So this was merely a color practice with different brushes. I used marker, airbrush and paint. The hair is paint, the face, shirt, bow tie and shading was all used with marker. The airbrush was for the shiny effect on his bow tie. I have no rhyme or reason for this image, it was just something I created in my sketch book. I just needed to draw something to play around with.
A true doodle? Messing around with some markers. I think this character was originally supposed to be a HH OC, but wound up looking more like some reject from an 80's cartoon (which is acceptable to me lol).
5 of 5 of my scrapped characters. Her previous name was another name for goldfish, but I changed it to this one. She has no traumatic childhood and a loving family. She was meant for a story I gave up on.
2 of 5 of my scrapped characters. He at one point had a deep background of a knight forced to retire due to an injury. After recovering works in auto repair shop. The world was a modern/futuristic fantasy. He's not a main character so not much for a love interest or friend.
Color Pencil over Gesture. It was a contemplative day in the art classroom. Students were drawing self portraits and I had time to join them. Our discussion was on 'Reflection'. The image we see of ourselves in the mirror is not what people see when they look at us. They see the reverse. The mole on my cheek is on the other side of my face, if you were to look at me in person. This leads to discussions of perception and reality. It can be fun and humbling. We cannot live only by sight. We must have a faith of some sort. This reminds me of the Michael Feldman Public Radio Program called: "Whad'Ya Know?" It opens with the audience shouting: "Whad'd Ya Know?" and Michael replying: "Not Much! You?". We do not know much, I think, as much as we like to pretend that we think we do.
I am delighted to share that I Am a Dragon! has been named to the Pennsylvania Center for the Book's 2024 Baker's Dozen: Thirteen Best Books for Family Literacy!
Here is the list
( I am in such a good company!):
- “10 Dogs” by Emily Gravett
- “ABC and You and Me” by Corinna Luyken
- “Bear with Me” illustrated by Kerascoët, Sebastien Cosset and Marie Pommepuy,
- “The Concrete Garden” by Bob Graham
- “How to Count to ONE (And Don't Even THINK About Bigger Numbers!)” by Caspar Salmon and illustrated by Matt Hunt
- “I Am a Dragon! A Squabble and a Quibble” by Sabina Hahn, published by HarperCollins.
- “If I Was a Horse” by Sophie Blackall
- “The Kitten Story” by Emily Jenkins and illustrated by Brittany Cicchese
- “Mr. S” by Monica Arnaldo
- “Night in the City” by Julie Downing
- “Ruffles and the Cozy, Cozy Bed” by David Melling
- “Simon and the Better Bone” by Corey R. Tabor
- “You Go First” by Ariel Bernstein and illustrated by Marc Rosenthal
A character concept drawing of a pirate vampire character I created for a collab writing project that died. His clothing and even his hair borrowed aspects from various jelly fish as inspiration. " The snap of inky sails catching the wind punctuated the subtle wooden creaks of the Sea Nettle as it slid over glossy black waves. The night was oppressive. With the moon obscured by clouds, the ship, with its doused lamps and its dark wood was nearly invisible as she crept closer to her prize. Tallis stood on the forecastle, one foot propped against the railing, his hands supporting a spyglass. He drifted the lens between the lights below deck, counting each of them and making note of any movement on the upper deck and in the rigging. A single sailor was at the helm. Another was lazily standing beside him, possibly engaged in conversation that distracted him from his watch. This was to be expected, not many would dare to disturb such a well-equipped vessel of the Luthen royal fleet. Nettie's crew was lesser in numbers, but they were experts in what few on the high seas could manage. Tonight, would be a quiet strike. Open combat spelled unnecessary danger for his crew."
Konishi Mansho (1600 - 1644), the last ordained priest to serve in Japan during the prohibition era of the Tokugawa Shogunate (think of the Shusaku Endo novel, "Silence", which was adapted to film by Martin Scorsese in 2016). Exiled from his homeland in 1614, he eventually made his way to Rome and enter a convent to be ordained as a priest. He would later to his home country to minister to the persecuted Christians there, only to be arrested and martyred in 1644. I tried to mimic a traditional ink painting style to invoke the melancholic feel of this homecoming journey.
Julia Ota, a Korean girl who was brought back to Japan during the Imjin Wars (1592-1598). She was adopted by one of the Japanese commanders, Konishi Yukinaga, and was baptized as a Christian in 1596. She eventually became a lady-in-waiting to Tokugawa Ieyasu, but was later exiled to Izu Islands for refusing to recant her faith. Wherever she went, she became admired for her charity and evangelism, and she was revered as divinity on the islands up after her death up to the 20th century.
Watercolour on A4 watercolour paper. This was so much fun to paint, and it reminds me of holidays at my grandparents' house in Greece when I was a teenager.
They say Prometheus brought fire from the sun concealed in a hollow fennel stalk. They say tarragon came to be when a flax seed was pushed into the pierced root of a sea onion and planted after dark. The Minotaur simply likes the smell of chopped herbs.”
- Steven Sherrill
For some reason out of all of my drawings, this one went viral on Tumblr. So when I got to the Minotaur on the list of hybrid creatures, I had to (re)make this one.
The sentence is from “Minotaur takes a cigarette break” by Steven Sherrill. It’s wonderful.
Watercolour and the tiniest bit of coloured pencil and acrylic marker on watercolour paper. Size A4. Done with negative painting technique. This was inspired by a figure found in a Kinder egg from my daughter. It seems to be common sense these days to scan and fix your artwork digitally before posting it on any social media. I don't do that. I kind of like the little (or bigger) imperfections in my work, and I also believe that uploading traditional work that has been digitally fixed gives people the idea that such perfect pictures can be achieved in a traditional way.
This quick sketch of an impressionist painting is a reminder to me of how we cannot see anything until we are taught to see it. I was enjoying the painting because of the way Tarbell captured light, when a man and his wife joined me. The man said to his wife: "This is a wonderful painting, but I wonder whose lap the baby is on.". I was shocked because I was not able to see the baby till he mentioned that there was one. I noticed that it was indeed difficult to tell whose lap it was on. It was a transformative and humbling experience.
