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Stephen Stephen
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In the Beginning There Were Three

I painted this illustration to publicly proclaim the biblical account of a six (literal) days creation by the Holy Trinity to be the true account of the origin of all things that have been, are now, and will exist. I believe the evolution theories have many holes in them and lack sound evidence to declare evolution as the true account of the origin of all matter. I believe schools should teach both theories, and let the student decide which is truth for themselves. The three figures of light that are holding the hourglass represent the Trinity—the Father, the Son, the Holy Spirit—Who together created all things. The background of the painting is supposed to illustrate that the Trinity created all things from nothing. The hourglass is supposed to appear to be made of pure gold, representing a creation without corruption and decay, which would later be part of the curse the creation would be subjected to because of man’s sin. The top and bottom bases of the hourglass have the icon of the moon and sun six times to represent the six days of creation. The six spheres floating inside the hourglass represent the six (literal) days and what was created on each day. The first day, God separated the darkness from the light. This sphere is placed at the bottom of the hourglass because sand in an hourglass always flows down. The second day, God separated the sky from the sea. This is represented in the sphere located at the bottom right of the hourglass. The third day, God separated the land from the waters, represented in the top half of the sphere. The bottom part represents the plant life that was created on the same day. The fourth day, God created outer space: every star and planet. God mentions the sun was created to light the earth by day and the moon to light the earth by night. This is represented in the sphere located at the top middle of the hourglass. 1514 The fifth day, God created the creatures of the air and the creatures of the water. This is represented in the sphere located in the top right of the hourglass. The sixth day, God created both the land creatures and man. This sphere is located in the top left of the hourglass. (October 28, 2017)

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Sylwia J-D Sylwia J-D
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Mushroom Forest

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Kfir Weizman Kfir Weizman
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Bug robot

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Maia VELRO Maia VELRO
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keeping flowers

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Kfir Weizman Kfir Weizman
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Robot

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Edmund Gamponia Edmund Gamponia
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Change starts from within

Custom Absolut vodka bottle doodling

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Khozana omar Khozana omar
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Snake digital print

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Khozana omar Khozana omar
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Botanical Gardens 2

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Khozana omar Khozana omar
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Botanical gardens

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Arwen Arwen
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Horse Optical Illusion

I was inspired by Picasso's idea of multiple perspectives so I thought, well, what if I did that with a horse? I started sketching immediately and I unknowingly drew an optical illusion! Take a look...can you see both of the horses?

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Kfir Weizman Kfir Weizman
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Spider Robot

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Banu Taylan Banu Taylan
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happiness

happiness

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Suzy Walker-Toye Suzy Walker-Toye
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Ash

Robot from the movie Alien

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priscilla galindo priscilla galindo
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Updated Mr Robot

I went over the graphite with some watercolor pencil

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Carolin Schottenheimer Carolin Schottenheimer
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Inktober 5.

And the 5th. The lady at the left is a Scottish version of a vampire a Baobhan sith. They look almost like normal human women but have deer hoofs. They are allocated with faries so they are weak to iron. Since they are women they love to prey on men. Interestingly enough in most stories men who are willing to cheat on their wife well. The other two are Duke and Missi. They both belong to ChibiDonDC aka Daria Cohen. https://www.youtube.com/channel/UCV2Q52sQybDj3IJV_gz3WVQ So yeah this is fanart too ^^" Please respect Daria's work and do not use it for any commercial stuff- rather support her-

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Caitlin Konsela Caitlin Konsela
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J-Hope BTS Fanart

I wanted to make a combination of both my BTS bias and my favourite song of theirs.

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Kimmo Oja Kimmo Oja Plus Member
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Dandelions and swallows sketch

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Edmond Elodie Edmond Elodie
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Monstera deliciosa

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AKU NAPIE AKU NAPIE
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Girl with seafood

Ink on a4 paper. I do girl with seafood robot thing. Take me 40 minutes to finish it. Have a good day.

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Willem Myburgh Willem Myburgh
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Pew Pew Pew!

Little spacebot ready for action!

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AKU NAPIE AKU NAPIE
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Humanoid

Ink on sketchbook paper. A4 size. I do commission too.

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Mariana Musa Mariana Musa
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Odd Botanicals 2

Odd Botanicals 2

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Mariana Musa Mariana Musa
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Odd Botanicals 1

Odd Botanicals 1

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Mariana Musa Mariana Musa
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Inky Fuschias

Inky Fuschias - ink and watercolour

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Mariana Musa Mariana Musa
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Inky HIbiscus

Inky HIbiscus - ink and watercolour

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Mariana Musa Mariana Musa
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Inky Rose

Inky Rose - ink and watercolour

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Junkyard Sam Junkyard Sam Plus Member
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Robot Manflower

"Robot Manflower." 8x8 ink and watercolor. New discovery: Noodlers 54th Massachusetts Ink (watered down) works incredibly well for painting shadows/value before the watercolor. Watercolor does not disturb that ink! Drawn with a Pilot Custom 743 EF with De Atramentis Document Ink Black.

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Junkyard Sam Junkyard Sam Plus Member
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Robot Flower Man Sketch

Robot doodle with another favorite pen: Sailor 1911s EF, Royal Tangerine. Pilot Black ink on 4x6 note card.

