Finally getting back into the swing again , heres my p40 drawn out on the canvas . I inked it so hopefully the details will show through when im painting it ...
Continuing to consolidate the colour profile of the White Bird. Even if the photo fails to capture it, those pale shades are actually a sophisticated mixture of grey, sky blue, pink, and purple shades, managed with eraser and finished with white.
Have been working on my ability to manage lighting, softening the shades and contrasts. Colouring white things are actually not easy, because you will notice all the minute colouring differences much more easily.
#28 - A collection of ballpoint pen sketches drawn on printer paper & scanned. This is what my lines look like when I'm not using a stabilizer in digital software to get the nicest clean lines. I tried to separate my scanned lines from the various shades of off-white that the scanner picked up. I adjusted the brightness and contrast levels in photoshop but I'm not very knowledgeable on how to achieve the best results.
To draw a forest so it's big enough you don't include the tops of the trees or any sky. Just very thick tree-trunks growing absolutely straight.
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In a proper painting of a forest everything is roughly the same colour, the moss, the tree-trunks and the branches of the fir trees, everything is soft and solemn, half-way between grey and brown and green but very little green. If you want you can add a princess, for example. She is always white and very tiny and has long yellow hair.
Sculptor's daughter by Tove Jansson.
A cow thinks he can jump over the moon, so he's leapt and employed wings to succeed. Moral of the story: Believe in yourself. If you believe you will succeed, the chances are very likely you will.
*PS photo 1 finished is is better is better then photo 2 is inked ver.*
*ps my og inked sketch is lost media so i used finished to photo edit on Google photos an inked since my cam roll rsndomly deleted it...
#24 Anime girl doodles - I think I drew this sometime last year 2025 - I just never bothered to upload it. Most of it was sketched on Magma.com and part of the inking process was finished in Ibis Paint, with only minor adjustments in photoshop. I do all my digital inking on an iPad pro, and I use those hollow aluminum capacitive styluses that you can get very cheap just about anywhere. I prefer them over the apple pencil because the apple pencil is too slippery and heavy. More uploads coming soon...
24x30 canvas A weathered steer skull fixed against a wagon wheel, drawn in graphite, charcoal, and ink, evokes the grit and resolve of westward migration. The skull stands as a quiet emblem of endurance, sacrifice, and survival, while the wheel anchors the piece in motion and passage. Westbound ’49 references the year many headed west in search of promise, capturing the stark beauty and cost of that journey in restrained black and white.
A whimsical depiction of an anthropomorphic frog making Freestyle motocross trick called "Seat Grab" in a classic penny farthing bicycle. The image is funny, humorous and minimalist, featuring a simple outline.
A solitary rowboat drifts across a muted, restless surface, unanchored and unattended. Rendered in charcoal, ink, and subtle white highlights, the vessel exists in a quiet state of motion—moving, yet going nowhere. The surrounding water is suggested through loose, rhythmic lines, emphasizing atmosphere and isolation over realism.
The boat is sharply defined against the hazy background, its dark contours and interior shadows contrasting with the soft, unsettled environment. Oars rest unevenly, implying recent human presence while reinforcing absence. The name Perditas—Latin for “lost”—is affixed to the hull, anchoring the emotional weight of the piece without explanation.
This work explores themes of solitude, uncertainty, and endurance. With no shoreline or destination in sight, Perditas becomes a reflection on drifting—physically, mentally, and emotionally—inviting the viewer to confront their own sense of direction within an undefined space.
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