Meadhbh standing in front of a green wall. Simplified her hair and the leaves in the background a bit. Charcoal and pastel pencils on 9” x 12” Strathmore archival sketchbook paper, scanned into Photoshop. Model: Meadhbh
"Helios" is a world of infernal heat and these towers are the only protection the inhabitants have against the unforgiving environment outside. -- Oils on canvas with a knife.
Fineliner scribblings on a back ground of paper... . . . ... . . . . . . ..... . ... . . . . . ...... ... . . A rabble of sozzled birds on a tightrope of joy heading towards the puppet master up above. . . .... . . ... . .... .. .... .. ... . . . . Prints are available (16 out of 20 at the time of going to press) . ..............................
This started as a line drawing based on a photo of peonies in the garden. It’s drawn with three different pens: Micron 005, Micron 03 and Faber Castell Pitt superfine (0.3) on 11x14 Strathmore Bristol Vellum. The paper isn’t terribly tolerant of wet media, so I played around with tinting it in Photoshop because I wasn't sure how it would go. But I liked it in color enough to chance painting the drawing with the nice and bright Dr Ph Martin Hydrus watercolors. It's photographed it on my drafting table with my glasses for scale. The lamp has a daylight bulb, so I think the color (at least where the light is more prominent) is fairly true.
I do generally put pen (or some kind of tool), to paper (or some kind of surface), every day, but I'm really TRYING to do it purposefully in one singular location (journal). Here is a successful attempt from that particular day. I'm also super lazy, which means I never go up to my actual studio and only use what's out on my computer desk. (Including the "waste" page because I often like it as much/more.)
(Gel Fineliner on A5 Paper) The fifth, and last, of these small CBA images, and even an artist can find better things to do when they get bored of doing artwork, but don't worry, they always return to it.
This is the centre section of a cartoon I did back in my university days for the student newspaper. It was fun to do, but took a lot of time. I hope to put it into a collection of comics.
I did the water texture according to a tutorial by James Chapman, found on Instagram. The steampunk seahorse was an idea from a lady I am following on Instagram as well (look for @carrieisartsy) This piece is done on a paint chip card with poscapens, a gold marker and fineliners.
I'm still practicing on how to consistently draw facial expressions and faces,abigail has the easiest face shape to draw,she has a round short face and round circular eyes as well has a simple hairstyle her nose however,I drew it either bigger or either smaller.
