was

Last drawing of 2024 and looking forward to 2025! Did you know 2025 is a rare, "square number year" since 45^2 == 2025. The last time this happened was in 1936 (i.e. 44 x 44 == 1936), and the next time it will happen will be 91 years from now in 2116 (i.e. 46 x 46 == 2116).

There I did it! This was my first attempt.

Based off the urban legend of Edward Mordrake who was a man from the 1800's that had a twin on the back of his head. The twin supposedly would laugh, cry and tell whispers. This then led to Mordrake secluding himself in a room before deciding to take his own life at the age of 23.

This was the best sketchbook I ever owned. It appeared mysteriously and within a year, was gone to the wind. These are the back pages where I was exploring different water and alcohol marker brushes and ballpoint on the amazing vellum-like paper.

I don't know what the fuck I just made I was trying to draw a cookie but the reference that I had had a lot of like different cracks in it I wasn't familiar with. I was doing draw a box earlier in 2021 but I stopped doing it because I started getting into my head I started doubting myself I was like why am I just trying to seriously draw now at 27, why did I go to school for 6 years to get a 4 year art degree, why is my art is not at the level I want it to be compared to all my classmates; these are all reasons why I'm doing this 365 challenge and I should remind myself that all the fucking time. I'm also going back to work for the next 4 days and work takes all of my energy to do art. Tomorrow marks 20 days of doing this, I'm proud of that.

I’ve been going through a bit of an art slump lately, but I finally got myself to pick up the pencil and finish this. My reference photo was a bit grainy so had some trouble with that, but overall I’m pretty pleased with how it turned out. Done in graphite, drawing itself is about 5x6 in

I’m often asked about my Bic pen drawings and how I do them. It starts with a good foundational drawing, the ballpoint pen part is just trying to colour within the lines. I try to do my best to explain the process, but the best way to show my progress is by posting my efforts to master pen drawings over the span of 3 or so years. I have been doodling/drawing with ballpoint pens as far back as I can remember - they were cheap, readily available and always lying around the house. It wasn’t until I was bored during a particularly long team meeting-conference call (around 2016-17) that I started to think about the possibilities of ballpoint pens as serious portrait illustration tools. My first experiments with full colour ink portrait drawings were rather crude, but that’s the point of learning new techniques—as long as the curiosity and the love of drawing is there, you can transfer that skill and passion into any medium. Remember, the most exquisite drawings and paintings you see didn’t materialise fully formed, they started out as failed experiments. Failure after failure after failure. It’s important to remember this when you get discouraged (I've failed spectacularly over the years). The only difference between the accomplished artist and the beginner is hundreds of hours of practice. Talent can only get you so far. It’s the hard work that you do behind the scenes that makes your work look effortless. Keep doodling. Keep learning. Stay curious.

This was in response to a friend’s art challenge. It was fun to try a new style.

This is my first attempt at doodling some trees and it most certainly was not an easy task. I hope as I practice that I will be able to draw more detail and a variety of trees. Special thanks to Jean Garro (@Gentoo201) for the inspiration with her awesome drawings! ʕ•ᴥ•ʔ♥♥ Thanks girl!

First OFFICIAL Commission! 8x10, Watercolor and Pen. Hey everyone! This time, I'm actually back. First off, let me say I was not planning to fall off the face of the Earth again. At the time I last posted, I had a little less than a month of school left and I had hoped I could wrap up all my final projects early and be done. I was wrong. My teachers assigned more and I had work due up to the day before school ended, but I survived! Since my last post, I do have some updates. 1. I did indeed graduate high school! I was very lucky my school not only had a ceremony, but it was at Soldier Field. (I'm very happy to say I graduated Summa Cumme Laude and with the honors of completing the Alpha STEM and the Arts program.) 2. I also got an Instagram! I'll be using it not only to post final pieces but also as a way to post progress. {@mapalomar.arts} With regards to this painting, it is my first official commission, past commissions were from people I knew (family or friends) but this one isn't. I can say I'm pretty proud of the end result, especially as a person who doesn't consider themself a watercolor artist, it's not too shabby. :) Anyway, I hope this piece will have a safe journey all the way to its new home in Massachusetts.

this is me irl when i was 5 well thank you if u saw this ^ω^ and follow my pixle art acc: LanaH YAWN UwU

This was inspired by driftwood and a bit of a fantasy landscape Idea.

haven't drawn her in a very long time but other than that she was fun to draw!she's the third female demon OC I created back when I was 17,she had a much more different look and she looked less like an demon princess and more like a succubus.I still haven't designed a crown for her yet I might give her some jeweled headband instead.she hides her eyes because as a royal she thinks that she should not have them exposed at all even though Eltrakarians have a lot of eyes.She is good friends with Prince Fedren,she is also older than him.perhaps I will make more of these OC drawings with descriptions soon.I forgot to include a color palette but I'll save it for a redraw or for another character drawing.

