Français : L’Appropriationnisme ou le « Remake » est un concept simple. En effet, il suffit de reprendre le travail d’un artiste et signer la nouvelle production de son nom. Il ne s’agit, en aucun cas, de copier l’œuvre comme pourrait le faire un faussaire. Il ne s’agit pas non plus de plagier l’œuvre.
En ce qui me concerne, j’utilise l’œuvre célèbre d’un artiste reconnu. En réutilisant une œuvre originale préexistante et célèbre, condition sine qua non, je propose de rendre un hommage. Il ne s’agit en aucun cas d’un manque d’inspiration surtout lorsque l’on sait maintenant que : « l’art naît de l’art et non de la nature » : Ernst Gombrich.
Dans cette série, j’ai voulu revisiter des œuvres célèbres en utilisant ma technique graphique de l’éloge de l’approximation mettant en évidence la problématique de la défaillance et de la mémoire vaporeuse.
English: Appropriationism or Remake is a simple concept. Indeed, it is enough to take again the work of an artist and to sign the new production of his name. It is not a question of copying the work as a forger could do. It is not a question of plagiarizing the work.
As far as I'm concerned, I use the famous work of a recognized artist. By reusing a pre-existing and famous original work, condition sine qua non, I propose to pay tribute. It is by no means a lack of inspiration especially when we now know that: "art is born of art and not of nature": Ernst Gombrich.
In this series, I wanted to revisit famous works using my graphic technique of praising the approximation highlighting the problem of failure and vaporous memory.
Digital painting on canvas of "Michel Onfray" in the manner of the praise of the approximation of the exhibition. This graphic and stylistic style is borrowed from the concept elaborated in the Praise of Approximation ": a painting to be reconstructed using the structure to which the perceptions are subordinated, highlighting the perceptual disturbances of perception. whose memory has been recorded in the brain of each individual.
Peinture numérique sur toile de « Michel Onfray » à la manière de l’éloge de l’approximation de l’exposition. Ce style graphique et stylistique sont emprunt au concept élaboré dans l’Éloge de l’approximation » : une peinture à reconstruire à l’aide de la structure à laquelle sont subordonnées les perceptions qui met en évidence les troubles de la perception liés à la manière dont le souvenir a été enregistré dans le cerveau de chaque individu.
Canvas mounted on wooden frame. Size: 25 x 30 cm Materials: acrylic, Chinese ink, brush, pen and marker. Is sold the original piece. For this reason, there may be slight differences from one piece to another.
Canvas mounted on wooden frame. Size: 25 x 30 cm Materials: acrylic, Chinese ink, brush, pen and marker. Is sold the original piece. For this reason, there may be slight differences from one piece to another.
Canvas mounted on wooden frame.
Size: 25 x 30 cm
Materials: acrylic, Chinese ink, brush, pen and marker.
Is sold the original piece. For this reason, there may be slight differences from one piece to another.
Garbage can: I wanted to try out my 'Secret Shoppers' doodle on a soft surface before I tried it on canvas, and I found a garbage can in our garage that worked okay
I still haven't had the pleasure of seeing this fascinating phenomenon with my own eyes, but someday I will! I painted this scene because I'm one of those weirdos that loves snow and sees so much beauty in the quiet winter scene. Acrylic on 3.5" x 3.5" on custom tiny canvas.
