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Stephen

The concept for this painting started as a design for a pumpkin carving contest. I felt the message of the design is so important for people to hear, I decided to make it into a painting. The original design, done in pen and ink. The design only shows the two doors of the entrance to a fortress. I tried to keep the design simple, because the carving event is both timed and live. You must create your masterpiece on the pumpkin they provide, on their location, Infront of live spectators. The evolution of the design? I added a wall on each side of the entrance, with matching pillars. Explaining the design of the pillars The triangle top: the triune God. Representing three persons of God: Father, Son, Holy Spirit. The cross shape opening in the pillars: The cross is the only path to God, to have the debt of sin satisfied. To reconcile humankind back to himself. To be released from being a slave to the Devil. To be a new creation empowered by God Spirit. Explaining the design of the entrance way(gate) The top of the entrance is in the shape of a heart, represents the seat of human passion, ambition, and allegiance. The cultic three petal flower is used to represent God in three persons united. The symbol inside the flower: God’s ministry toward humankind. Crown: Highest authority Cross: God’s loving salvation and restoration plan. The dove: Spiritualty made alive, fellowship with God, empowerment to weather the storm of life, and equip for service to God. Change in the design of the door. In the original design, one door had roses carved on it. The pattern took up the whole door. The other door had a grape vine carved on it. The pattern took up the whole door. I modified the emblem on the doors by making them smaller and simplified, so I could place them inside heart shapes, so the new images would more clearly communicate what they are meant to represent. I also added color to the emblems (color pencil) to make them clear of what they are, because of their size and the ink medium ,they were hard to interpret. Understanding the symbol of the two doors. The door with the rose inside the heart emblem represents a heart whose passions, ambitiousness, allegiance are focused on the cares, worries, and abstaining riches of the world. Only giving God lip service. I chose the rose to represent the heart of spiritual allegiance to the world, because roses are pretty, but you can’t eat them to nourish your body. They also have thorns that can cause injury to the body. So, the parallel point is, just as flower fade and turn to dust, so will the person who chases the thing of the world and has no time for God. For life is very short, we know not which will be our last breath on this side of eternity. But if a person leaves this earth without excepting the gift God offered them which is salvation from penalty of sin and given enteral life through the work that was done on the cross by God’s son. Then that soul will appear before Jesus, and just as they did not know him in their life on earth, He will tell them he knows them not. Into the lake of fire, they will spend eternity. The door with the grape vine in the heart emblem represents a heart whose passions, ambitiousness, allegiance are for God. To know Him intimately, to obey His teachings, to serve his will. I chose the grapevine to represent the heart of spiritual allegiance to God, because grapes are nourishing to the body. Jesus also used a grape vine in one of his parables. He paralleled the spiritual relationship he had with his disciples and the grapevine. He told them just as branches of a vine must depend on the base of the vine to live and bare fruit, so they must abide him to have abundant life. Abiding in Christ is not a religious act. It is outside of religion. It is an intimate relationship. Example: you can belong to a fan club of Paul McCartney and know a lot of things you have heard about him, but he doesn’t even know you exist. Where, if Paul is your father, and you have a good parent to child relationship, then you know him intimately. So, abiding in God, we commune with him through read his word and living by its teachings. It is spending time in prayer. Sharing our hearts with God and spending time listing to him. Trusting in him as our provider and giving thanks for his provision. Living our lives, with the purpose of pleasing him with the work of our hand and loving our neighbors in the workplace as well as in the community. Just as a healthy grapevine continues to grow and produce much fruit. Having an imitate relationship with God should be more and more evident in the way we live our lives. So, when the angel of death pays you an unexpected visit, he escorts you to Jesus’s throne, you know for certain he going to welcome you with loving arms and said welcome home my faithful servant. Now to which door I chose for my life? It’s the one that is open. This bible verse one of a couple that inspired me to design this illustration. 1 Corinthians 3:12-13 King James Version 12 Now if any man builds upon this foundation gold, silver, precious stones, wood, hay, stubble. 13 Every man's work shall be made manifest: for the day shall declare it, because it shall be revealed by fire; and the fire shall try every man's work of what sort it is. This verse is not referring to the rebellious people who have rejected God, this is referring to people who are children of God, who failed to serve God faithful. Written by Stephen J. Vattimo. 3 Jan 2024 Evolution of the design of this painting. I believe God through His Holy Spirit guided me to change the crosses on the two pillars, one on each side of the doors. Instead of these windows being fill with darkness, which would represent death by crucifixion, which Jesus endured for humanity, that who so ever is willing may be delivered from the power of sin and be adopted by God to become a member of His family. I was inspired to put light in both cross windows. The cross window on the side the open door, with the grape vines on it, the light matches the color of the light that is coming out the windows of Icons shapes representing the ministry of tri union God. The color I used is a bright firry orang yellowing color. For the bible says God is a consuming fire. The cross windows on the side of door with the flower on it, I used the color greenish yellow lite; to represent a false light, the bible call it a form of Godliness without power. Who so ever tries to approach God another way, than the path God has ordained. They will not be received. The Devil distorts the truth, to lead many to their demise. The only way to know the difference between truth and fallacy, is to study God’s word. Written by Stephen J. Vattimo August 7,2024

