Progression 1 of 5. Found this image and felt it captured the power a beauty of the sport. Also, this piece I did with out any blending or smudging, which is my usual go-to technique.
A few years ago, I noticed a new habit of doodling faerie folks who seemed to exude off of the page. They look very doodle-y but they have ‘presence’, at the same time. I don’t know if that comes across to anyone else, but it does for me so I find them interesting. They each have part of a story that they want me to tell ... Here are five of many.
In some of the Rural areas in Africa, the Rooster is our clock as well as the alarm. It is a combination of the rooster and the four numbers on a clock.
Sometimes in life you've gotta draw a genie that's based on Lady GaGa. Don't blame me. Blame the inevitability of existence. This was ink and watercolor with a bit of assistance from Photoshop.
This drawing looks a bit like one of those "how are you feeling?" hospital charts. It starts out okay ("smiling cat", "drunk pirate"), and descends into full Lovecraftian Horror. I was driving toward a local town known for its unpleasant yokels, which probably explains the progression. Today, for the record, I'm 75% Apathetic Lumberjack, 5% glassy-eyed cat, and 20% Vampire Waluigi.
This 11" x 14" bold, dynamic, geometric abstract makes a unique statement. Lines and curves, angles and shapes in stark black and white convey the arbitrary, yet methodical . . . random, yet systematic nature of the universe . . . and our lives.
That one time I thought it would be a good idea to coat my lips with black ink and kiss the paper. Regretted it for the next 3 hours walking about feeling like a goth.
