why

World gone to hell Sons duaghters leaving their families homes, dying of a new and namles plague. Where are the gods? And what has become of my hero? I am king, but no more subjects are under my command. A kingdom falls. A new age dawns, the illest omens herald its bitter arrival . God preserve us. We have forasken god, they do not forasake us. This is why we must be stricken with sickness. . . .. … … Weep for me. Weep for all our brothers and sisters. And now every uncreative poet and halfwit bard seeks to make drama of our troubles. We are their muse, their grand epic to tell the children. Fear the virus, dont look away, disturb the dead, praise us for our lies to you. They lead the masses to slay each out of fear. Cry. Yes, cry Cry for your fallen. They will not be returning for you soon. But you are still alive, and for that you shall become stronger. Onward We cannot always bury the dead. Today , time is against us. We move foward, we carry the sorrow, but the ultimate goal is to defeat sorrow. Whatever form this darkess takes, we face it. Unafraid. And unrelenting. Forge on into the night. Not gently and quiet shall be our passing. For, if i am to end, and you likewise, we plant our flag atop the highest hill. We scream our battle cry and let none forget our actions . The very mountains will shake, and echo our last breath. This is my promise. If i shall die, i die as i am now A man. I have decided. So, i die ….. https://www.youtube.com/channel/UCKXBKF6a2BWVDy_SgMvk8GQ?view_as=subscriber

Uh, strange, not sure why the end of the flow is kind of levitating.

Peter took His Eye off Jesus and began to sink. Medium: Acrylic on canvas Size: 11”x 15” Date: 2019-2020 This illustration is one of nine, in a mural about the ministry of Christ. This image is block number 7. This painting illustrates Jesus rescuing peter, as he start to sink in to the sea, because he lost his faith when took his eyes off Jesus, and focused on the violence of the winds and waves of the storm. Matthew 14:22-33 New American Standard Bible (NASB) Jesus Walks on the Water 22 Immediately He [a]made the disciples get into the boat and go ahead of Him to the other side, while He sent the crowds away. 23 After He had sent the crowds away, He went up on the mountain by Himself to pray; and when it was evening, He was there alone. 24 But the boat was already [b]a long distance from the land, [c]battered by the waves; for the wind was [d]contrary. 25 And in the [e]fourth watch of the night He came to them, walking on the sea. 26 When the disciples saw Him walking on the sea, they were terrified, and said, “It is a ghost!” And they cried out [f]in fear. 27 But immediately Jesus spoke to them, saying, “Take courage, it is I; do not be afraid.” 28 Peter said to Him, “Lord, if it is You, command me to come to You on the water.” 29 And He said, “Come!” And Peter got out of the boat, and walked on the water and came toward Jesus. 30 But seeing the wind, he became frightened, and beginning to sink, he cried out, “Lord, save me!” 31 Immediately Jesus stretched out His hand and took hold of him, and *said to him, “You of little faith, why did you doubt?” 32 When they got into the boat, the wind stopped. 33 And those who were in the boat worshiped Him, saying, “You are certainly God’s Son!” When I did my research, I Found very few biblical accurate illustrations of the event. Very few captured the darkness and valiance of a stormy sky taking place at 3:00 am in the morning (which is the forth watch of the night. Many illustrations I found, their skies were too bright and calm. I found that the seas in these illustration had the same lack of movement and violence, the sea would have in a storm that was so strong the disciples were not able to make any headway in their crossing the lake. I notice that all illustrations of Jesus walking on water, show the viewer His feet. In reality the waves would most likely block the viewer from seeing his feet on top of the water. The unavoidable black eye in most of these illustrations of Jesus walking on water, is the ridicules and unrealistic possess they have Jesus in, of Him rescuing Peter. You know the ones where He is making some kind of sign with one hand, as it is held up toward the sky, and one hand reaching down to peter. What was I trying to accomplish in my illustration? I want to be careful, to being accurate with costumes styles, and colors worn by the poor people of Galilean society. I wanted to be accurate in illustrating a storm on the sea of Galilee. I looked over numerous photos on line, of storms taking place on the Sea of Galilee. To understanding how the water and sky behave during a storm I studied the colors of sky, clouds, and water, during these conditions, in this location of the world? Showing movement in the air and the water. I used stylist brush strokes, to create movement in the sky and in the water. I am hoping to make people feel the storm’s violent energy. Showing power of the wind blowing against the bodies of Jesus and peter, through the movement of clothes, and hair. Showing the anxiety of Pete, with his body swallowed up to the waist, his face looking up to Jesus to rescue him from drowning. Showing that Jesus offers security to Peter, from being swept away by the wave of the sea. By his secure grasp of Peter’s back arms. He is able to lift Peter out of the water. The message I want my view to receive, is that everyone who comes into the world will experience trials and tribulation. We can overcome our fears and be filled with courage, to enable us to battle our ways through these storm in life. When we place our trust in the one who has authority over the power of the storm, who is Jesus a member of the trinity of God that created all things. Written by Stephen J. Vattimo 3/16/2020

