Mostly wet on wet technique and then wet on dry for the white paint. I used a Mont Marte Round 2 brush and Reeves watercolor paint tubes.
Also concocted my very own magic watercolor paint that made the black background somewhat similar to gouache.
I learned this painting from one of the best artists named Maria Raczynska.
This started as some scribbling with Inktense pencils on large plain drawing paper. Then I was done, I wanted to wet the the drawing to release the "ink," but I found that the paper would not take water without drastic buckling. So, it remains a drawing rather than becoming a painting.
The first stage of clay is slip. Slip is watery clay; it is most often used to "slip and score", which I used to attach the features of the mug to the mug itself.
The second stage of clay is wet. Wet is moist, very plastic clay. Wet is the type of clay I love to use, just because it feels so fresh, and because it is moist enough that I don't have to soften it with water.
The third stage of clay is leather hard. Leather hard is the stage my mug was in after being left on the shelf for twenty-four hours or so. It is easier to cut but very difficult to sculpt.
The fourth stage of clay is greenware. Greenware is completely dry clay that is fragile and breakable. I would say that greenware is an overdose of leather hard for the clay. In other words, leaving clay out for a longer amount of time can turn leather hard clay into greenware.
The fifth stage of clay is bisque. This is the clay after its first firing. If it was grey clay, it is now white in this stage. It is now completely hard and no longer soft in any way. Bisque, luckily, is only one stage away from glaze...
The sixth stage of clay is glaze. This is the final firing and results in a smooth texture and a shiny look. I loved the way my glaze came out. While I was painting the mug, it was more of a ruddy red-brown but when it glazed, it turned out to be this beautiful spotted green.
The Elwetrisch is a creature similar to a jackalope or a Wolperdinger but more common in south Germany.
They are apparently the offspring between elfs or domesticated birds like chicken, goose or ducks.
Interestingly enough their eggs are growing after they are layed.
WHIP IT GOOD. This ode to Devo was drawn with fountain pen ink run through brush markers. The watercolor effect was me running a wet brush through parts to make the fountain pen ink lift and pool. If you want more Leah Fun™, be sure to check out instagram Super_Starling!
My friend wanted nautical creatures for the back of her business cards, so VOILA. These are ink doodles that were scanned and given some color/grunge in Photoshop.
Colorful Goldfish - Another watercolor sketch from my newest sketchbook. I'm using Strathmore Mixed Media 300 Series (5.5 in x 8.5 in). It has 40 sheets of 90 lb. vellum surface paper. They cost under $10 and can be used for most anything including wet media (light washes) without the paper falling apart or warping badly. One of the best all purpose sketchbooks I've found and the size makes it easy to toss in a backpack and carry daily. Anyway, just wanted to share my good experience with the group. What's your favorite sketchbook brand/format?
This was my first stab at a Japanese-style 'sumi-e' or ink and brush painting in a 10 minute lunchbreak at work. The paper is a poor base for the wetness of the ink but better than not painting at all! I only have limited art supplies at work (not surpris
