Sketched while watching the Mariners get knocked out of playoff contention. Colored on the computer. I did a hue changing little animation with it if you check my Instagram. :)
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This is my study of the destroyed Darth Vader mask.from the movie Star Wars, "The Force Awakens. This ink rendering was my design for the pumpkin carving contest held every year at The Chadds Ford Pa Historical Society headquarter.
I chose to do this mask because it illustrates what is the ultimate destination for all who chose to live in the darkness of sin,in stead of living in the the light of righteousness.
The mask belong to the villain Darth Vader , who die while trying to force his son to join the dark side of the force. So I thought the destroyed mask over the letters "The Dark Side Of The Force." reflect the Biblical principle " Sin gives birth to death."
Written by Stephen J.Vattimo
Oct 24,2016
Hand drawn abstract wall art in black ink on ultra white background. Inspired by the layering of strata across millennium while visiting the Grand Canyon.
In this drawing, I was striving to capture the spirit of contemplation and reflection, a sort of spiritual sojourn, an ancient practice of pilgrimage, focusing on subjects of transcendent nature, and exploring destinations of spiritual significance. (words taken from scholarlysojourns.com). It is a self-portrait (me as a 14-year-old boy). We had just moved from Mequon to Rhinelander. It was then that I began to romanticize the natural beauty of Mequon. But at the same time, I was falling in love with the beauty of Rhinelander. In this picture, I am walking through the countryside of Mequon. The stringed musical instruments symbolize my love for the progressive classical and folk-tinged acoustic and orchestral music that was coming out of England in the late 60s and early 70s, specifically the quieter pieces of music performed by the Moody Blues, Emerson Lake and Palmer, Yes, and Jethro Tull. A song called Reasons for Waiting by Jethro Tull is a good accompanying piece for this drawing.
The materials that Meir uses in her works are not of the refined and so she is called an “arte povere” artist. At times she describes her work as someone dealing in alchemy - work develops as in a trial laboratory with different techniques and materials. She says, “ at times the artistic work process is a sort of puzzle demanding the filling in of all the empty squares “.
Some of her work focuses on women, and they incorporate criticism and cultural protest.
Meir has strong opinions about recycling and environmental protection that is represented in her works by use of materials and shapes. In her work she reacts to contemporary art that communicates with the eco system, waste, and she also searches for different worlds. Her works are made up of layers upon colorful layers that when we look at them it becomes clear that the mound of waste she chose is not coincidental. It actually becomes a colorful kaleidoscope of utopia.
Jaffa Meir is a multifaceted, autodidact artist working in painting, sculpture, photography, product design, carpets and furniture, painting on textile, and computer graphics.
The structural composition of some of the works is influenced also by her many years of working in the architects’ office.
Meir also worked in the developing of ideas within the field of ecosystems and recycling for factories such as Coca Cola, and during this process came up with ideas for designing parks and public game spaces using industrial waste products.
