Okay, I understand that comparing any real-life animatronic bands to FNaF is practically a sin, but I made this doodle subconsciously and I'm in love with it. Introducing Rock-afire Freddy. FNaF animatronics have many differences to real life animatronics, like how FNaF animatronics are made of segments, while real animatronics consist of one big fur piece, much more flexible. And that many of the animatronics from FNaF are completely able to walk around --- but in real life, the animatronics only have moving parts that are essential to their performance. This sort of also leads to another difference; FNaF animatronics from a specific generation all have the same endo, while real endoskeletons for animatronics have their own endoskeleton --- which have several differences from FNaF endos, like having upper jaws (which real endos don't), having teeth (real endos just have a plate which can move the mask jaw), being very bare and with few wires (real endos are very complex, and unlike FNaF where the animtronics are probably powered by electricity, real animatronics usually run on pneumatics). Anyways, enough of me rambling.
An animatronic especially designed for a particular individual to climb into it, only for them to get impaled by a variety of steel bits. However, this particular individual was never captured, for their execution was performed only several days after the finishing of this product... so it sits, motionless, in the unused areas of Ringmaster's Pizza Hall. Drawn with FireAlpaca. (Why does this animatronic have eyes while the rest don't? Wouldn't you like to know, weather boy? (quote Jester during an interview.))
Imagine a slime from an RPG game, like from Terraria or Dragon Quest. This little guy is like one of them --- but he's colored like neapolitan ice cream! He's cold, too --- but certainly not as tasty. It even has a rolled wafer in its back --- a useful weapon to fend off against foes! These guys want to be on your side, and will try to protect you.
Watercolor 2003-4. Patience, good temperament, civility, humility, love describes my grandmother's life--born in the late 1800s, she faced more difficulties in life than I have ever faced. This painting represents longing to return to her.
Often times my work is more about a conversation with my anxieties. I have a deep, conflicting relationship with concepts of existentialism. The following works reflect abstract ideas that I simply don’t have words for.
I used brush pen and watercolors. The most challenging part was holding back on excessive pen lines to render the fur, using patches of paint instead. Although I think the background is a bit dark and there a few mistakes, I feel that learned from this.
Doodle cards printed with foil and metallic ink - year 1999! I used a desktop printer that could reproduce metallics / foils / spot UV. They don't make desktop printers like that anymore.
Shea Coulee is an amazing performer and personality. Her recent work and Instagram feed were the inspiration for this piece. Each layer is digitally painted, but I love the overall screen print feel.