Newest work! Alcohol inks for the sky, oil pastels for O'Neill himself :). A2 canvas - biggest I've done in a while! This was a present for the boyf, who is a massive Stargate fanboy!

I'm not certain why I drew this even though I wasn't in the mood to draw

I suppose this was just a tester/practice piece? My first actual still life from observation and my first time actually using charcoal (yes, I've never truly used charcoal before. Charcoal and pastels are two things I avoid. Their looseness and freeness scare me, considering how rigid I can be). Not sure how to feel about this one. I'm my worst critic, and I've known that for a long time now. There's a lot of practice and progress to be made, but it turned out half-way decent.

This week hasn't been great. My anxiety was pretty high for most of it, and it was honestly for no reason. My brain tends to be very chaotic, I suppose, and I have trouble controlling my thoughts sometimes. This was a random doodle I did last night at 10 p.m. I've decided I'm going to add color to it, which will either look good or make everyone's eyes hurt even more..at least I have a picture of this version.

This was a requested painting that is sold . There were a couple special requests that i’m still working on so as of right now, this painting isn’t finished.

Old drawing(I was 22...) pen and ink on paper

Finally something new and fresh, again it was my first time to draw an animal with fur, which seemed always so difficult thing for me and still is, but now I'm not afraid of it anymore.

Watercolors and fineliners on Aquarelle, 300 GSM. Fantasy has always appealed to me ever since I was a kid, and I often find myself lost and wandering around in the fantastical world of "could've been's"

Spontaneous doodle with Pentel Brush pen on 3x3 wooden cube at MAP Fest 2018 in Publika (Malaysia). The dripping paint was unintentional.

This image was created to be a limited print to go along with my new book, 10 Years of Daily Drawings.

I was skeptical whether I could get the inner and outershadows of the avocade but I did it. And the texture of the paper helped a lot. Kudos to me!!!

As Halloween and Samhuinn fast approaches…

A special commission for a Christmas present, drawn on A3 medium cartridge using 0.03, 0.05 and 0.1 fine liners. This was a bit different for me but I loved it so much! Took about 28 hours in total.

In the Finnish mythology killing of a bear was followed by a great feast in honour of the bear (peijaiset), where a substantial part of the celebrations consisted of convincing the bear's spirit that it had died accidentally and hadn't been murdered. Afterwards, the bear's skull was hung high upon a pine tree so its spirit could re-enter the heavens. The bones of the bear were then buried under the pine. Reference for this work is my old drawing of karhunkallopetäjä/bearskullpine in the Riisitunturi. Also practice sketch of bear skull and at last photo i took of pine.

Created this before my trip to Japan. Combination of my characters and japan inspired stuffs. Japan was awesome!

Did you ever have a page in your sketchbook that was so bad and so embarrassing that you tore it out and chucked it? This was one of those pages that made me cringed every time I came to it. So today I said to myself, "ENOUGH!" and ripped it out of my moleskine. But something wouldn't let me throw it in the can. Now, I'm not one of those artists that can't bring himself to throw away any of his stuff because each and every piece, good or bad holds some kind of sentimentality or sense of importance. This particular page was a result of a crappy angst filled day and stuff poured out of me. For some reason, it felt like I was throwing away some piece of my soul. There were parts that were overworked and others that were painfully too personal. So I decided to cut it up and put it back together in no particular order, however it seemed best. As I was pasting the pieces down it occurred to me that this had a comic book feel so I scanned the final and added the black borders in photoshop which I really dug. I like that it is cryptic and jumbled up like my brain can so often be. This reminded me of the awesome @johnhendrix who said something in his book, Drawing Is Magic that stuck with me. He said, "Don't worry about doing anything wrong. If you're hoping your sketchbook turns into a glossy display of only your best drawings, you are not carrying a sketchbook, you are carrying a portfolio." In other words, explore, take chances, loosen up and have fun. Try your best to go at it like an uninhibited child. In so doing, you will stretch as an artist by avoiding repetition and predictability. We all know how to do what we already know. To sum up, I created a bad page, and whether or not I was able to fix it, it expanded me. So, follow your pencil, pen, or whatever and let them take you to places you never imagined when you started. Then, maybe you will end up staring happily at the final and with childlike wonder, say, "man, where did that come from?"

My Vintage blue floral pattern print was designed for fabric. Originally drawn in black & white line, the blue adds a vintage feel and reminds me of the blue and white china of yester year.