A representation of how human connection is formed by dance and the variety of styles found within dance. Additionally, the colors represent the general emotions each style invokes.
Keith has been known to lead travellers astray in the swamp if they don't supply him with the correct number of Jammy Dodgers. The correct number is three.
As awesome as summer and winter are, I love the transitional seasons the best, especially fall. It's the best time to do sports, orienteering, bird watching, hikes. The crisp air feels so good, and I love the rustle of the dead leaves and grasses on a windy day. While sometimes I get sad to see the branches bare, I also love looking at and analyzing their structure. I find it fascinating that a tree can go from this mighty, fluttering thing to a spindly, knobby structure and remain fundamentally unchanged. It's a bit of a miracle
David Lynch (1946-2025)
I like things to be orderly,” Lynch told a reporter in 1990. For seven years I ate at Bob’s Big Boy. I would go at 2:30, after the lunch rush. I ate a chocolate shake and four, five, six, seven cups of coffee—with lots of sugar. And there’s lots of sugar in that chocolate shake. It’s a thick shake. In a silver goblet. I would get a rush from all this sugar, and I would get so many ideas! I would write them on these napkins. It was like I had a desk with paper. “
- From Daily Rituals: How Artists Work by Mason Currey
“I don't think it was pain that made [Vincent Van Gogh] great - I think his painting brought him whatever happiness he had.”
― David Lynch
Thank you for all your amazing art!
#dailyrituals #inktober #DavidLynch #goals @masoncurrey
Just some art I drew of my friend’s awesome oc ^^! Also, just wanted to say a big thank you to all of my supporters—I know I’m not very consistent with posting and can be late to replying to you guys, but I really appreciate the constant encouragement and support nonetheless :D! Have a wonderful day!
I remember how I just started making this piece with no guidelines no measurements.. nothing. Just me looking at the reference and goin blind in the feelings. I wanted to make this piece as alive as i could..I wanted to feel his presence near me.
This painting is based on an empty street at noon, when the sun is right above us scorching heat. the street look empty looking for a shade. I chose to show the street at 2pm where the sun slightly leans towards down.
The whole painting is done on parallel lines. If you notice closely the lines of building and the road meet parallelly.
Simple 5 min. drawings
Book 1 = story about why u have your particular name
If u have a story and wanna be drawn plz get in touch
10€ a drawing
Dave +351 969 534 520
https://artdavidmeehan.blogspot.com/p/7.html
https://www.facebook.com/media/set/?set=a.226052820830969&type=3
https://www.instagram.com/artdavidmeehan/
Simple 5 min. drawings
Book 1 = story about why u have your particular name
If u have a story and wanna be drawn plz get in touch
10€ a drawing
Dave +351 969 534 520
https://artdavidmeehan.blogspot.com/p/7.html
https://www.facebook.com/media/set/?set=a.226052820830969&type=3
https://www.instagram.com/artdavidmeehan/
2B pencil focusing on the eye, nose and mouth. The reflection today is a suggestion that we find what we look for, and we see what we want to see. Our family dinners include a sharing time of: 1. Who blessed you today? 2. Who did you bless today? and 3. What are you thankful for? It is suggested by some that if you focus on the abundance, you will not see so much of the lack, but if you focus on the lack, you will not be able to see the abundance so well. This was illustrated by the questions: "How many red cars did you see on the way to work this morning?" My answer was: "No Idea!" It is because I was not looking. If I was being given $100.00 for each red car I spotted, I would have certainly been looking, and maybe even getting creative with the definition of 'red'. What are you looking for? What are you finding?
Draped in delicate pencil strokes, this artwork elegantly portrays a historic city gate, standing as a timeless sentry to myriad untold stories. Each shaded contour brings forth the intricate details of the gate's architecture, echoing the urban landscape of a bygone era. The deft use of monochrome evokes a nostalgic journey through the annals of time, where every shadow and highlight adds to the depth and texture of this piece. This mesmerizing blend of artistry and history invites viewers to step into the past and embrace the serene splendor of the city's storied gateway.
