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concept

Slick_art Slick_art
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Starlight Brigade

I am really inspired by the animation from the music video from TWRP‘s Starlight Brigade. It’s a reeealy good Animation. I tried do do some concepts for the cape of the main character

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Nate Purrington Nate Purrington
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Coffee and Donut Sketch
1/3

Original 8”x11” ink and pencil sketch on paper. For an upcoming painting. For sale cheap.

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Matthew Matthew
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Sword concept

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Terra Seaman Terra Seaman
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ABCs of Being a Zombie: K-O
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My kids are fascinated with zombies, so I created this zombie alphabet for them since it is difficult to find kid-friendly zombies. The concept itself seems to be an oxymoron.

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Terra Seaman Terra Seaman
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ABCs of Being a Zombie: A-E
1/5

My kids are fascinated with zombies, so I created this zombie alphabet for them since it is difficult to find kid-friendly zombies. The concept itself seems to be an oxymoron.

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Laura Laura
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Redrawing Melody concept art

I have redrawn a Melody concept art and changed it a bit. (Zagtoon's Melody)

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Liz Liz
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lol wut

ugh

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Liz Liz
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hi stranger

''your house is a mess but its fine ''

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Beresford Beresford
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Industrial Art Project

What was created? A concept exerciser (aka: homemade workout machine) made mostly out of wood components, that was a contraption full of hinges, pulleys, weights, and grips (see pin 1). With my system, a person could perform both the butterfly and lat pull down exercises and transition between them with minimal effort. The unit stood about 8 feet tall and was about 6 ft wide when the butterfly arms were connected to it. Why was it created? I have always been fascinated with weight training machine design. I had a bench press weight set at home that did not come with a butterfly attachment, so I decided to make one of my own. I was able to get a steady supply of material (scrap wood) from a local source and constructed a workout routine by stacking columns of weight (instead of accumulating weight plates) in a moving grid generating even or uneven resistance (see pin 3). I also consider what I made could be a benefit to others since it does: (1) represent an extension of DIY culture (i.e. advancing individual knowledge, learning new skills, and the feeling of satisfaction that comes from building from your own ideas), (2) how to apply simple machine principles (i.e. pulleys, leverage, changing the direction or amount of force, etc.) in making a project and, (3) promote woodworking (which allows a person to be creative and is a wonderful medium for artistic expression). What makes it special? What makes my work distinctive concerns the butterfly arms and the weight container. Butterfly Attachment The butterfly attachment arms can be quick disconnected and re-mounted easily. The jackknife motion that the butterfly arms travel in as they flex forward and return to their starting position is an original conception. Weight Grid (see pin 3) Unlike traditional stacked weight plate machines, a person is allowed to make a variety of pattern configurations on the grid (X,□, /,\, —, etc.) by using cup shaped ballast inserts (up to 24) that changes the amount of force a user exerts for each repetition (see figure 2). An individual can position the weights in organized horizontal/vertical patterns or treat them more as random objects in the load basket. In their current form my system’s weight supplements are ½ pound each (about 2 ¾ inches long and 1 14/16 inches in diameter): making them easy to manage. If solid roll stock were used in their construction, they would be estimated to weigh 2 ½ to 2 ¾ pounds (see pin 2). When not in use, weights can be placed in the grid case for compact storage. As a point of fact, the sight holes cut into the drop tubes were drilled by hand with a fixture and not with the use of a drill press. At one point, I contemplated that one could focus on certain muscle groups in the upper body by placing inserts on the weight grid in particular patterns (X,□, /,\, —, etc.). This may have been beneficial for those in need of rehabilitation (through segregation of muscle areas that needed treatment) in such disciplines as Kinesiology or Physical Therapy. What was learned creating it? I learned how much ideas on paper can change drastically when fabricated physically. I learned how challenging it was to develop removable butterfly arms that hang and pivot in mid air. The exerciser’s weight box glides up and down on a vertical guide. I researched various ways of how to make that move while keeping the friction between the connectors on the weight box and the track surface it to a minimum. This was in order to make the climb and drop motion as fluid and controlled as possible. I considered using various sprays, waxes, greases, lacquers, covers, wheels, and even ball bearings to accomplish that. I ended up sanding the inside of the track extensively and then mounted small furniture mover inserts to the weight box on its four corners for a successful connection. Therefore, I learned here how important considering a variety of ideas provides solution to a problem. If I were to start over and do things again? I probably would have done some more background research in the areas of Fluid Dynamics or Biomechanics. I figure, if I had consulted with people in those areas, the time it took to design and redesign the overall unit as well as the weight box might not have taken about 3 years to fully complete. Miscellaneous In the back the machine was a counterweight of tube sand (60 lbs.). Without that, the whole thing would have toppled forward when trying to use it. Thank you for your time. Best Regards. Matthew Link: https://www.pinterest.com/meb206/industrial-art-project/

