Class demos in my "Sketching for Animators and Illustrators" class. The building in the foreground is a students sketch I xeroxed and went over with acrylics. This is about a half hour in. We also looked at brush-pen and watercolor. I'm doing a summer ve
Playing around with digital stained-glass effects, and thought it would be fun to portray tropical summer vibes in a medium where you don't usually find them. Shout out to Lisa Bardot at bardotbrush.com for the basic digital technique.
I am amazed summer after summer seeing this tree and garden grow. I started this with a blue background and a black layer that I punched through, and from there, I painted layer by layer from the back to the front. I like the realism I got, but I kept to a painterly feel using oil brushes.
Another batch of sketches from my time in the album recording session earlier this week. Noodler’s ink blue loaded in my fountain pen, then applying a bit of water with a water brush. I like the bleeding that occurs.
A vibrant scene depicts bright blue water flowing through a lush, green landscape, with a small waterfall cascading down the center. The surroundings include dense foliage and a floating patch of grass in the water.
The form of Martial Arts introduced by Bruce Lee embraces `being formless’ as a central idea. Sharing this belief, my works do not start with an intention of what to make, but rather the process is to follow-through to what the works wish to become. In Jeet Kun To, the practice is to `be water’, to react and to blend. Instead of following the artist’s desire to direct the brush, I enhance, without an intention to change or render. The composition dropped from elsewhere as a message and is polished to shine.
This piece is on a canvas. I use acrylic Paint. Checkout my ArtPal, click on the site link on my page. This piece is on sale on my site. Part of the proceeds of every sale goes to a very good cause.