Jennifer

A quick sketch of my outlook.

WaterproofFade-Proof

Luminary Festival - Auren Farkis (Digital Portrait I did as a colour study) Crisp reverberating strings danced through the evening. Notes twisted and echoed up through the emerald, velvet tiers of Ridgedow Gardens. Dusk’s veil had long since darkened to a diamond-encrusted black, and Clarglow was alive with activity. Footpaths were choked with revellers that formed a river of light that coursed and pulsed through the park. Will-o-whisp spots of light also glowed among the neatly trimmed hedgerows and statues. Their magic-addled voices rose up, joining in with the music of the Luminary Festival. A young man, no more than a quarter of a century old, glowed brightest of all. A soft orange radiated from his eyes, and his veins pulsed a brilliant red. He was dripping in gold and gems. Over an outfit that somehow managed to be heavily layered and revealing at the same time, he wore a sheer cape, which was heavily embroidered with blood-red crystals that refracted his own light around him in dazzling, concentrated rays. It was such a dangerous colour of magic, but his expression was soft and dreamy. Excited laughter rose up as a clustered group shot metallic confetti skyward. Gold flake drifted down and settled into his silver hair, cheeks, and shoulders. No doubt he would discover the remnants of this festival in his home weeks from now. He increased his pace, stepping off the cobbled path to overtake the group, when one of their number split from the group. The coils of her dark hair were so saturated with gold that she looked like she belonged on a pedestal next to the other statues. She intercepted him, matching his pace. She snaked a long, slender arm around his waist and pulled him closer. She pressed her lips against his neck, leaving a wake of golden kisses up to his earlobe, where she leaned closer to whisper. — “Aurie, Luv, I know that look. Don’t tell me you’re headed home. The eve has only just begun. “ Her glowing eyes Locked with Auren’s, her grip tightening, slowing the both of them to a stop, causing a temporary blockage in the flow of people. “Overdid myself Mel.. you’ll have to –” –” Come with us to the reflecting pool.” She cooed, meeting his lips in an off-center kiss, smearing his inky wine lipstick. Momentarily, he allowed himself to relax. He considered saying yes. His heart pounding, he dipped his friend backwards gracefully, resenting that he had to leave. An itch in his left arm reminded his fuzzy brain that he was in danger. Gasping softly, he gently lifted Mella upright and spun her out towards her friends, who were growing impatient. He couldn’t make out their faces in the fuzz of the evening. “I can’t, I’m sorry Mel! We’ll talk later.” Before she could protest, he danced, spinning forward in a brilliant display of speed that ended in a stumble as he met a set of steep steps that coiled sharply upwards out of the park and onto the pink brick streets overlooking Ridgedow Gardens. The glazed windows facing the street were empty and blank… their occupants elsewhere, enjoying the festival. The empty buildings were like faces, judging him for his lack of zeal. Auren wound his way through streets and side streets, his pace increasing as he grew more and more alone. Finally, he was climbing a set of steps to his own front door. Smirking at the sight of it he reached down into the front of the bodice that held together the layers of his outfit pulling free a loop of keys that were on a long chain looped around his neck. Aligning it to the keyhole he struggled with the lock, cursing softly under his breath as it initially failed to cooperate with him. In the quiet black of his foyer, he latched the door behind him and stumbled forward, tearing at the ribbon that held the gleaming cape that draped from his bare shoulders. He let it drop on a black lacquered table. He reached up to unclasp an elaborate choker and tore his single, crimson glove down from his elbow. He pressed a gilded fingernail against a band of red ink encroached upon by a spreading corruption. Marginally extending beyond the band were sinews of mismatched muscle and skin; even his hair had begun to glow red. Pulse rising, he wrenched his rings from his fingers, casting them into the ever-darkening room. Precious jewellery piled under him until only the dimmest glow from his own veins remained.. Slumping onto the steps, he tightened his grip on his arm and twisted it ninety degrees. A sharp click of crystal against porcelain met his ears. The room was enveloped in black as his final stone slid away from his arm, rendering the prosthesis inert. He slid to his side, the sounds of the party below overtaken by his own gasping breaths, panic refusing to subside alongside his magic.