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LeBoucher LeBoucher
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Appropriationnisme ou le « Remake » Woman with a book - 1923 de Fernand Léger

Français : L’Appropriationnisme ou le « Remake » est un concept simple. En effet, il suffit de reprendre le travail d’un artiste et signer la nouvelle production de son nom. Il ne s’agit, en aucun cas, de copier l’œuvre comme pourrait le faire un faussaire. Il ne s’agit pas non plus de plagier l’œuvre. En ce qui me concerne, j’utilise l’œuvre célèbre d’un artiste reconnu. En réutilisant une œuvre originale préexistante et célèbre, condition sine qua non, je propose de rendre un hommage. Il ne s’agit en aucun cas d’un manque d’inspiration surtout lorsque l’on sait maintenant que : « l’art naît de l’art et non de la nature » : Ernst Gombrich. Dans cette série, j’ai voulu revisiter des œuvres célèbres en utilisant ma technique graphique de l’éloge de l’approximation mettant en évidence la problématique de la défaillance et de la mémoire vaporeuse. English: Appropriationism or Remake is a simple concept. Indeed, it is enough to take again the work of an artist and to sign the new production of his name. It is not a question of copying the work as a forger could do. It is not a question of plagiarizing the work. As far as I'm concerned, I use the famous work of a recognized artist. By reusing a pre-existing and famous original work, condition sine qua non, I propose to pay tribute. It is by no means a lack of inspiration especially when we now know that: "art is born of art and not of nature": Ernst Gombrich. In this series, I wanted to revisit famous works using my graphic technique of praising the approximation highlighting the problem of failure and vaporous memory. https://www.pierretomyleboucher.fr

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LeBoucher LeBoucher
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Appropriation et remake de Victor Vasarely : Zebra en 1938

Français : L’Appropriationnisme ou le « Remake » est un concept simple. En effet, il suffit de reprendre le travail d’un artiste et signer la nouvelle production de son nom. Il ne s’agit, en aucun cas, de copier l’œuvre comme pourrait le faire un faussaire. Il ne s’agit pas non plus de plagier l’œuvre. En ce qui me concerne, j’utilise l’œuvre célèbre d’un artiste reconnu. En réutilisant une œuvre originale préexistante et célèbre, condition sine qua non, je propose de rendre un hommage. Il ne s’agit en aucun cas d’un manque d’inspiration surtout lorsque l’on sait maintenant que : « l’art naît de l’art et non de la nature » : Ernst Gombrich. Dans cette série, j’ai voulu revisiter des œuvres célèbres en utilisant ma technique graphique de l’éloge de l’approximation mettant en évidence la problématique de la défaillance et de la mémoire vaporeuse. English: Appropriationism or Remake is a simple concept. Indeed, it is enough to take again the work of an artist and to sign the new production of his name. It is not a question of copying the work as a forger could do. It is not a question of plagiarizing the work. As far as I'm concerned, I use the famous work of a recognized artist. By reusing a pre-existing and famous original work, condition sine qua non, I propose to pay tribute. It is by no means a lack of inspiration especially when we now know that: "art is born of art and not of nature": Ernst Gombrich. In this series, I wanted to revisit famous works using my graphic technique of praising the approximation highlighting the problem of failure and vaporous memory.

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Pramit Das Pramit Das
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The SNAKE

THERE IS NO NEED OF ANY DESCRIPTION.... THIS IS MY FIRST WORK..... I THINK THIS IS NOT BASED ON ANY CONCEPT....

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LeBoucher LeBoucher
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Remake : monochrome d’Yves Klein - IKB

Français : L’Appropriationnisme ou le « Remake » est un concept simple. En effet, il suffit de reprendre le travail d’un artiste et signer la nouvelle production de son nom. Il ne s’agit, en aucun cas, de copier l’œuvre comme pourrait le faire un faussaire. Il ne s’agit pas non plus de plagier l’œuvre. En ce qui me concerne, j’utilise l’œuvre célèbre d’un artiste reconnu. En réutilisant une œuvre originale préexistante et célèbre, condition sine qua non, je propose de rendre un hommage. Il ne s’agit en aucun cas d’un manque d’inspiration surtout lorsque l’on sait maintenant que : « l’art naît de l’art et non de la nature » : Ernst Gombrich. Dans cette série, j’ai voulu revisiter des œuvres célèbres en utilisant ma technique graphique de l’éloge de l’approximation mettant en évidence la problématique de la défaillance et de la mémoire vaporeuse. English: Appropriationism or Remake is a simple concept. Indeed, it is enough to take again the work of an artist and to sign the new production of his name. It is not a question of copying the work as a forger could do. It is not a question of plagiarizing the work. As far as I'm concerned, I use the famous work of a recognized artist. By reusing a pre-existing and famous original work, condition sine qua non, I propose to pay tribute. It is by no means a lack of inspiration especially when we now know that: "art is born of art and not of nature": Ernst Gombrich. In this series, I wanted to revisit famous works using my graphic technique of praising the approximation highlighting the problem of failure and vaporous memory.