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Beresford Beresford
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Industrial Art Project

What was created? A concept exerciser (aka: homemade workout machine) made mostly out of wood components, that was a contraption full of hinges, pulleys, weights, and grips (see pin 1). With my system, a person could perform both the butterfly and lat pull down exercises and transition between them with minimal effort. The unit stood about 8 feet tall and was about 6 ft wide when the butterfly arms were connected to it. Why was it created? I have always been fascinated with weight training machine design. I had a bench press weight set at home that did not come with a butterfly attachment, so I decided to make one of my own. I was able to get a steady supply of material (scrap wood) from a local source and constructed a workout routine by stacking columns of weight (instead of accumulating weight plates) in a moving grid generating even or uneven resistance (see pin 3). I also consider what I made could be a benefit to others since it does: (1) represent an extension of DIY culture (i.e. advancing individual knowledge, learning new skills, and the feeling of satisfaction that comes from building from your own ideas), (2) how to apply simple machine principles (i.e. pulleys, leverage, changing the direction or amount of force, etc.) in making a project and, (3) promote woodworking (which allows a person to be creative and is a wonderful medium for artistic expression). What makes it special? What makes my work distinctive concerns the butterfly arms and the weight container. Butterfly Attachment The butterfly attachment arms can be quick disconnected and re-mounted easily. The jackknife motion that the butterfly arms travel in as they flex forward and return to their starting position is an original conception. Weight Grid (see pin 3) Unlike traditional stacked weight plate machines, a person is allowed to make a variety of pattern configurations on the grid (X,□, /,\, —, etc.) by using cup shaped ballast inserts (up to 24) that changes the amount of force a user exerts for each repetition (see figure 2). An individual can position the weights in organized horizontal/vertical patterns or treat them more as random objects in the load basket. In their current form my system’s weight supplements are ½ pound each (about 2 ¾ inches long and 1 14/16 inches in diameter): making them easy to manage. If solid roll stock were used in their construction, they would be estimated to weigh 2 ½ to 2 ¾ pounds (see pin 2). When not in use, weights can be placed in the grid case for compact storage. As a point of fact, the sight holes cut into the drop tubes were drilled by hand with a fixture and not with the use of a drill press. At one point, I contemplated that one could focus on certain muscle groups in the upper body by placing inserts on the weight grid in particular patterns (X,□, /,\, —, etc.). This may have been beneficial for those in need of rehabilitation (through segregation of muscle areas that needed treatment) in such disciplines as Kinesiology or Physical Therapy. What was learned creating it? I learned how much ideas on paper can change drastically when fabricated physically. I learned how challenging it was to develop removable butterfly arms that hang and pivot in mid air. The exerciser’s weight box glides up and down on a vertical guide. I researched various ways of how to make that move while keeping the friction between the connectors on the weight box and the track surface it to a minimum. This was in order to make the climb and drop motion as fluid and controlled as possible. I considered using various sprays, waxes, greases, lacquers, covers, wheels, and even ball bearings to accomplish that. I ended up sanding the inside of the track extensively and then mounted small furniture mover inserts to the weight box on its four corners for a successful connection. Therefore, I learned here how important considering a variety of ideas provides solution to a problem. If I were to start over and do things again? I probably would have done some more background research in the areas of Fluid Dynamics or Biomechanics. I figure, if I had consulted with people in those areas, the time it took to design and redesign the overall unit as well as the weight box might not have taken about 3 years to fully complete. Miscellaneous In the back the machine was a counterweight of tube sand (60 lbs.). Without that, the whole thing would have toppled forward when trying to use it. Thank you for your time. Best Regards. Matthew Link: https://www.pinterest.com/meb206/industrial-art-project/

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Old bone story and artwork Old bone story and artwork
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Puppet Zvonko, creative pain artist, a source of wisdom, funny picture, short story

A 3 format We love when Puppet amused! We always learn from The Greatest! Warning! The following text is intended for fans of Puppet Zvonko! People with poor cognitive abilities may remain confused. We Puppetapostles, we keep track of what our Lord Puppet is doing, we study each of his movements, each his word is recorded and subjected to philosophical analysis. And always, again, over and over again, our conviction is strengthened every time: He is the God of eternal wisdom and the correct procedures! It is known that Puppet Zvonko - for their own entertainment - whips, branded and cuts people with a razor, often with mortal consequences. We gladly approve of it, it is reasonable to Overpower must feel comfortable and have fun, with us, miserable microbes. We are happy that we are honored with its perfect presence. For the last month, we noticed that his Torture Trinity (razor, whip, stamp) was exclusively used by one unbeliever, just a blow - two, and then Puppet goes away. Instead of showing happiness which the Puppet is experiencing him at all, touching his pagan body with sacred objects, the unbeliever tries to hide, of course, in vain. We Puppetapostles, we also know that most of the inhabitants of the Magic Valley, to say the least, does not approve Puppet Zvonko proceedings (here we mention that those miserable ones, blind with healthy eyes, The Puppet is called a monster, concentration of evil and other totally wrong names). The Puppetapostles remain in their firm claim: Puppet Zvonko sends his sacred, allegorical messages to the inhabitants of the Magic Valley by his actions - and other beings - who are sufficiently mature to accept the truth, final knowledge, the purpose of life. Now comes the time when we need to understand why Puppet bothering just one unbeliever for a month! Have we developed enough cognitive power or we are just miserable microbes - how does Puppet claim?

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