Serge

Marqueta Wells

The woman in the window is wearing a pink dress. Next to her is a brown stand with complimented with decor on each shelf. There’s some keys hanging on a hook on the wall with a basket below. The clock shows that’s it’s 7:00. She’s looking out the window, and there’s some trees with colorful leaves which means the season is Autumn. To me Autumn is the perfect season for romance.

Andrijan

This one I designed when I was 7 years old,hence the silly name and simple design,but effective......I Recently stumbled upon yugioh card "ryu kishin" and really liked pose he was drawn in,so I tried to redraw my Vampis in that pose while using ink and polychromos colored pencils. I always imagined Vampis being some kind of mischeavius minion using shadows to move around doing all sort of childish pranks,like throwing rocks at windows,or setting houses on fire....it's one of the two monsters that I remember from young age and I kept redrawing him every year or so.

Tunde O

Marqueta Wells

This painting was done with the Tuscan style in mind. The Tuscan style favors a rustic look. To me this never goes out of style because it’s as if the new and the old have found a common medium and have agreed to blend so well. There’s plenty of green, beautiful grass. The windows are complimented by the various colors of flowers that are perfectly placed below them. I love how there’s a table set outside of the building with a string of lights (even more beautiful at night) for people to enjoy the scenery as they eat some tasty, authentic Italian cuisines. There’s a group of people walking past the wall of yellow flowers and vines on the way to the inside of the building. In this scene, the ladies are wearing some long, beautiful dresses with gentlemen by their side to accompany them. This gives the impression that this group is out to have a good time. The white birds tops it off in this painting by giving it an inviting feel...”a moment to remember” feeling.

Veridiflore

Hi! Here's a watercolor pencil, pastel, & colored pencil drawing of our fave boys Vanitas and Noe!!

Marqueta Wells

I designed this house. It has a really pretty blue exterior, and it has a slight curve to it that gives it a more warm and inviting feel. I like how the walkway kind of curves into the stairs and transitions back into the walkway before arriving at the front door. I like that there’s plenty of yard space with some really nice landscaping. The birds can even come and get a birdbath. I thought that was really cute. I used the multicolored stones to add detail for a more distinguished look. The hedges are neatly cut in a square and follows along side of the house. Looking through those gorgeous windows you can see the house is fully furnished. There are some really pretty chandeliers in there that adds character. There’s a stairway that leads to another level of the house as well. I love how there’s a touch of yellow that highlights the points on the rooftop. Furthermore, the swing in the backyard adds an inviting feel to the scenery. Also, it’s a nice place to sit and enjoy the view.

Gespenst Type Rapidity

Photograph by Lina Kivaka ( https://pexels.com/@lina/ )

Anna

made with gel ink pen for a future art book about mediterranean way of life

Elias Rosenshaw

Elias Rosenshaw 10/25/2022 Filtered digital collage of photography, pixel art, and digital art with a haiku poem.

