pencil on paper. introducing fire elves. This was my favorite concept back when I was a noodle in high school. I have lots of doodles like this one, and a few are colored too. Can’t wait to share that with y’all
Concept illustration for my ongoing personal project, a graphic novel entitled “Oneironauts”. It follows the misadventures of Corvidhir and his two unlikely companions as they navigate the bridge between reality and the dream world.
Concept idea for an upcoming canvas, but I’m not sure if it’ll stay like this. My days have had me wondering why certain problems exist, how we could solve them and how we can prevent in the future. This particular work will be focused on racism, and I’m very excited about the amount of research I want to do. I’ve been very angry and feeling powerless lately about this subject, and I’ll hope I’ll feel more useful after this project
I'm currently working on a digital comic and this is one of the main characters. Her name is Akiko she is gifted with the ability to use magic that few have, shes a huge flirt and very vain in her appearance. Simple Concept art for her.
Français : L’Appropriationnisme ou le « Remake » est un concept simple. En effet, il suffit de reprendre le travail d’un artiste et signer la nouvelle production de son nom. Il ne s’agit, en aucun cas, de copier l’œuvre comme pourrait le faire un faussaire. Il ne s’agit pas non plus de plagier l’œuvre.
En ce qui me concerne, j’utilise l’œuvre célèbre d’un artiste reconnu. En réutilisant une œuvre originale préexistante et célèbre, condition sine qua non, je propose de rendre un hommage. Il ne s’agit en aucun cas d’un manque d’inspiration surtout lorsque l’on sait maintenant que : « l’art naît de l’art et non de la nature » : Ernst Gombrich.
Dans cette série, j’ai voulu revisiter des œuvres célèbres en utilisant ma technique graphique de l’éloge de l’approximation mettant en évidence la problématique de la défaillance et de la mémoire vaporeuse.
English: Appropriationism or Remake is a simple concept. Indeed, it is enough to take again the work of an artist and to sign the new production of his name. It is not a question of copying the work as a forger could do. It is not a question of plagiarizing the work.
As far as I'm concerned, I use the famous work of a recognized artist. By reusing a pre-existing and famous original work, condition sine qua non, I propose to pay tribute. It is by no means a lack of inspiration especially when we now know that: "art is born of art and not of nature": Ernst Gombrich.
In this series, I wanted to revisit famous works using my graphic technique of praising the approximation highlighting the problem of failure and vaporous memory.
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