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car

Fouziyah Fouziyah
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The world is on fire but we don’t care.

All you have to do is lift your chin up to encounter the most fascinating things in life. What would it take to lift up your chin and talk to the person sitting right next to you. I fear that one day we will forget the very essence of being a human.

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AKU NAPIE AKU NAPIE
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Elmo

Robotic style of Elmo.

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Yu Yu
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Happy Birthday

A simple card.

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AKU NAPIE AKU NAPIE
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Sang Wira

Tribute to Malaysia Animation in 90s.

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glen glen
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Haughty culture”

This piece was done with watercolour crayons, crayons, fineliner, acrylic paint and a touch of posca. I was showing that love can be blind and sometimes almost arrogant and selfish, the arrow has hit the spot on the second attempt but the scars are still to be seen. Although the person playing cupid aint always an outside force. I enjoy playing with the titles and am constantly changing and thinking of what it will be called when doing the piece, but i do like my wordplay. this one was a play on horticulture and felt it all tied in to the final design :)) This is available as an a3 sized print.

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Sanuri Zulkefli Sanuri Zulkefli
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Goodbye Series II

2nd series of my favorite artwork, from ‘The Goodbye Series’. Ink on cardboard, A5 size.

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Jan Wiejacki Jan Wiejacki
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No title

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Jan Wiejacki Jan Wiejacki
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No title

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Jan Wiejacki Jan Wiejacki
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The Enlightenment

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Diana Koehne Diana Koehne
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Doodleday II

Cut and paste mixed media doodle collage over Carhartt Ad - oil pastels, pen, watercolor

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Jan Wiejacki Jan Wiejacki
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Firestarter

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FRENEMY FRENEMY Plus Member
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Ox Alien X Frenemy Rotterdam

Mural collab with OX Alien in Rotterdam for a school.

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Sanuri Zulkefli Sanuri Zulkefli
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The Goodbye Series

One of my favorite artwork, from ‘The Goodbye Series’. Ink on cardboard, A5 size. More post in https://www.instagram.com/sanuri_z/

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Diana Koehne Diana Koehne
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day

Mixed media doodle collage over Carhartt ad - using oil pastels, pen, watercolor, highlighter and glue

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Diana Koehne Diana Koehne
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Night

Mixed media doodle collage over Carhartt ad - using oil pastels, pen, highlighter, fineliner and glue

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Aarushi Sharma Aarushi Sharma
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Happy childhood

Cause butterflies never lead to the dark forest.

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Kyle Coughlin Kyle Coughlin
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Sketchbook (6) - Spread 26

Sketchbook (6) - Spread 26

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Jim Bradshaw Jim Bradshaw Plus Member
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Chuck that page!
1/5

Did you ever have a page in your sketchbook that was so bad and so embarrassing that you tore it out and chucked it? This was one of those pages that made me cringed every time I came to it. So today I said to myself, "ENOUGH!" and ripped it out of my moleskine. But something wouldn't let me throw it in the can. Now, I'm not one of those artists that can't bring himself to throw away any of his stuff because each and every piece, good or bad holds some kind of sentimentality or sense of importance. This particular page was a result of a crappy angst filled day and stuff poured out of me. For some reason, it felt like I was throwing away some piece of my soul. There were parts that were overworked and others that were painfully too personal. So I decided to cut it up and put it back together in no particular order, however it seemed best. As I was pasting the pieces down it occurred to me that this had a comic book feel so I scanned the final and added the black borders in photoshop which I really dug. I like that it is cryptic and jumbled up like my brain can so often be. This reminded me of the awesome @johnhendrix who said something in his book, Drawing Is Magic that stuck with me. He said, "Don't worry about doing anything wrong. If you're hoping your sketchbook turns into a glossy display of only your best drawings, you are not carrying a sketchbook, you are carrying a portfolio." In other words, explore, take chances, loosen up and have fun. Try your best to go at it like an uninhibited child. In so doing, you will stretch as an artist by avoiding repetition and predictability. We all know how to do what we already know. To sum up, I created a bad page, and whether or not I was able to fix it, it expanded me. So, follow your pencil, pen, or whatever and let them take you to places you never imagined when you started. Then, maybe you will end up staring happily at the final and with childlike wonder, say, "man, where did that come from?"

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Jim Bradshaw Jim Bradshaw Plus Member
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Birds on my brain.

Working on characters.

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Jan Wiejacki Jan Wiejacki
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No title

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Jon Carling Jon Carling
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bedside sketchbook

a drawing from one of my sketchbooks, 9" x 7" pen and ink.

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Andy McNally Andy McNally
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Avengers Infinity War Sketchnote

Avengers Infinity War Sketchnotes- I went to see the movie today and did a quick Sketchnote.

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Kathrin Rödl Kathrin Rödl
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Local Chairoplane

Sketch of a local fun fair carousel. My favourite one is the chairoplane.

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Hermit Hermit
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Fap 4 Mcaw

(Black biro on a 139mm x 89mm postcard). Another dreamscape piece that uses automatic drawing techniques to produce random imagery. I was going to call this one "bloodlines" due to the shaded central areas which developed, but the lettering in the bottom-left corner began to take shape and so I highlighted them and used them as the title.

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Diana Koehne Diana Koehne
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By the sea

Collage & Drawing over Carhartt Ad

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Andy McNally Andy McNally
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The Big Show - Steven Universe Sketchnotes

The Big Show - Steven Universe Podcast Sketchnotes

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Emma Frignani Emma Frignani
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Baby carnations on magenta and mauve background

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Karl Dupéré-Richer Karl Dupéré-Richer
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Discworld

Recently, I was asked to illustrate the Discworld as imagined in Terry Prachett's work. The illustration (24 "X 24") was printed on a self-adhesive vinyl and applied to the mandator's car.

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Jan Wiejacki Jan Wiejacki
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No title

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Jan Wiejacki Jan Wiejacki
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No title

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