Inspired portrait from Troye's single 'Take Me Home' from spring 2020 - combining with his first EP 'TRXYE'. Charcoal pencils and red oil paint used to complete this.
⚡Flash Back Friday⚡ Going back to a blackbook doodle from a few years ago. Why am I showing you this? Because graffiti art is, and has been, one of my greatest influences (aside from M.C. Escher). It is an art form I love, and I gain much inspiration from the graffiti scene (legal and illegal). I don’t really show this side of my art to the world, but it is fun for me to create, and it definitely informs my other pieces of work.
My only niece's 1st birthday was a few days ago. I decided to start a tradition of drawing her every year for her birthday as special uncle presents. Here is her first one. Her favorite movie right now is Monsters University
I do generally put pen (or some kind of tool), to paper (or some kind of surface), every day, but I'm really TRYING to do it purposefully in one singular location (journal). Here is a successful attempt from that particular day. I'm also super lazy, which means I never go up to my actual studio and only use what's out on my computer desk.
Igor Stravinsky (1882–1971)
“I get up at about eight, do physical exercises, then work without a break from nine till one,” Stravinsky told an interviewer in 1924. Generally, three hours of composition were the most he could manage in a day, although he would do less demanding tasks—writing letters, copying scores, practicing the piano—in the afternoon.
Unless he was touring, Stravinsky worked on his compositions daily, with or without inspiration, he said. He required solitude for the task, and always closed the windows of his studio before he began: “I have never been able to compose unless sure that no one could hear me.” If he felt blocked, the composer might execute a brief headstand, which, he said, “rests the head and clears the brain.”
- From Daily Rituals: How Artists Work by Mason Currey
Joan Miró (1893-1983)
Miró always maintained a rigidly inflexible daily routine—both because he disliked being distracted from his work, and because he feared slipping back into the severe depression that had afflicted him as a young man, before he discovered painting. To help prevent a relapse, his routine always included vigorous exercise—boxing in Paris; jumping rope and Swedish gymnastics at a Barcelona gym; and running on the beach and swimming at Mont-roig, a seaside village where his family owned a farmhouse.
Miró hated for this routine to be interrupted by social or cultural events. As he told an American journalist, “Merde! I absolutely detest all openings and parties! They’re commercial, political, and everybody talks too much. They get on my tits!”
From Daily Rituals: How Artists Work by Mason Currey
Beginning 18.
Rosalie went to a party dressed as a snail. She even brought her own snacks!
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