Created using pencils, fine liners, water color, and acrylic paints. A Ghoulish cheerleader ripped from her life too soon, murdered by jealousy, with the those she thought were her friends torn in anguish over her death, she now takes this form to rid others of their dreams and ambitions.
Critter is the main character who discovers the challenges that life can throw at us, but its who he meets along the way that makes it an adventure. Untold will be a story of challenges, growth, friendship and more.
These thoughts are in my mind daily. I take care of my 91 year old father. I'm certain he has dementia but I can't get his doctor to diagnose him. He can easily pass a competency test, even though he is no longer competent. My mind is messy, to say the least.
Backgrounds used to be my least favorite part of painting, but now im having fun trying out different textures and patterns. Having a strickt 12 color limit adds to the challenge and makes it feel like a puzzle.
Imperfect Lines, Honest Presence
This sketch is not perfect—and that’s exactly why it’s alive. The bold figure, the dissolving hat, the tilted chair: all of it feels unfinished, fleeting, caught in motion. It’s what the Japanese call wabi-sabi—finding beauty in the imperfect, the impermanent, the incomplete.
But there’s something deeper here too. A quick sketch is not just what the eye records. It’s what the soul permits. To draw without fixing, without polishing, is to admit the world will not hold still for us. Life slips past. The lines break off. And yet, somehow, the essence remains.
When you sketch this way, you are not the master of the moment—you are its guest. The pencil does not carve permanence; it pays attention. The act of drawing becomes an act of being present, of honoring what is already vanishing.
So here’s a challenge: grab a pencil and sketch someone near you in sixty seconds. Do not erase. Do not perfect. Let the lines falter. When you finish, ask yourself: What truth did the imperfection reveal?
Perhaps presence itself is the real art.
My submission for the Doodle Addicts album cover challenge. Thank you so much for the votes, I appreciate them all! Here's the original description for the submission: Future you calling is a group that mixes electronic pop and rock with some vintage and retro vibes thrown in the mix. To Whom It May Concern is their newest album. It's like that strange record that you once found on the slightly shady flea market that closed down after one month. You wish you had bought it back then, so now is your chance to repair the damage and get this album instead. It's almost the same. We promise. (Future you calling is an invented band. I'm not musically skilled enough to make the band reality but I can always imagine how their albums would look like if existed. This illustration was painted in Photoshop using reference photos found on Pexels.)
From Sketch to Final Water Coloring Stages, this is a spread from Tide Day! A lot goes into making a good composition, taking into account the center of the image where the binding is, and how to play with size and negative space. One of my favorite things to do is explore contrasting expressions between characters and highlight their emotions through physical stances and expressions. This was a tough challenge with the lack of limbs and the watery context, but Pearl's stubbornness and attitude shines through!
Hi guys! LOoong time no see. But, thanks to #inktober, I'm here :) My friend offered me to participate this year challenge with #witchyprops, which I find lovely, so here it is: The book of shadows!
I wanted to challenge myself to draw something which is anatomically hard. I chose Breakdance as subject because it had been my passion for 16 years but I had to put an end to it due to my chronic injury.
Hey all! Just saying hello from the Doodle Addicts team. We thought we'd post this image in the main feed and make this a place to chat about the latest drawing challenge. We hope you all plan to participate, it's a fun one! Leave a comment if you plan to join in :)
Class assignment: draw a crowd with layers and overlapping. I took this class because it is my artist heart's desire to capture people in real life action. We did learn a technique for that, but we did it from video. It was so stressful, and I'm considering practicing that 10 min a day for Lent. This one was a compilation from photos my teacher provided. What are your tips for capturing people in action? For me, the challenge was deciding what the action was. I kept changing the action as I saw it because it is SO FAST. I felt like I couldn't "see" fast enough.
For an Instagram art challenge, we had to draw a beat ‘em up character in the style of a robot. Here’s my contribution! I could’ve gone with some fairly obvious choices, but to challenge myself and try something new, I opted for Gon from Tekken 3. Turning this dino into a robot, now that’s where it got interesting!
![[Day 2/30] 1 Day 1 Art in Ramadan](/images/uploads/square/56884_naufaria_1710297656.8294.jpg)
