Like smoke, the line finishes as soon as it began. There is no room for any colour shapes, or anything else to be done to it; any additions would disturb the coherent of the flow. Contrast, balance and flow all met there. Art simply surfaced at that very moment and left a trace. This very line represents 3 decades of work!
This was a transitional piece as I enlarged/zoomed out the 'mass' of the doodle towards the edge of the paper. This was one of the last pieces of abstracts before my figures surfaced from the compositions.
The only line added consciously is the hand. It leads the eye to the eye and thereby showing the viewers that it is in fact a figure. The shape on the right feels kind of right to be there, it really does not matter what it is. Compositional-wise , it works.
Working on a tattoo for myself that's based on the Disney Magic Kingdom's Haunted Mansion. The Tightrope Girl is part of the expanding elevator in the beginning of the ride. I changed the shape of the original painting to a coffin; simplified everything down; and added some flourishing. I'm not great at flourishing yet.
This is a new series of contemporary paper collages realised using a mix and match of new and vintage paper.
I used:
• Vintage paper ephemera (old postcards, paper cuts, portraits)
• Recycled paper from envelopes
• Brand new paper cuts
• For the decorations I mostly used marker pens, stickers and washi tape.
