Trying to meld the moody tones of pulp noir with the playful romanticism of 1950s lifestyle illustration. Inspired by the fairground scene from the 1942 Veronica Lake classic, This Gun for Hire.
Whenever someone says Dodge Charger. The only name that comes to mind is Fast and Furious Movie - DOM, This car is such an epic car. I love this car a lot.
I did this illustration on Autodesk Sketchbook with a Midnight Blue body and Cherry Red stripes at the end.
I found this grouping quite challenging to draw.
Also known as The Two Wrestlers, The Uffizi Wrestlers or The Pancrastinae. The sculpture is a Roman marble sculpture copy of a lost Greek original from the third century BCE. The piece is in the Uffizi collection in Florence, Italy.
A Valentine sketch I did for my wife. The image is inspired by the classic scene, (from the original old campy "Adam West" Batman movie), where Batman is running with a bomb.
A detailed hand-drawn ink and wash illustration featuring two majestic dogs that look like statues perched above a historic gothic cathedral. This piece captures the timeless atmosphere of old European streets, blending architectural precision with the organic soul of a loyal companion cast in stone. Perfect for fans of urban sketching, dark academia, and classical monument art.
A hand-drawn illustration featuring a classic to-go coffee cup overflowing with ibuprofen pills instead of liquid. Perfectly capturing the essence of a rough morning, a long shift, or just the reality of "adulting.", text that reads: Venti Ibuprofen Kind of Day
I decided to try this thing on my iPad called Classic Invert, I turned on the camera app and saw this. I got inspired and decided to make what I saw. It’s not the best but I like it!
One of the scariest characters I've ever seen. The most frightening of the vampires from the movie "Fright Night" (1985). I had to draw her as a form of therapy. Thumbs-up for the art department on that movie! If she had had white eyes instead of the red eyes in the movie, I would've been irreparably damaged! :) (Pencil on paper, size A4).
Inspired by the Neo-Classical period, I pushed myself as an artist to portray subjects in an idealistic fashion combining drama and artificial lighting. The subject is my sister who modelled as a reference, enabling me to control the shadowy effect over her face. The dim lighting and dark background resonated with the period style, focusing on the facial parts that are visible. The end result looks like she is emerging from the darkness. A somber atmosphere is illustrated through visual expression.
Adding the fast drying oil on the brushes improved the blending of the colours on the canvas which was especially useful when it came to applying strokes on the face smoothly. Visit https://www.martiaposts.com for more
Currently reading anne brontes classic about a mysterious newcomer in a tiny town. I should probably have placed the motive outdoors, since she spend a lot of time there, but having her leaning over to try cover her past works fine for me. Maybe i get inspired to paint more pictures of the mysterious mrs graham as i get further into the book.
This is a Royal-Enfield Classic 350 bike. Most favorite brand and model of most of the current Youngsters. It is an Illustration done in acrylic medium.
A delicate, hand-drawn study of the Blue Liverflower (Hepatica), capturing the first signs of spring. This design features breezy blue petals, energetic linework, and a minimalist vase, blending a classic botanical feel with a modern, sketchy illustrative style. Perfect for those who love the quiet beauty of forest wildflowers and cottagecore-inspired art.
A whimsical depiction of an anthropomorphic frog making Freestyle motocross trick called "Seat Grab" in a classic penny farthing bicycle. The image is funny, humorous and minimalist, featuring a simple outline.
This portrait is the darkest in the series, examining the internal malice that persists even when communication is restricted, illustrating that evil doesn't require a loud voice.
* Visual Focus: The mask's mouth is horrifyingly held closed across the center by surgical thread and a needle, which only covers half of the wide, unnerving smile. The stitching reveals a set of sharp, feral teeth underneath. Disturbingly, a pair of prominent horns protrude from the top of the mask's head.
* Symbolism:
* The Stitched Mouth: Represents the idea of selective silence or the censorship of truth. The fact that the stitching only covers half the mouth highlights the "half-done" nature of modern morality. The revealed sharp teeth suggest that even in silence, the capacity for vicious, cutting, or "devilish" speech remains barely contained. Showed directly on the piece by the date being misleading.
* The Horns: A classic, unambiguous symbol of the Devil or pure malice. This is the figure's core identity—it suggests that even while hiding behind a neutral mask and being partially silenced, the individual's "tongue like the devil" and evil intent are still very much present, emphasizing the inherent corruption and hypocrisy behind the facade.
In this drawing, I was striving to capture the spirit of contemplation and reflection, a sort of spiritual sojourn, an ancient practice of pilgrimage, focusing on subjects of transcendent nature, and exploring destinations of spiritual significance. (words taken from scholarlysojourns.com). It is a self-portrait (me as a 14-year-old boy). We had just moved from Mequon to Rhinelander. It was then that I began to romanticize the natural beauty of Mequon. But at the same time, I was falling in love with the beauty of Rhinelander. In this picture, I am walking through the countryside of Mequon. The stringed musical instruments symbolize my love for the progressive classical and folk-tinged acoustic and orchestral music that was coming out of England in the late 60s and early 70s, specifically the quieter pieces of music performed by the Moody Blues, Emerson Lake and Palmer, Yes, and Jethro Tull. A song called Reasons for Waiting by Jethro Tull is a good accompanying piece for this drawing.
This was originally done with ink and watercolor for the Red Book of Bashkortostan, I really like the look of classic botanical illustrations on brightly colored backgrounds :)
