Nornwan. Once there were Nature dwelling elves. They only ever lived, frolicked and played in the deep woods. Their bodies were quite accustomed to the trees. They could speak with the elements of nature, they could make the trees move and cause great mushrooms to grow from the earth. Theirs was the power to ask the spirits that watched over the wood fro guidance and peace. The Knights Factions implored these wild folk for aid on one fateful day. Few elves agreed to give trees and other supplies to the army, those that did not were attacked and destroyed and given no help by the army of Knights.
When it comes to painting and art, this is my crises! What am I doing? What am I trying to say? What is the purpose of this painting? Small 4 x 4 inch acrylic painting on masonite board
Digital illustration that took 14 hours to complete. I wanted to create almost an illusion type piece. I like showing diversity in my art so more to come!!!
First Sorrowful Mystery: The agony in the Garden.
The Angel is dressed in black because it is fortelling his death and the chalice is like a bitter black liquid. Jesus suffered such agony in the Garden of Gethsenami that it would have been enough to save us all but he wanted to give an abundance of graces and spiritual gifts for our salvation by suffering for us all possible pains we could experience. So that even pain can bear fruit in our lives.
"Then Jesus went with them to a place called Gethsemane, and he said to his disciples, 'Sit here, while I go yonder and pray.' And taking with him Peter and the two sons of Zebedee, he began to be sorrowful and troubled. Then he said to them, 'My soul is very sorrowful, even to death; remain here, and watch with me.' And going a little farther he fell on his face and prayed, 'My Father, if it be possible, let this cup pass from me; nevertheless, not as I will, but as you will"' (Mt 26:36-39).
"Such a battle and such a victory become possible only through prayer. It is by his prayer that Jesus vanquishes the Tempter, both at the outset of his public mission and in the ultimate struggle of his agony" (CCC, 2849).
Our Father, 10 Hail Marys (contemplating the mystery), Glory be to the Father.
Acrylic on canvas.
50cm x 70cm.
This started as a purely experimental abstract piece, but evolved to include both abstract and surreal (i.e. representational) elements.
This is Digital Fairy, an OC of mine. She is 100% robotic, has a burnt receptor because of an incident and also has the power to create butterflies, so she doesn't feel alone.
