I genuinely can't believe it's already March (I also can't believe it'll be a year since the pandemic really started). Yesterday also marked one year since I started journaling, which isn't an actual major thing, but still. How quickly time flies and how big of a difference a year can make. "And when it rains, the rain falls down Washing out the cattle town But she's quite safe up far away in her eiderdown And she dreams of crystal streams Of days gone by when we would lean Laughing, fit to burst, on each other."
Yet again, this came from a doodle... then from there, i just couldn't help myself & continued to add more fun & a few extra nutty bonus cartoons. Hence the number 6. A great caricature artist by the name of Al Hirschfield used to add & scribble his daughters' name into each drawing. He then would add a number next to his signature signaling how many times the name 'Nina' would appear. So in a similar way i too have decided to add a number but mine will simply offer a hint for how many extra cartoons i have deliberately added. Can u find them?
Salut ... je suis nouveau ici. Je me nomme Elimane et j'ai 20 ans. J'aime beaucoup l'art et j'essaie d'apprendre au maximum. Je suis surtout super fan de bande dessinée, mangas et autres. J'ai longtemps cherché à faire partie d'une communauté d'artistes mais en vain. J'espère pouvoir m'intégrer à cette communauté et y rencontrer plein de personnes intéressantes.
Bird feeders r a gr8 deal of fun for about a month. Then u start seeing the accumulation of bird doo & various other unsanitary bird debris... & i gotta say much of it is not easy to clean. So perhaps this is the next best solution? And in case u didn't catch the bonus fun there are a few S-crows; A Mynah Bird [Miner]; An actually Shuttlecock; a Dove Bar, a flying Bird of Paradise & a bouncy hungry Rubber Chicken.
I had so much fun drawing the concept art for the Liz Cat's crew, that I decided to make all the other Altitone animatronics (including a smaller Dellusion) as these more kid-friendly designs! They aren't quite canon, though, because the real Liz Cat's cast only had five animatronics: Elizabeth, Preistor, Altor, Lexibo, and Dexter. Drawn with FireAlpaca.
I started painting with acrylics again towards the end of 2018. On 4x6" canvas wraps, they were so small, but so much fun to paint. I was pleased with this one except for the fact the magentas for the foxgloves weren't as vibrant as I hoped. The location that inspired it is Irfon Forest in Mid-Wales. I can't imagine it's a particularly touristy spot, but it's an absolute hidden gem with extensive views over the Brecon Beacons.
Pentre Ifan is a megalithic dolmen located in Pembrokeshire. I sketched at a point when I hadn't sketched for some time and felt like I should. I didn't give it the time it deserved and didn't even erase the pencil marks. Definitely one I should re-sketch at some point.
Even though I drew these two with the other three of the Liz Cat's animatronics, they somehow ended up really bad. That's why I didn't put them on the stage with the first three. Nevertheless, they are still part of the 'first batch', which is what I'll call this first iteration of the Liz Cat's animatronics. Drawn with FireAlpaca.
I think I've finally come up with a design for the Altitone crew that is actually appealing to children. All the previous designs had always looked like nightmares: no eyes, sharp teeth, faceplates, and most of all; they were all white --- and not all cats, rabbits, and bears are white. So, I needed to make them resemble animals a little more. And I did! I'm certainly going to keep revising these designs, though. But for now, I introduce you to the V1 Liz Cat's band! This restaurant chain will probably be the one that I'd make a FNaF fangame out of. Drawn with FireAlpaca.
First real art of the year. It took longer than I wanted but I love how it came out. Guess that's what happens when you put time into your projects - go figure. Just a little Copy Cat art from a beautiful, innocent, charming film - Ponyo. What's your favorite Studio Ghibli Film?
I painted this as a commentary on Christ's response to disability in John 9. He states that the blind man was not born blind because he sinned, but so that the works of God would be revealed in him. This was so cathartic to paint.