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John Pawlenty John Pawlenty
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100 Days of UX Sketches - Day 1

Day 1 of the #sketchingforux100 challenge. The goal is to build a visual library by sketching concepts daily.

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Bre Clemons Bre Clemons
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Rebirth

Beautiful African goddess relaxing under a tree blooming and glowing with gifts of transformation and growth

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David Rubin David Rubin
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Balance

Acrylic paint on 9" X 12" canvas board, done by autistic artist

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Jim Romer Jim Romer
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Voyager: Concept Design for a poster series for kids (1 of 3 set)

Pencil sketch of the first design for a set of Glow-In-the-Dark posters featuring famous exploratory man-made space satellites. Will post the final image next . . .

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Jessica Jessica
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Zen moments digital

Done the flat colors! Now on to textues!

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Jessica Jessica
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Zen moments doodle

Starting to digitaize!

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Jessica Jessica
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Zen moments doodle

Concept for a digital art piece.

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Apriccot Apriccot
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wicci

Inspired by Succubus

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Jasmine L Cora Jasmine L Cora
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Jinx Muun | Original Character

An original character of mine. November 2018. Her name is Jinx Muun. A modern day witch, born on the 1st full Moon, on Friday the 13th. She is a feisty, independent and strong young woman. Her powers come out most during a full moon, where her skin takes on a lilac color and her eyes shift colors as well.

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Jenn Laczko Jenn Laczko
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A remarkable specimen

Now I know how other artists come up with these crazy concepts: they wing it.

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Naomi Vona Naomi Vona
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Dynamic Escape

Pens and stickers on vintage photo.

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Roy Margaliot Roy Margaliot
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Untitled

An illustration on conceptual tables for an exhibition last summer at "primitive" gallery in TLV

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Juice_Lime Juice_Lime
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Scribbles: Alien World

Had a thought to revisit one of my old worlds created during the creative streak over years ago. It was a world built from the primordial creative juices in my head, put from uncountable inspirations and knowledge bases learned from who knows forever. Here is a perspective of how a world is built from the rise of some fundamental ideas. What happens if you consider a world suspended in nigh microgravity conditions, a supercharged atmospheric envelope orbiting a twin neutron star system, gravitational suspension, intense magnetic fields and radiation? A extreme and chaotic environment bordering an impossible miracle, in a constant state of freefall. Not gonna lie, worldbuilding in detail is not easy. I don't have the mental and time resources these days, to expand a world in such intricate detail. Each of the scribbles above are mostly ideas of local flora and fauna that push the limits of my science knowledge base combined with accumulated general knowledge. Some of the concepts here are bordering magical fantasy, without even getting into the residing intelligent lifeforms.

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Spearmint Chalk Spearmint Chalk
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The Prism of Experience

we are all as prisms filtering the Light of Experience into internal experiences which we call emotions

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Spearmint Chalk Spearmint Chalk
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Lost In Translation

the trouble with verbal communication is that individual words can have very different meanings in different contexts to different people.

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BeastGurl1989 BeastGurl1989
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MBFAD Concept

Recess just got more interesting at Hades Elementary when a new kid starts 2nd grade. The books float, staplers mysteriously attack the bullies, who is this kid and where did they come from?! Yeah......that's all I got. I have had this idea for over a year and just let it sit there. Main Character: Emily New Kid: No clue?!?!?!?!? Sounds like a cheesy manga title lol

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CreatureSeeker10 CreatureSeeker10
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Cutting Crew

Cutting Crew is a humanoid colony Stand with the ability to switch the height and width of objects. Consisting of 12 units clad in jumpsuits, they each come equipped with a jetpack and handheld blaster. The blaster is utilized in swapping the height and width of objects, with a minimum of 1 blaster per object. If multiple blasters are used above the minimum amount, the swap process is sped up. A JoJo Stand concept that I had saved from a generator and finally got around to drawing. Generator used: https://perchance.org/dh6ennxocq

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