This sketchbook is my therapist. Not this one specifically, but any single one small enough to fit in my pocket. I tell it everything, from quirky thoughts and funny notes to abstract concepts, drawings and positive reminders. Keep it analog folks… a doodle, sketch, writing, poem, or scribble every day helps to keep the brain fit and the thoughts flowing. ✏️
Re-watching the series now. Really liked the general concept, visual character design and the action scenes. It even inspired me to make an AMV about Korra >> https://www.youtube.com/watch?v=-TIidatQrw8
It was nice and refreshing to see a (physically) strong rebellious female character, something different from a usual portrayal of female characters. However something went down the hill and I'm struggling to go past the 1st season hehe.
I know, Korra and the whole series are quite controversial and I understand why, but as a female myself I was inspired by this badass female character (well, as I explained, until some point, but nonetheless). Anyways, hope you enjoy my drawing ^^
Program used: Paint Tool SAI
This guy is based off of a friend’s art style :’3. He very much needs a name heh. First doodle on here (made August 2023). Hello fellow doodle addicts!
Willow's an oc of mine... she's very quirky. She's better suited to hanging out with the dead than the living. Also, super open to tips on this one because, as a beginner, I'm not amazing at diverse people. Like, black people have different facial structures and hair. Asian people have different facial structures and hair. So if I got something wrong, I'm open to redrawing that part. Just lmk.
Some LGBTQ+ members of the community can’t openly love who they want to love, so the bars represent that barrier. The fabric, with all its complex folds and creases represents sensuality, desire and love. Love, in all its forms is a complex thing of beauty.-------------
The companion piece to my previous post ‘Ecstasy.’ Agony and Ecstasy were always meant to be a diptych. The issue for me is that there is a two-year gap between the completion of the two - there is a noticeable difference in the the way both were drawn.
Faber Castell pastel pencils, Black and White Generals charcoal pencils on 9” x 12” Strathmore Toned Grey sketchbook paper.
Hello again, Gale. I've mailed a photograph of the window with this letter. I hope both reach you safely on Par Tritus. Eclipse City thrives, contrary to Luncara's beliefs. Tell James that I've missed her. But the Jagged sets and my light is spread thin, so I must conclude this letter. Best wishes to you, James, and the king. Sincerely, Cyrus
Inktober2018day12-Whale. I’m using inktober to explore and improve my techniques. This time I wanted to try using more crosshatching. I’m happy with the result. Also, at first I had nothing for the whale prompt but it’s rewarding when you push through the dead space and a concept or idea comes to my head that I can be excited with.
Words something so simple but yet so destructive. They become your inner voice, your torment they become the demons you try to appease. But when there is one that shines brighter than the others. It becomes charming, alluring, but yet the most destructive one of all. All you do...is feed it.
A piece for an abandoned 5E adventure module; a portrait of the eccentric and reclusive host and owner (and victim) of the manor at which a garden party is interrupted by an unexpected murder.
Recently, I was asked to illustrate the Discworld as imagined in Terry Prachett's work. The illustration (24 "X 24") was printed on a self-adhesive vinyl and applied to the mandator's car.
Doodling is what I do. It's a way to make visible the randomness that's in my head - just drawing out a concept right when it comes to mind and scribbling on whatever I can find.
Something is brewing in my head and I can't get it to stop. Sooooo, I'm thinking a supernatural feel similar to Gravity Falls. I'm not sure where these two are going, but we doing something.
A character concept drawing of a pirate vampire character I created for a collab writing project that died. His clothing and even his hair borrowed aspects from various jelly fish as inspiration. " The snap of inky sails catching the wind punctuated the subtle wooden creaks of the Sea Nettle as it slid over glossy black waves. The night was oppressive. With the moon obscured by clouds, the ship, with its doused lamps and its dark wood was nearly invisible as she crept closer to her prize. Tallis stood on the forecastle, one foot propped against the railing, his hands supporting a spyglass. He drifted the lens between the lights below deck, counting each of them and making note of any movement on the upper deck and in the rigging. A single sailor was at the helm. Another was lazily standing beside him, possibly engaged in conversation that distracted him from his watch. This was to be expected, not many would dare to disturb such a well-equipped vessel of the Luthen royal fleet. Nettie's crew was lesser in numbers, but they were experts in what few on the high seas could manage. Tonight, would be a quiet strike. Open combat spelled unnecessary danger for his crew."
Often times my work is more about a conversation with my anxieties. I have a deep, conflicting relationship with concepts of existentialism. The following works reflect abstract ideas that I simply don’t have words for.
