Samuel Beckett (1906–1989)
On a late-night walk near Dublin harbor, Beckett found himself standing on the end of a pier in the midst of a winter storm. Amid the howling wind and churning water, he suddenly realized that the “dark he had struggled to keep under” in his life—and in his writing, which had until then failed to find an audience or meet his own aspirations—should, in fact, be the source of his creative inspiration.
“I shall always be depressed,” Beckett concluded, “but what comforts me is the realization that I can now accept this dark side as the commanding side of my personality. In accepting it, I will make it work for me.”
- From Daily Rituals: How Artists Work by Mason Currey
#dailyrituals #inktober #samuelbeckett @masoncurrey
Whenever someone says Dodge Charger. The only name that comes to mind is Fast and Furious Movie - DOM, This car is such an epic car. I love this car a lot.
I did this illustration on Autodesk Sketchbook with a Midnight Blue body and Cherry Red stripes at the end.
My new method of finding something interesting to draw - now that I'm mostly at home, like everyone else - is using StreetView. I use the app to search interesting places around the globe. This one is a sketch of somewhere near Lagos in Nigeria.
One of a Series of Manager Portraits that was used by the Zero Forty Brewery to promote the events on their social media that focused on the Premier League.
Dmitry Shostakovich (1906–1975)
Shostakovich’s contemporaries do not recall seeing him working, at least not in the traditional sense. The Russian composer was able to conceptualize a new work entirely in his head, and then write it down with extreme rapidity—if uninterrupted, he could average twenty or thirty pages of score a day, making virtually no corrections as he went.
But this feat was apparently preceded by hours or days of mental composition—during which he “appeared to be a man of great inner tensions,” the musicologist Alexei Ikonnikov observed, “with his continually moving, ‘speaking’ hands, which were never at rest.”
Shostakovich himself was afraid that perhaps he worked too fast. “I worry about the lightning speed with which I compose,” he confessed in a letter to a friend. Undoubtedly this is bad. One shouldn’t compose as quickly as I do. Composition is a serious process, and in the words of a ballerina friend of mine, “You can’t keep going at a gallop.” I compose with diabolical speed and can’t stop myself.… It is exhausting, rather unpleasant, and at the end of the day you lack any confidence in the result. But I can’t rid myself of the bad habit.
- From Daily Rituals: How Artists Work by Mason Currey
#dailyrituals #inktober #shostakovich @masoncurrey
(Gel Fineliner on A5 Paper) It is finished, even if it doesn't look like it. It reflects those old peanut display cards of the 1970s and 80s which were like a peanut strip-tease as the snacks were bought and more of the image was revealed. It's also a comment on the endless WIPs that some upload on social media which are like a form of "peanuts" in themselves.