Ashima Bawa

Joe Roberts

I always loved the wide-eyed screaming horror of Elsa’s original Bride, but for mine I thought it would be fun if she was instead just very, very, displeased. As soon as her motor-functions kick in, it’s gonna kick off, and Doctors Frank’ and Pretorius are gonna take a very short walk off that very high tower. On the set of the original movie, attached to one of the columns, you can see a big wheel that’s used to crank open the skylight. I thought it might be interesting to incorporate this, symbolically, as a sort of halo, like the kind of thing you see in stained glass windows and old religious art, and to give the scene an additional sixth day creation kinda vibe. Also, whilst working on this, every time I thought of the name “Pretorius”, I would involuntarily sing it in my head to the tune of, “No, No, Notorious”

Ian Addison

The first of four illustrations drawn from... well, the name of the piece! :)

Sabina Hahn

THE LITTLE GIRL AND THE BALLOON by Ben Loory. "That night the mother had a terrible dream. In the dream, Annie was a balloon. She floated up out of her bed and through the open window and away across the sky toward the moon." https://www.instagram.com/p/CgzLv_COUat/?utm_source=ig_web_copy_link

Alison Poole

Acrylic painting on 2x3 canvas

Agnes

A Window from the past that reminds us al memórias, good and not so good, because that's what life is made of.

Caden Hoyt

Tony Bothel

Guess who it is? It's the Servant of God Luisa Piccarreta! I finally inked and colored a sketch I made of little Luisa in her little room on her little bed! ^_^ If your Catholic and don't know what the Divine Will is, you got to look it up! It's the highest, freeing, most beautiful thing ever! It unites you to Jesus in an indescribable way! That's why I'm a Benedictine of the Divine Will! #LuisaPiccarreta, #ServantOfGod, #Catholic, #Chrisitan, #DivineWill, #Sketch, #Cute, #Cartoon, #Little, #SpiritualChildhood, #Fiat, #WillofGod, #Luisa, #Piccarreta, #Servant, #eternalvolition, #divinevolition, #eternalFiat, #DivineFiat, #ConqueringFiat, #ReigningFiat, #SupremeFiat, #room, #bed, #cross, #babyjesus, #jesus, #twohearts, #sacredheart, #Immaculateheart, #clock, #holyfamily, #Crucifix, #Window, #Blanket, #Drawer, #DigitalArt, #pen, #light, #shadow, #Shading, #benedictine, #tertiary, #Dominican, #laity, #floor, #somethingelse, #something, #umm, #hhmm, #areyoureadingthis, #spirituality, #spiritual, #gift, #Divinavolonta, #divinvolere, #ServadiDio, #Cattolico, #Cristiano, #Chiesa, #Church, #CatholicChurch, #God, #Trinity, #Unity, #DivineIndwelling, #Love

Razor Silver

I drew this in Pixilart while looking outside my window at the Catskill Mountains in New York. They were much more beautiful than this drawing, lol.

Stephen

The Soul Harvest The Soul Harvest is done in a surrealistic style and is spiritual in content. This painting illustrates the world as being a field filled with souls from every corner of the earth needing to be saved from eternal death, which is the punishment for sin. But by hearing and understanding and receiving the good news, through faith in Jesus’s death for the sin of man, man can be forgiven and have eternal life with God. The farm tools leaning against the fence are an invitation to those who know Jesus to pick up their God-given talents and go into the world and use them to spread the good news. The inside of the barn, with the wheat sheaths standing up, illustrates the souls that have received eternal life through the work of the believer, and the crown is their reward from God. (October 28, 2017) The Soul Harvest is done in a surrealistic style and is spiritual in content. This painting illustrates the world as being a field filled with souls from every corner of the earth needing to be saved from eternal death, which is the punishment for sin. But by hearing and understanding and receiving the good news, through faith in Jesus’s death for the sin of man, man can be forgiven and have eternal life with God. The farm tools leaning against the fence are an invitation to those who know Jesus to pick up their God-given talents and go into the world and use them to spread the good news. The inside of the barn, with the wheat sheaths standing up, illustrates the souls that have received eternal life through the work of the believer, and the crown is their reward from God. (October 28, 2017)