It's 2019 and I am thankful for family, turkey dinner, and Rebelle 3! This Thanksgiving holiday I'm teaching my boys how to draw in Rebelle. They've watched me for years but they're finally old enough to draw on the Cintiq. They're going to love it. Artist friends, check out the Rebelle 3 demo if you haven't already! Happy Holidays!
This started as a line drawing based on a photo of peonies in the garden. It’s drawn with three different pens: Micron 005, Micron 03 and Faber Castell Pitt superfine (0.3) on 11x14 Strathmore Bristol Vellum. The paper isn’t terribly tolerant of wet media, so I played around with tinting it in Photoshop because I wasn't sure how it would go. But I liked it in color enough to chance painting the drawing with the nice and bright Dr Ph Martin Hydrus watercolors. It's photographed it on my drafting table with my glasses for scale. The lamp has a daylight bulb, so I think the color (at least where the light is more prominent) is fairly true.
Experimenting today with an oil transfer drawing technique. The red and purple lines are oil drawn/transferred to hot press 140 pound watercolor paper with watercolor applied. The oil resists the watercolor.
This started as a pen line drawing (with Skura Pigma micron pen) which I then painted with Dr PH Martin's Hydrus watercolors. They are fun and very bright. This is on Strathmore 300 11x17 Bristol paper.
Poppies are among my favorite flowers---vibrant AND delicate. Great swaths of "bread poppies" garnish our garden. We harvest seeds for lemon-seed cake and poppy-seed rolls. (No, we don't harvest that other stuff.) They reseed generously and we have beautiful crops of red and purple flowers each year. I've been working on this colored pencil drawing for the past week. Enclosed are some images of the progress over that time.
"With great frustration, the man threw his computer to the water robots." That's how I used to feel before discovering Rebelle by Escape Motions. It makes art fun!
In memory of the great John Lewis. (1940-2020)
Original ink and watercolor portrait painting on Strathmore 500 Series 4-ply Bristol illustration paper.
Signed by the artist. Unframed.