I've begun cutting apart my old sketchbooks and glueing them back together. The results of which are sometimes more interesting than the old drawings themselves. This saint is my favorite of my most recent bunch. She's the prettiest Christmas tree of all.
It's been a while since I upload something here. I have been trying so many different things; for example, I try to think with other art elements other than lines. I am doing a self-exploration project #1111daysofart since July 1st, where I will do something art-related every day, which inspired me, big or small. It is a long way, and I hope I will make it :D
Rad experience joining a local drawing group for the first time yesterday although I didn't realise how inconvenient my backpack was going to be, it made me slow to set up / pack up and a few of us had to organise a locker at the gallery as we didn't know backpacks weren't allowed so I spent most of today sewing a bag/sketchbook cover which fits an A4 sketchbook, pencils, id and phone and also has some backing in it so I can easily sketch on my lap without dropping my stuff all over the place. I'm going to do a bit more work on my weird comic book page tonight but in the mean time this is my sea serpent digitally coloured, he lives at Apollo Bay and likes to sleep camouflaged amongst the lifesaver rings.
This drawing, with a bit of watercolour, was done years ago in North Vancouver during a figure drawing session. Probably 15 - 20 minutes. Watercolour, subtly employed, can have wonderful affects. The challenge of working fast forced me to ditch excess thinking. And it's funny, because at first I thought, "Oh, this is terrible." Then the next day, with fresh eyes, or checking out the drawing in a mirror, I think, "Wow! How did I not see how good this is?" Never throw out your artwork immediately after a drawing session. Give them a few days and look at your work with fresh eyes.
Turkey Vulture (Cathartes aura) done for a local drawing contest. Graphite, colored pencils and clean up on Photoshop. More like this illustration on: https://www.instagram.com/camilojulianc/
Progression image 5 of 6. 11x14 Marker paper, Medium Graphite Pencils (asst. B-5B). Here the drawing started to come together. I used a metal tip to a mechanical pencil and dragged it along the paper to create the highlight effects in her hair. It is effective but irreversible, so I don't do it very often.
Painted my favorite cartoon characters from when I was a kid as part of an Instagram live paint jam with my friend and comic Artist Michael Chuah. We both did our own versions. It was fun.
