I used brush pen and watercolors. The most challenging part was holding back on excessive pen lines to render the fur, using patches of paint instead. Although I think the background is a bit dark and there a few mistakes, I feel that learned from this.
Today’s urban sketching effort. I tried to capture light coming through windows at St Giles Cathedral in Edinburgh. Posca markers, brush pens and water soluble pencil on brown A4
The first stage of clay is slip. Slip is watery clay; it is most often used to "slip and score", which I used to attach the features of the mug to the mug itself.
The second stage of clay is wet. Wet is moist, very plastic clay. Wet is the type of clay I love to use, just because it feels so fresh, and because it is moist enough that I don't have to soften it with water.
The third stage of clay is leather hard. Leather hard is the stage my mug was in after being left on the shelf for twenty-four hours or so. It is easier to cut but very difficult to sculpt.
The fourth stage of clay is greenware. Greenware is completely dry clay that is fragile and breakable. I would say that greenware is an overdose of leather hard for the clay. In other words, leaving clay out for a longer amount of time can turn leather hard clay into greenware.
The fifth stage of clay is bisque. This is the clay after its first firing. If it was grey clay, it is now white in this stage. It is now completely hard and no longer soft in any way. Bisque, luckily, is only one stage away from glaze...
The sixth stage of clay is glaze. This is the final firing and results in a smooth texture and a shiny look. I loved the way my glaze came out. While I was painting the mug, it was more of a ruddy red-brown but when it glazed, it turned out to be this beautiful spotted green.
Another little fox drawing. I loved the reference picture and wanted draw a smiling fox. Even was the first time I tried to draw the nice fure... red, orange, yellow, brown, mahogany makes the wonderful red fure which I do love.
The leaves have grown so much you could barely see the house, as if it's hiding, as if it's not even there. I could only see bits and pieces of it out my kitchen window.
"Perhaps one reason we are fascinated by cats is because such a small animal can contain so much independence, dignity, and freedom of spirit.
Unlike the dog, the cat's personality is never bet on a human's. He demands acceptance on his own terms."
- Lloyd Alexander
Materials - Alchohol-based Markers, White Gel Pen and Black ink pens
Yet another plant abstract. This one was built around the red outlined flower in the semi-center, and that’s where it gets its name. Colored pencil and pen on paper.
Brown ink and watercolour on paper, 4x6". Reference photo from Deviant Art. This is probably the closest I've come yet to the style I'm trying so hard to learn. Being self-taught, I'm very much open to suggestions and advice.
A sideways version of my watercolor painting titled "Neutral Rose." If anyone knows how I can get these properly reoriented, please help. If you can image this one quarter turn to the left and on things like shirts, hats, and posters, try checking out this link to see all those things for real: https://linktr.ee/okhismakingart
