This is no landscape you could ever stand in.
No observational drawing, no safe horizon line.
This chalk experiment is a dream unfolding in color: a golden field lit from within, a scarlet seam of fire at its edge, and a storm-heavy sky pressing down with ancient weight.
It feels like a place between worlds—where the conscious and unconscious meet, where memory and imagination blur. Some might see a battlefield, others a meadow after rain, and still others a veil between life and death. That is the beauty: the painting does not tell you what it is; it invites you to confess what you see.
Psychologists say we project ourselves onto images like these. So—what do you notice first? The light? The darkness? The burning red?
Perhaps that is not about the drawing at all, but about you.
24x30 canvas A weathered steer skull fixed against a wagon wheel, drawn in graphite, charcoal, and ink, evokes the grit and resolve of westward migration. The skull stands as a quiet emblem of endurance, sacrifice, and survival, while the wheel anchors the piece in motion and passage. Westbound ’49 references the year many headed west in search of promise, capturing the stark beauty and cost of that journey in restrained black and white.
This time I designed a logo using a special style of Arabic calligraphy called "Al-Diwani". This style is distinguished by its flexibility and beauty. Besides its capability to represent and any shape that I want using any words; so I can illustrate and draw anything using this style.
By utilizing the beauty and flexibility of the Kufi writing style, the word "FATMA" is illustrated in a triangular shape. The word is sculpted on wood via simple tools and was colored with pencils and markers. For my beloved Mom.
I never understood the power of dots and lines until I did this art! A simple change in the line from straight to curved shows projection of a hand. What a beauty!
This piece continues my ongoing tool series, focusing on objects shaped by use, precision, and repetition. The speed square—an essential instrument of measurement and accuracy—is rendered with attention to wear, markings, and subtle imperfections left by time and handling.
Isolated against a minimal background, the tool becomes both subject and symbol: a quiet reflection on structure, angles, and the human need to measure and make sense of the physical world. Like the others in this series, it honors everyday labor and the overlooked beauty found in functional objects.
A beautiful nature painting of Caleta Beach, tree, boat, beach, and the isolation indicate a tranquil environment and it seems to attract the beauty of the environment.
Would you like to buy this painting of Artlicity? So visit the website: www.artlicity.com
Inspired by the symbolism of the cherry blossom flower, which represents beauty and strength, as well as the expression, “Life, Death, and Renewal”, this piece completely embodies this expression, reflecting on the harmonious balance between human and nature. Each unique detail, from the soft elegance of the cherry blossoms, the chaotic nature of the setting, followed by the expression of complete calmness of her delicate features, helps portray the turmoils she once faced, and how she overcame her fears and saw her true beauty.
Capturing the spaces in between and amplifying them with a play on exposure and contrast to bring forth the beauty I see within the layers. This particular play is a flower I saved from a very special event I attended. I then dried the petals of this beauty. These special petals make their way to various projects, including oil and acrylic paintings and resin on canvas. More to come :)
It's not a KFC chicken, it's the ATS chicken, 'cause everything looks better in American Tribal Style (if you don't know it, google it and enjoy all the beauty of the dance and costumes ;)
My take on #Japicasso 's #DrawThisInYourStyle challenge of her beautiful roaring 20's girl. Totally inspired and happy to keep practicing my digital art skills.
Imagine trading your soft bed for a deflating mattress.
Imagine food cooked under ash, a fire that smokes more than it warms.
Imagine waking at dawn with stiff muscles, yet finding yourself strangely alive.
This sketch is not just about tents, cars, and campfires.
It is about the in-between—where inconvenience and beauty wrestle, and something deeper sneaks in.
Camping reminds me: comfort is overrated, but presence is priceless.
In this drawing, I was striving to capture the spirit of contemplation and reflection, a sort of spiritual sojourn, an ancient practice of pilgrimage, focusing on subjects of transcendent nature, and exploring destinations of spiritual significance. (words taken from scholarlysojourns.com). It is a self-portrait (me as a 14-year-old boy). We had just moved from Mequon to Rhinelander. It was then that I began to romanticize the natural beauty of Mequon. But at the same time, I was falling in love with the beauty of Rhinelander. In this picture, I am walking through the countryside of Mequon. The stringed musical instruments symbolize my love for the progressive classical and folk-tinged acoustic and orchestral music that was coming out of England in the late 60s and early 70s, specifically the quieter pieces of music performed by the Moody Blues, Emerson Lake and Palmer, Yes, and Jethro Tull. A song called Reasons for Waiting by Jethro Tull is a good accompanying piece for this drawing.
Another version of lantern illustration.
I wanted to redraw the last illustration. But I changed the concept while drawing. It's a beauty of creativity - it can surprise.
The most important thing here is that I feel so happy when I draw illustrations in this style