It’s showing the effects of bullying, like suicide. It’s shown through still life objects, and this color scheme made it more intense that’s why I chose it! Hope you enjoy a piece that took me one month to fully finish, the rope took a while!

My next monkey watercolor -well, mostly - there is a touch of acrylic paint on the eyes. I do not know why they are called red-handed - since they seem to have yellow hands.

Trees are kind of fun to draw, that's why I did another one over my lunch break.

I have alot of other hand drawing artworking but as a basic member i can only post 1 of them each day, more coming soon. This artwork is made with notebook paper and a pen with high lighter. I don't know why it went upside down xd

First time oil pastel. Concepts and Hope: as a woman struggling with autism spectrum disorder I grew up not understanding basic concepts in the world around me. Maybe this is universal. I didn't understand why we had to go out to play in school for example, or I didn't understand other people might not be as honest as I always had been. A lot of concepts have a different meaning for someone like me. So here I am naked between the concepts, misunderstood but hopefully looking up. Maybe one day the world will be more like my ideals are, maybe I will create a circle around me of likeminded people, maybe the world will never change enough but I will find peace with myself. One day I will get peace, one way or another. Hope. Oh and yeah, it's a mess with the oil at the bottom. Does anyone have some ideas to improve my technique?

Continuing my prolific streak as of late, because why not?

I asked for help because I saw it coming. They didn't provide suitable help for me. It came, no-one listened and they tried to send me away to save my neighbours, but I stayed. Then, after everyone was gone, they listened. WHY? Just why isn't MY safety imporant enough? I've been reaching out for weeks here (for months, years elsewhere). Why do you try to save my neighbours but never me? It only came because my neighbours drove me insane and I triedt to keep it all in. WHY?

Dabbling in something new and experimental(ish) because, why not?

Help... does anyone know why my photos are coming out rotated incorrectly? I've tried rotating before hand and it still won't work. :[

⚡Flash Back Friday⚡ Going back to a blackbook doodle from a few years ago. Why am I showing you this? Because graffiti art is, and has been, one of my greatest influences (aside from M.C. Escher). It is an art form I love, and I gain much inspiration from the graffiti scene (legal and illegal). I don’t really show this side of my art to the world, but it is fun for me to create, and it definitely informs my other pieces of work.

"Contemplation of the Jump" - drawn & colored in Escape Motions Rebelle. My drawings are pretty random, but after I make them I think about them a bit... like... what is that girl in that cave room thinking and why is he going to jump? I should probably know the answers... but I don't.

This watercolour painting was inspired by another artists brilliant work (I'm afraid I don't know the name). Absolutely loved doing this piece. My mother asks why I always do sad paintings and thinks I should do more happy ones. What do you think? Comment Below

it doesn't look like that in real life, I've taken like a dozen pictures to try and get the whole thing in focus, it's driving me crazy

