para el día 22 de Fruitecember hoy le toca a ponche de frutas
para este día decidí dibujar a Juan Carlos tomándose un vaso de delicioso ponche de frutas aprovechando que estamos cerca de Navidad
para el día 20 de Fruitecember hoy le toca a frutas marinas
para este día decidí dibujar a tsunoplet quién se encontró con un arbusto marino con unas extrañas frutas parecidas a bayas pero son deliciosas.
❤ (ɔˆз(ˆ⌣ˆc)❤ (ɔˆз(ˆ⌣ˆc)❤ (ɔˆз(ˆ⌣ˆc)
For the 20th of Fruitecember today is the turn of sea fruits
For this day I decided to draw Tsunoplet who found a sea bush with some strange fruits that look like berries but are delicious..
Teddy Bear's Change of Seasons - Sophie's Christmas included!
Is beautifully written and illustrated, Teddy Bear’s Change of Seasons includes four charming stories, wonderfully rolled into one children’s novel.
Teddy Bear and his friends create magical ways to explore and learn about the snow-white, wonderful world they live in, which changes from summer to autumn and into an unforgettable Christmas.
Teddy’s journey of self-discovery through four seasons, Christmas included, begins in a magnificent old-growth forest, but Teddy is stuck inside a dark and lonely place.
His dreams look far away and out of reach, until Teddy rescues a small mouse, who is desperate for help.
From this one act of kindness, Teddy's life changes in ways he never imagined, bringing him close friends, a new loving family and the kind of challenges and adventures other teddies have never encountered before.
This is a dream of a book, the perfect snuggle-down bedtime story, accompanied by hot, sleepy cocoa.
I used to see this friendly dog that would wander around and I would pet him. He disappeared for like a year. I was sad because I missed him and I didn't know what happened to him. I saw a dog last week that looked like him or was him but I wasn't able to get close enough to know for sure. It inspired my to finish this drawing I started a while ago.
Igor Stravinsky (1882–1971)
“I get up at about eight, do physical exercises, then work without a break from nine till one,” Stravinsky told an interviewer in 1924. Generally, three hours of composition were the most he could manage in a day, although he would do less demanding tasks—writing letters, copying scores, practicing the piano—in the afternoon.
Unless he was touring, Stravinsky worked on his compositions daily, with or without inspiration, he said. He required solitude for the task, and always closed the windows of his studio before he began: “I have never been able to compose unless sure that no one could hear me.” If he felt blocked, the composer might execute a brief headstand, which, he said, “rests the head and clears the brain.”
- From Daily Rituals: How Artists Work by Mason Currey
