Gouache on Arches watercolor paper. I have been living overseas for 6 years now with my wife. (Originally from the states) We have lived in Seoul, South Korea, Ho Chi Minh City, Vietnam, Tel Aviv, Israel, and in the Summer we will move once again to Kuala Lumpur, Malaysia. So this is a painting is a sort of self-portrait.
FEDERICO FELLINI
In a 1977 interview, he described his morning routine:
I'm up at six in the morning. I walk around the house, open sindows, poke around boxes. move books from here to there. For years I've been trying to make myself a decent cup if coffee, but it's not one of my specialties. I go downstairs, outside as soon as possible. By seven I'm on the telephone.
- Daily rituals by Mason Curry.
#inktober #masonCurry #federicofellini #dailyritual
I’ve been going through a bit of an art slump lately, but I finally got myself to pick up the pencil and finish this. My reference photo was a bit grainy so had some trouble with that, but overall I’m pretty pleased with how it turned out. Done in graphite, drawing itself is about 5x6 in
I’m often asked about my Bic pen drawings and how I do them. It starts with a good foundational drawing, the ballpoint pen part is just trying to colour within the lines. I try to do my best to explain the process, but the best way to show my progress is by posting my efforts to master pen drawings over the span of 3 or so years. I have been doodling/drawing with ballpoint pens as far back as I can remember - they were cheap, readily available and always lying around the house. It wasn’t until I was bored during a particularly long team meeting-conference call (around 2016-17) that I started to think about the possibilities of ballpoint pens as serious portrait illustration tools. My first experiments with full colour ink portrait drawings were rather crude, but that’s the point of learning new techniques—as long as the curiosity and the love of drawing is there, you can transfer that skill and passion into any medium. Remember, the most exquisite drawings and paintings you see didn’t materialise fully formed, they started out as failed experiments. Failure after failure after failure. It’s important to remember this when you get discouraged (I've failed spectacularly over the years). The only difference between the accomplished artist and the beginner is hundreds of hours of practice. Talent can only get you so far. It’s the hard work that you do behind the scenes that makes your work look effortless. Keep doodling. Keep learning. Stay curious.
It's definitely been a bit since I've posted, sorry about that, things have gotten very chaotic very quickly. I'm officially less than a month out from graduation (the finish line is almost here!), which also means it's time for my teachers to cram in projects. Other than that, I'm happy to say I received two official art commissions! I'm hoping to get something set up to hopefully begin selling some pieces, but, for now, I'll have some pieces in a gallery soon. Things, things, things, and Tony's face. Part of a larger project, hopefully to be completed soon.
been watching some proko vids lately, as well as reading through Andrew Loomis’s head and face anatomy book; practice and more practice haha. What do you think I should focus on? ^^
This week hasn't been great. My anxiety was pretty high for most of it, and it was honestly for no reason. My brain tends to be very chaotic, I suppose, and I have trouble controlling my thoughts sometimes. This was a random doodle I did last night at 10 p.m. I've decided I'm going to add color to it, which will either look good or make everyone's eyes hurt even more..at least I have a picture of this version.
As a child of the 70s, I have very fond memories of sitting on the floor in front of our little colour TV, and watching and adoring Lynda Carter bounce around, kicking ass and fighting crime. I’ve always loved Wonder Woman, and I'm fascinated by the myriad ways she’s been imagined and re-imagined over the years.
For mine I focused on her dualism – the goddess beauty vs warrior strength, combined with the colour and curves of my childhood. In terms of the art, I thought it would be fun to allude to classicism for the subjects association with Greek mythology and form, and balletic contrapposto as a homage to Lynda's classic spin.
Prints available via my website.
Only took like 2 hours. Honestly, this is the hardest I have EVER worked on a digital piece. Surprised I even got this finished in one sitting because I have been pretty nauseous today. @Hirsch I hope I didn't mess up qwq. By the way, are we friends? Sorry if I seem weird for a stranger but I just need a quarantine buddy. It's ok if we aren't, I understand, I'm only a random kid on a platform of other strange people, so it's alright indeed. (P.S. I'm in a super good mood today because I got a new Furby :3 I'm so weird)
I've been re-reading the Harry Potter Series, and now am on a quest to do a small illustration for each of the books. This one is from "The Sorcerer's Stone" and features Mrs. Norris, my favorite evil cat.
Watercolors and fineliners on Aquarelle, 300 GSM. Fantasy has always appealed to me ever since I was a kid, and I often find myself lost and wandering around in the fantastical world of "could've been's"
I have been watching a lot of sci-fiction lately. Like so many others my age or younger, the weight of global warming sits on my shoulders constantly. I imagined the final trek through a wormhole as someone sees their new solar system for the first time. I enjoy the bright colors and such but wish I conveyed a more bittersweet emotion.
The rhododendron in my yard is blooming and my daughter and I love to stare out the window to watch our cats, Squanchy and Beemo, hunt and play in the yard.
Ice Dream. There’s some strange references going on in this one. If I don’t explain it won’t come together. Back in my day the Europe 72 3 record Dead live album had a crazy kid on the back cover smashing a cone on his head. Later an ice cream truck company called Weaser ripped off that art and would visit my mid Jersey neighborhood daily. Google it if you care. Flash forward to 2019. The ice cream truck that hits my neighborhood EVERY DAYS has a loud obnoxious song and no Greatful Dead connections. It drives me out of my mind so here is the result. I always try to turn my pain into gain. What a long strange explanation it’s been.
In the Finnish mythology killing of a bear was followed by a great feast in honour of the bear (peijaiset), where a substantial part of the celebrations consisted of convincing the bear's spirit that it had died accidentally and hadn't been murdered. Afterwards, the bear's skull was hung high upon a pine tree so its spirit could re-enter the heavens. The bones of the bear were then buried under the pine. Reference for this work is my old drawing of karhunkallopetäjä/bearskullpine in the Riisitunturi. Also practice sketch of bear skull and at last photo i took of pine.
Some crazy Moleskine doodles for the day. I haven’t been doing enough of these and really need to kick my butt harder. Not sure why because it’s so dang enjoyable.
I should have made the legs way longer.this creature, despite not having any arms,likes playing pranks on people for example turning your hair purple (if you have a headless head then you're going to grow a long purple beard regardless of gender)or even making your nose humongous,though it's easily frightened by anything,if a person spots it,it quickly runs away with it's long,two legs.they run very quickly.to this day this creature has never been captured by anyone.
Things have been so busy of late and my output has greatly reduced. However, I have returned to oil painting. I revisited this piece I started last year and put in a few more hours to finish it. The scene was from a few summers ago when I visited Pen Arthur forest for the first time. The piece takes me right back to that day when the late summer afternoon sunlight struggled to penetrate the canopy.
Close to a month ago, I had found out my design was selected for the Art Stop Program, and, yes, this is mainly what I've been working on since. I've never worked on a piece this large before, 72in x 24in, and I rarely make sketches of pieces before creating the final work. It's definitely a cool feeling to look at the finished board and see how the drawing actually came to life. (The Art Stop Program selects a handful of entered designs for the artists to create on a larger board, and these boards will then be inserted into bus stop benches around Niles, IL.) I can't wait to see the bench this will be in, and I'm so lucky I got to be part of the program.
Marker, and colored pencil on paper. My partner bought me some fancy markers that have been really fun to play with. I'm thinking about making this image into a greeting card.