Fed by a Miracle of Compassion Medium: Acrylic on canvas Size: 11”x14” Year: 2019 Artist: Stephen J. Vattimo Matthew 14:13-21 New American Standard Bible (NASB) Five Thousand Fed 13 Now when Jesus heard about John, He withdrew from there in a boat to a secluded place by Himself; and when the [a]people heard of this, they followed Him on foot from the cities. 14 When He went [b]ashore, He saw a large crowd, and felt compassion for them and healed their sick. 15 When it was evening, the disciples came to Him and said, “This place is desolate and the hour is already [c]late; so send the crowds away, that they may go into the villages and buy food for themselves.” 16 But Jesus said to them, “They do not need to go away; you give them something to eat!” 17 They *said to Him, “We have here only five loaves and two fish.” 18 And He said, “Bring them here to Me.” 19 Ordering the [d]people to [e]sit down on the grass, He took the five loaves and the two fish, and looking up toward heaven, He blessed the food, and breaking the loaves He gave them to the disciples, and the disciples gave them to the crowds, 20 and they all ate and were satisfied. They picked up what was left over of the broken pieces, twelve full baskets. 21 There were about five thousand men who ate, besides women and children. This illustration is part of a mural about the ministry of Jesus of Nazareth. The mural consists 9 images that depict the Miracles of Compassion Christ worked that are recorded in the Bible and He continues to perform in the world today. Understanding the symbolism in the painting. The basket of to fish and bread sits in the grass; Jesus had instructed His disciples to have the people sit down in the grass. Dead grass: the event took place in a desolate place. Historical and cultural illustration. Basket design: In the first century in the middle east people traveled on foot and when on a long journey they carried food with them. The common lunch pal during this time period was most likely a small wicker style basket with a removable lid, and a leather strap attached to it. So, a person can sling it across their shoulder for comfortable transportation. The basket would most likely be lined with a cloth wrap around the food to protect it from dust and bugs. The fish and bread: In John 6:1-15 which mentions the same event, tell us the 2 fish and five loaves of bread belong to boy, so most likely his meal was that of a poor person. The common fish that was eaten by the poor in this region and time period, were sardines. The five loaves of bread: Were most likely a type of flat bread which is commonly consumed by middle eastern people. The Bible verse that best communicates the message of this illustration is: Matthew 6:25-33 New American Standard Bible (NASB) The Cure for Anxiety 25 “For this reason I say to you, [n]do not be worried about your [o]life, as to what you will eat or what you will drink; nor for your body, as to what you will put on. Is not life more than food, and the body more than clothing? 26 Look at the birds of the [p]air, that they do not sow, nor reap nor gather into barns, and yet your heavenly Father feeds them. Are you not worth much more than they? 27 And who of you by being worried can add a single [q]hour to his [r]life? 28 And why are you worried about clothing? Observe how the lilies of the field grow; they do not toil nor do they spin, 29 yet I say to you that not even Solomon in all his glory clothed himself like one of these. 30 But if God so clothes the grass of the field, which is alive today and tomorrow is thrown into the furnace, will He not much more clothe you? You of little faith! 31 Do not worry then, saying, ‘What will we eat?’ or ‘What will we drink?’ or ‘What will we wear for clothing?’ 32 For the Gentiles eagerly seek all these things; for your heavenly Father knows that you need all these things. 33 But [s]seek first [t]His kingdom and His righteousness, and all these things will be [u]added to you. Written by Stephen J. Vattimo 3/25/2019

My Tuesdays got so much better ever since I learned of #longhairedgiantreppingyourtown #transmundanetuesdays. Thanks, @carsonellis. 1. Is a giant 2. Has very long hair 3. Wearing a shirt with your town’s name on it. #whydpisoundlikepropagandaradio #sketchbook #giant #ink #mountain #hairriver #daulydraeung #womenwhodraw

Second post here on Doodle Addict. I don't know why but this reminds me of Spirited away....or just studio Ghibli. All their art just makes me feel like i'm actually in that place; i can feel the breeze, hear and feel the grass.....Anyways, that's the image i get in my head when making this. Feel free to give feedback or comment on my art, i would appreciate it!

The higher up you go in the mountains the larger the carvings become. No one knows why

Blob is looking a little worried. I wonder why.

"Kindness is like snow – It beautifies everything it covers.” – Kahlil Gibran (1883-1931) not sure why but was inspired by the #predator-prey relationship, between #fox_rabbit

"Why are you so enchanted by this world? When a mine of gold lies within you?" ~ Rumi

Well, it's a hand. I decided that even if I really don't like it I'll post it anyways. Why? Because it's still a piece of my journey, something for me to look back on later and see how much I've improved.

