I have been up and down this week with my art. One day I love it and in a few days I start to hate it. Its a roller coaster I'm sick of. But inside myself I hold many universes that I try to explore with my characters. One might hold vampires, while the other might hold mermaids. While others are looking for peace, lost treasures or finding their way home.
In “I Love Lamp,” Ty Patmore blends nostalgia, humor, and subtle unease into a surreal domestic scene where time, space, and memory feel slightly off-center. A lava lamp—softly glowing with drifting shapes—sits on a worn wooden table, acting as the sole beacon of warmth inside a room that is quietly falling apart. The wallpaper peels back to reveal fractured brick beneath, as if the structure itself is shedding its old skin.
A melting wall clock drips down the surface like time losing its grip, while a framed picture of a UFO drifting over pine trees hints that even the outside world may not be quite right. Every object bends reality just enough to make the viewer question whether this room is comforting… or unsettling.
This artwork is part of my ongoing visual diary of factory life—small, overlooked corners turned into honest moments.
“Trash Talk” sits right between humor and grit… a reminder that even the most mundane places have something to say.
A woman holds a megaphone directly to her face and out of the megaphone burst an explosion of flowers to comunícate the message "be your biggest fan" in a playful, self love, confidence boost, way.
Model Portrait Art by Oz Galeano
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Hey Boos! One of these took five minutes and the other took two days. It was my moth fursona. My mother fursona named Pompom took me two days too make. it doesn't even look good. :P (both art is by me btw)
(2B pencil on 140mm x 130mm paper) "They're not flag-waving wannabes, or finger-pointing-blamemongers. They're true British Heroes! They were born with spines of steel, have spunk by the bucketload, and their upper-lips aren't just stiff, they're rock-solid! They're the type who'll kick those mad-dogs aside and proudly march, bare-arsed, into the midday sun!"
“Revising the Future” captures the exact moment creation becomes correction. Using my own drawing hand as the model, I built this piece through a cycle of sketch, pause, observe, and refine — letting the act of drawing guide the artwork itself. The eraser actively lifts portions of the page, symbolizing the choices we adjust as we grow, the mistakes we confront, and the quiet courage it takes to reshape the path ahead.
https://youtu.be/nWaU71UhiZE?si=9E6C6dPcGCaEj_Tc
Motionless In White
Dead as F**k
I was listening to this song and thought WHY NOT! So I started to draw a new zombie girl. I still remember my first zombie game was Zombies Ate My Neighbors on the Super Nintendo. I was only 7 or 8. But it was the coolest game I had ever played that young. Well, since then I have loved all zombie movies and games.
