Even though I drew these two with the other three of the Liz Cat's animatronics, they somehow ended up really bad. That's why I didn't put them on the stage with the first three. Nevertheless, they are still part of the 'first batch', which is what I'll call this first iteration of the Liz Cat's animatronics. Drawn with FireAlpaca.
I think I've finally come up with a design for the Altitone crew that is actually appealing to children. All the previous designs had always looked like nightmares: no eyes, sharp teeth, faceplates, and most of all; they were all white --- and not all cats, rabbits, and bears are white. So, I needed to make them resemble animals a little more. And I did! I'm certainly going to keep revising these designs, though. But for now, I introduce you to the V1 Liz Cat's band! This restaurant chain will probably be the one that I'd make a FNaF fangame out of. Drawn with FireAlpaca.
In an ambiguous relationship, people's minds are always guessing. Pull a rose petal. Yes, he likes me. Pull another petal. Oh no, he doesn't like me. Even after tearing a bunch of flowers, the answer remains unclear.
Two new characters; Ace and Bowie. They work at a casino together, and are best friends. They always wear their masks no matter what, and are so in coordination with each other that they might as well be twins. Or something. Drawn with FireAlpaca.
Class assignment: draw a crowd with layers and overlapping. I took this class because it is my artist heart's desire to capture people in real life action. We did learn a technique for that, but we did it from video. It was so stressful, and I'm considering practicing that 10 min a day for Lent. This one was a compilation from photos my teacher provided. What are your tips for capturing people in action? For me, the challenge was deciding what the action was. I kept changing the action as I saw it because it is SO FAST. I felt like I couldn't "see" fast enough.
A little doodle I made in class. Zentangles aren't really my thing, but I've been doodling a lot with a pen, and I love the way it looks. It's supposed to be some sort of stick-monster.
Mortal Elvarelyn is telling Erik & Abigail about her life when she was an Alceridian demon before Qasaherim exiled her whilst Bernard scowls at them at the same moment when Gerard is reading the Bible.this is actually the first drawing I worked on CSP but it took me weeks to finally finish the background since im not too keen on drawing them.I even drew a house (it's the first time in years actually)it looks shabby but then again lots of peasant houses were shabby and small.
New character I made for Taured. He can phase in and out of shadows: like, if he runs at a wall (or even walks), he can turn into a 2D shadow, which can travel at high speeds, morph into different shapes, and when he's done, he can just pop out whenever he wants to. His mouth is way bigger than normal; but for the sake of the rest of Taured's population, the government has sealed his mouth shut, side from a small section in the middle. The scars on his neck are not open and bleeding; they're just opening up to reveal a vibrant red energy within. Drawn with FireAlpaca.
I drew this up pretty quickly on a whim. I don't know what the story behind this is, what either of those creatures are called, or who that lady is. All I know is that the snail creature should be voiced by Tom Hiddleston
"Sometimes the bridges that are hardest to cross lead to most magical places. "-anon #painting #originalart #art_aristina.z #aristina.z #digitalpainting #illustration #autodesksketchbook
I really like this piece. I dunno why. His eyes are a litte bigger than I usually draw, but aside from that, it's perfect. I think the cherries are a really good background, due to the backstory of this character. Drawn with FireAlpaca.
Okay, I understand that comparing any real-life animatronic bands to FNaF is practically a sin, but I made this doodle subconsciously and I'm in love with it. Introducing Rock-afire Freddy. FNaF animatronics have many differences to real life animatronics, like how FNaF animatronics are made of segments, while real animatronics consist of one big fur piece, much more flexible. And that many of the animatronics from FNaF are completely able to walk around --- but in real life, the animatronics only have moving parts that are essential to their performance. This sort of also leads to another difference; FNaF animatronics from a specific generation all have the same endo, while real endoskeletons for animatronics have their own endoskeleton --- which have several differences from FNaF endos, like having upper jaws (which real endos don't), having teeth (real endos just have a plate which can move the mask jaw), being very bare and with few wires (real endos are very complex, and unlike FNaF where the animtronics are probably powered by electricity, real animatronics usually run on pneumatics). Anyways, enough of me rambling.
