ape

ink on paper

I have been seeing the moon a lot and it is always shining really bright and full. I thought I would make this as a prompt for what's outside my window. (◍•ᴗ•◍)❤ Medium is white charcoal on black paper.

Meadhbh sitting on a bar stool and twisting to her right. Bic4 Ballpoint Pen on Archival 9” x 12” paper. Model: Meadhbh (Maeve).

Really enjoying experimenting with soft pastels. This piece was the first time I used Pastelmat. It's an amazing surface to use with pastels as it takes loads of pastel, the colour stays vibrant, and there's minimal dust

Illustrated with Ink and Ink-Pens on Paper. Urh.-Nr:1811955 Copyright

I've wandered Brechfa forest in Carmarthenshire on several occasions, but have only seen a very small part of what this huge forest has to offer. I'm hoping that once travel restrictions are lifted, I can get back out there and explore more. Pen on sketchbook paper (6"x8")

Nat checking her email. The polar fleece blanket colour and texture didn't turn out the way I wanted it to. Bic4 Ballpoint Pen, Sanrio Novelty 10 Colour Ballpoint Pen on Archival 8.5" x 11" paper

Bic4 Ballpoint Pen, Sanrio Novelty 10 Colour Ballpoint Pen on Archival 8.5" x 11" paper. Inspired by Charles Dana Gibson’s “Woman: The Eternal Question” (supposedly a drawing of his muse Evelyn Nesbit). I’ve always loved Gibson’s loose, graphical penwork. Working hard to be more ‘loose’ with my pen drawings. Model: Meadhbh (Maeve)

Tiny little sketch of the hamburger I've been longing for. Done in watercolor on cold pressed paper 3" x 3"

Red biro drawing on vintage paper.

water soluble felt markers and fineliner on watercolour paper

One of my pen and ink drawings on antique paper. 6"x7"

Ballpoint and white ink on found paper.

Calm... (glitter pens on acid free hand made paper)

Another one of my Pets in Portraits. Hand drawn using 0.03 and 0.05 fine liners on A4 medium cartridge paper.

Another commission and another Springer. These are one of my favourites to draw as theres such a mixture of texture and shape.

Home Is Where The Hurt Is. Gouache on Arches watercolor paper. A painting for all those who came up with crappy home lives.

this was a sweet gift I did for Christmas for my mom & dad - they love traveling and Telluride, CO, has become their second home! my mom loves Aspen trees and the mountains, found it only fitting they be included in this collaged painting I did for them. I used gouache paint for all landscape and watercolors for my parents. It was fun combining the two paint types and my first attempt using gouache paint - I loved it!

Meadhbh in front of wall of plants. 2024, Ballpoint pens on 5” x 8” (10” x 8” Double page spread) acid free Moleskine sketchbook paper, Adobe Photoshop.

Marker and fineliner in my A4 sketchbook.

Practicing making different shapes and textures and trying to bring out the contrast with a black background.

Designs were done with colorful washi tape.

BIC ballpoint stick pen drawing on Richeson bulk drawing paper. This started as a contour drawing and just got squiggly (not the original intent). This was clipped to my board for weeks and I would add a few squiggles from time to time when I wanted to make marks, but didn't have inspiration. It's just a bit under 15 inches (12x18 inch paper) and is probably about 25 hours of making little lines and squiggles. The reference was a Dreamstime royalty-free photo.

30 minute sketch in tinted charcoal on toned black paper. This spider lives outside my window and I have the perfect view of her catching wasps all day.

8x10 white charcoal on black paper.

Mountain landscape in the fall after a storm.

Charcoal on cartridge paper

WIP in the sketchbook. Colored pencil, feeling like Springtime

Some LGBTQ+ members of the community can’t openly love who they want to love, so the bars represent that barrier. The fabric, with all its complex folds and creases represents sensuality, desire and love. Love, in all its forms is a complex thing of beauty.------------- The companion piece to my previous post ‘Ecstasy.’ Agony and Ecstasy were always meant to be a diptych. The issue for me is that there is a two-year gap between the completion of the two - there is a noticeable difference in the the way both were drawn. Faber Castell pastel pencils, Black and White Generals charcoal pencils on 9” x 12” Strathmore Toned Grey sketchbook paper.

From a snap of me sitting in the waiting room. Pencil, Charcoal Pencil, Pastel Pencils and white Prismacolor pencil on 9” x 12” Strathmore Toned Grey sketchbook paper.