I think the best time of the weekend is driving home from work on Friday evening and thinking of all the potential of the weekend. Time to draw, paint, hang with family and friends and thank God for blessings.
This drawing, with a bit of watercolour, was done years ago in North Vancouver during a figure drawing session. Probably 15 - 20 minutes. Watercolour, subtly employed, can have wonderful affects. The challenge of working fast forced me to ditch excess thinking. And it's funny, because at first I thought, "Oh, this is terrible." Then the next day, with fresh eyes, or checking out the drawing in a mirror, I think, "Wow! How did I not see how good this is?" Never throw out your artwork immediately after a drawing session. Give them a few days and look at your work with fresh eyes.
This is an ATC-sized (3 1/2” x 2 1/2”) watercolor. I’m practicing bolder strokes with heavier pigment. Big departure from my usual uber careful strokes
Temperature, polarity, pressure, molecule size, and stirring all increase solubility. Yup. The background is stained from food coloring swirled in shaving cream, some AP Chem practice problem notes, and some shapes for spice. Also, I submitted 3 college apps yesterday, so here's to that.
In folklore, a will-o'-the-wisp, will-o'-wisp or ignis fatuus, is an atmospheric ghost light seen by travelers at night, especially over bogs, swamps or marshes. --Wikipedia
11” x 17” Original ink and watercolor painting on Arches 140# hotpress watercolor paper.
Signed by the artist. Unframed.
Lightness 4: when a levity hurls us away.
This serie started with the purpose of paining people literary threw away from small ordinary objects like flowers of balloons. I wanted to depict the strength and the power that trifles have on us. Eventually ithey paintings became more and more “stable”, with just a touch of surrealism in them.
I kindly thank Ale for posing for me with patient. Thanks to her hair style, I am pretty sure you can recognize her in my last paintings ;)
