As awesome as summer and winter are, I love the transitional seasons the best, especially fall. It's the best time to do sports, orienteering, bird watching, hikes. The crisp air feels so good, and I love the rustle of the dead leaves and grasses on a windy day. While sometimes I get sad to see the branches bare, I also love looking at and analyzing their structure. I find it fascinating that a tree can go from this mighty, fluttering thing to a spindly, knobby structure and remain fundamentally unchanged. It's a bit of a miracle
David Lynch (1946-2025)
I like things to be orderly,” Lynch told a reporter in 1990. For seven years I ate at Bob’s Big Boy. I would go at 2:30, after the lunch rush. I ate a chocolate shake and four, five, six, seven cups of coffee—with lots of sugar. And there’s lots of sugar in that chocolate shake. It’s a thick shake. In a silver goblet. I would get a rush from all this sugar, and I would get so many ideas! I would write them on these napkins. It was like I had a desk with paper. “
- From Daily Rituals: How Artists Work by Mason Currey
“I don't think it was pain that made [Vincent Van Gogh] great - I think his painting brought him whatever happiness he had.”
― David Lynch
Thank you for all your amazing art!
#dailyrituals #inktober #DavidLynch #goals @masoncurrey
Just some art I drew of my friend’s awesome oc ^^! Also, just wanted to say a big thank you to all of my supporters—I know I’m not very consistent with posting and can be late to replying to you guys, but I really appreciate the constant encouragement and support nonetheless :D! Have a wonderful day!
Ceasefire Now drawings = 15€ :)
Profits from the sale of my Ceasefiore Now art will help CHOCAArts buy art material + link up for drawing sessions with a Palestinian community group. Info on CHOCAArts blog and / or phone +351 969 534 520
https://artdavidmeehan.blogspot.com/p/q.html
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+351 969 534 520 artdavidmeehan@gmail.com
Taking some inspiration from some things me and my girlfriend talked about regarding old highs in one’s past and asking yourself if revisiting them later on in life is worth it… the usual stuff I guess.
I remember how I just started making this piece with no guidelines no measurements.. nothing. Just me looking at the reference and goin blind in the feelings. I wanted to make this piece as alive as i could..I wanted to feel his presence near me.
This painting is based on an empty street at noon, when the sun is right above us scorching heat. the street look empty looking for a shade. I chose to show the street at 2pm where the sun slightly leans towards down.
The whole painting is done on parallel lines. If you notice closely the lines of building and the road meet parallelly.