A ring inspired by this year's prompts for Inktober. Can anyone tell me why it keeps uploading sideways? Also sorry I've missed the last three days, I was driving home, regular updates will continue!

Procreate illustration.

I don't know why it's always turning. Strange

People were created to be loved. Things were created to be used. The reason why the world is in chaos is because things are being loved and people are being used.

Pencil and paint marker

What was created? A concept exerciser (aka: homemade workout machine) made mostly out of wood components, that was a contraption full of hinges, pulleys, weights, and grips (see pin 1). With my system, a person could perform both the butterfly and lat pull down exercises and transition between them with minimal effort. The unit stood about 8 feet tall and was about 6 ft wide when the butterfly arms were connected to it. Why was it created? I have always been fascinated with weight training machine design. I had a bench press weight set at home that did not come with a butterfly attachment, so I decided to make one of my own. I was able to get a steady supply of material (scrap wood) from a local source and constructed a workout routine by stacking columns of weight (instead of accumulating weight plates) in a moving grid generating even or uneven resistance (see pin 3). I also consider what I made could be a benefit to others since it does: (1) represent an extension of DIY culture (i.e. advancing individual knowledge, learning new skills, and the feeling of satisfaction that comes from building from your own ideas), (2) how to apply simple machine principles (i.e. pulleys, leverage, changing the direction or amount of force, etc.) in making a project and, (3) promote woodworking (which allows a person to be creative and is a wonderful medium for artistic expression). What makes it special? What makes my work distinctive concerns the butterfly arms and the weight container. Butterfly Attachment The butterfly attachment arms can be quick disconnected and re-mounted easily. The jackknife motion that the butterfly arms travel in as they flex forward and return to their starting position is an original conception. Weight Grid (see pin 3) Unlike traditional stacked weight plate machines, a person is allowed to make a variety of pattern configurations on the grid (X,□, /,\, —, etc.) by using cup shaped ballast inserts (up to 24) that changes the amount of force a user exerts for each repetition (see figure 2). An individual can position the weights in organized horizontal/vertical patterns or treat them more as random objects in the load basket. In their current form my system’s weight supplements are ½ pound each (about 2 ¾ inches long and 1 14/16 inches in diameter): making them easy to manage. If solid roll stock were used in their construction, they would be estimated to weigh 2 ½ to 2 ¾ pounds (see pin 2). When not in use, weights can be placed in the grid case for compact storage. As a point of fact, the sight holes cut into the drop tubes were drilled by hand with a fixture and not with the use of a drill press. At one point, I contemplated that one could focus on certain muscle groups in the upper body by placing inserts on the weight grid in particular patterns (X,□, /,\, —, etc.). This may have been beneficial for those in need of rehabilitation (through segregation of muscle areas that needed treatment) in such disciplines as Kinesiology or Physical Therapy. What was learned creating it? I learned how much ideas on paper can change drastically when fabricated physically. I learned how challenging it was to develop removable butterfly arms that hang and pivot in mid air. The exerciser’s weight box glides up and down on a vertical guide. I researched various ways of how to make that move while keeping the friction between the connectors on the weight box and the track surface it to a minimum. This was in order to make the climb and drop motion as fluid and controlled as possible. I considered using various sprays, waxes, greases, lacquers, covers, wheels, and even ball bearings to accomplish that. I ended up sanding the inside of the track extensively and then mounted small furniture mover inserts to the weight box on its four corners for a successful connection. Therefore, I learned here how important considering a variety of ideas provides solution to a problem. If I were to start over and do things again? I probably would have done some more background research in the areas of Fluid Dynamics or Biomechanics. I figure, if I had consulted with people in those areas, the time it took to design and redesign the overall unit as well as the weight box might not have taken about 3 years to fully complete. Miscellaneous In the back the machine was a counterweight of tube sand (60 lbs.). Without that, the whole thing would have toppled forward when trying to use it. Thank you for your time. Best Regards. Matthew Link: https://www.pinterest.com/meb206/industrial-art-project/