Some foods are messy; even Kings acknowledge the need to bib it up to protect one's favorite t-shirts. Not sure if the thing on his head is a crown, a headdress, or hair.
I took the skulls of monkeys/apes I'd drawn about a year ago and incorporated them into some new collages that include mandalas I did about a month or two ago. Cutting, cutting, cutting, paper everywhere. I'm a huge mess. The second one is Billy / Jigsaw from Saw!
Self-portrait - Taste - mixmedia on sketchbook - I would like not to let myself be afflicted by the influences of the past, even when they return forcefully, by the panic they create in me, by the pain that still manages to seduce me in such an attractive way.
I would like to fight for myself because every time I have done it I have never regretted it, not even when I failed. But I would also like to give myself the rest to sit back and not have to overdo it: to sit and savor what is there, and also savor nothing if necessary.
Elias Rosenshaw 11/16/2023
Filtered digital collage of photography, digital patterns, pixel art, and pen & pencil on paper.
Text paraphrased from my friend Lydia.
Drawings are studies of statues I photographed:
Horse's Head, The Parthenon Sculptures, The British Museum, London, UK
The Bassai Sculptures, The British Museum, London, UK
About once a year I set aside a page in my sketchbook, or bullet journal, to do a marker test. I go through every pen I own including Sharpies, highlighters, Bic Permanent Markers, Crayola markers, Stabilo pens, Expo dry erase markers and everything in between. I document the quality and determine whether to keep or toss the utensil. I find it’s easy to collect art materials, especially when you’re like me and switch mediums regularly. It’s important to know that when I reach for a certain pen or marker, it’s going to work the way I want it to. I do keep a page at the back of my sketchbook open for testing mediums, but it’s an important part of the process of creating art to go with the flow and just draw.
