. Thanks for viewing!
My painting professor drew this diagram on the board and suggested that it is a diagram for a painting. "Begin with large areas, covering the canvas with general colors and shapes. Refine the shapes and begin adding details. Refine the details and work with smaller brushes. When you are adding marks that your viewers would not notice, be done." There is more, but that is enough to ponder for now.
I take pride in experimenting with different photo exposures to bring out new dimensions in my creations. My work never feels complete, as there's always more room for exploration. I invite you to view my upcoming uploads from all angles as I bring them to life through my artistic expressions, such as dance, writing, or meditation.
I keep seeing the word 'binary' crop up a lot in various discourses I’ve caught a glance at recently, whether it pertains to discussions around things like cancel culture or countless other things too numerous to mention. Funny what the lack of a middle ground these days does to certain people, irrespective of their political/ethical viewpoints...
A hand-drawn illustration capturing the quiet beauty of a slow afternoon. Featuring a traditional tea set and a bursting vase of purple wildflowers against a sun-drenched window, this piece blends the "Sunday Reset" aesthetic with timeless botanical charm. Perfect for tea lovers, art collectors, and anyone looking to bring a touch of "home sanctuary" vibes to their walls.
What a wonderful Kirkus review!
(Paired here with my favorite improper contraction.)
"A thoughtful look at life, in all its beauty and strangeness.
...
This delightfully deadpan musing on life urges compassion for others. Howden’s straightforward text is on the philosophical side, though also rooted in the absurd. Hahn’s spare black graphite pencil watercolor, mostly set against a white background, are imbued with humor and empathy for the pickle, with the foodstuff’s expressive eyes conveying many emotions at once. "
https://www.kirkusreviews.com/book-reviews/sarah-howden/the-wise-pickle/
THE WISE PICKLE
by Sarah Howden ;
illustrated by Sabina Hahn
RELEASE DATE: June 23, 2026
This is the 4rth piece that I painted during my train journey. I painted this scene after getting mesmerised by the view from the train window. It was Day 1, evening, 4 pm. We were passing through mountains and lakes. A group of girls ( students ) got excited when I showed some of my paintings. So I gifted one of them this (●'◡'●)
A solitary rowboat drifts across a muted, restless surface, unanchored and unattended. Rendered in charcoal, ink, and subtle white highlights, the vessel exists in a quiet state of motion—moving, yet going nowhere. The surrounding water is suggested through loose, rhythmic lines, emphasizing atmosphere and isolation over realism.
The boat is sharply defined against the hazy background, its dark contours and interior shadows contrasting with the soft, unsettled environment. Oars rest unevenly, implying recent human presence while reinforcing absence. The name Perditas—Latin for “lost”—is affixed to the hull, anchoring the emotional weight of the piece without explanation.
This work explores themes of solitude, uncertainty, and endurance. With no shoreline or destination in sight, Perditas becomes a reflection on drifting—physically, mentally, and emotionally—inviting the viewer to confront their own sense of direction within an undefined space.
