“In Caribbean mythology, the lusca or luska is the term given to one of the most feared sea monsters in the region. A deadly creature that prowls the deep and feeds on the unsuspecting. A being or a pod of beings that scour the Gulf eating up all in its wake. The lusca is a chimera; a mismatch of animal parts. A conglomerate of some of the Caribbean’s most feared creatures. It is a cryptid that said to hunt and prowl the Gulf and areas near the Mexican shore. Luscas are one of the lesser known cryptids of the deep. They are also one of the most fascinating not only on account of its fearsome symmetry but of the mystery that surrounds them...”
This is a painting of a first century Galilean fishing boat, most likely the very type of
boat used by Peter when he was called by Jesus to follow him.
This illustration is part of a bigger mural I am working on, about the ministry of Jesus
the Christ.
If you notice, the boat is beached facing backward, with the fishing net coming from
the back of the boat. This is to signify that Peter, like all the other apostles, except
Matthew the tax collector, dropped their fishing occupation and followed Jesus, Who
would make them the fishermen of men’s souls.
Here is a truth about me as an artist. Two parts of this painting gave me trouble in
carrying out this illustration. The fist was illustrating the ropes of the rigging. My first
attempt was horrendous it took me a second try to get it right. I had to look up pictures of ropes on the Internet to overcome this challenge.
The second was illustrating the rocks on the bottom of the Sea of Galilee and the
reflections of the boat on the water. I must have made about five attempts until it
finally clicked. Even when I kept looking at the reflections of boats on water, I could
not make the breakthrough.
In creating the kind of art that I do, it is very rare to find a model that meets all my
requirement for what I am illustrating. So, it takes photos and imagination and the
grace of God to create an illustration that looks better than a stick figure and communicates the message intended.
So, I figure God has me go through these challenges to keep me humble because, without humility, God is not able to use our talents for His glory.
(October 12, 2017)
A landscape painting is painted with oil colors and the owner of the picture is: Tran Anh Tu said that he took advantage of the remaining oil colors to make a majestic and beautiful picture, poetic like this. The painting was uploaded on December 19, 2017. The images here are copyright of the artist who created them. These landscape paintings are completely owned by photographer Tran Anh Tu. Contact Email: sprottbqamelljra@outlook.in Link url to my personal Facebook post: https://www.facebook.com/permalink.php?story_fbid=118048953913487&id=100071251492403
A landscape painting is painted with oil colors and the owner of the picture is: Tran Anh Tu said that he took advantage of the remaining oil colors to make a majestic and beautiful picture, poetic like this. The painting was uploaded on December 19, 2017. The images here are copyright of the artist who created them. These landscape paintings are completely owned by photographer Tran Anh Tu. Contact Email: anhtu.vpbq@hotmail.com Link url to my personal Facebook post: https://www.facebook.com/permalink.php?story_fbid=118048953913487&id=100071251492403
My first attempt at doing a portrait with a ballpoint pen. After having dedicated a lot of time to improving my digital art I took a break from it and turned to pen/pencil on paper and am quite happy with what I manage to create on my first attempt.
A Japanese demon known as a yokai, who started off as a human but whose emotions ran so deep, she ended up transforming into something much more monstrous…
Casey the Puppet. This painting captures the essence of a puppet lots of older Canadians will remember. A strange genderless creature with a dog puppet companion. A puppet with an outspoken personality that I remember as a kid wondering how it got away with saying what it did. The painting has a Canadian stamp to commemorate the puppet's roots.
I chose to build on the liminality of the door and its status in the imagination as a link between two worlds or identities. In this section I am using the fibres of gloves to create different forms of hands and transparent boxes to represent the idea of space.
Through my art I try to express the limited space in which I live, thus focusing on the sense of self that is to be achieved by isolating one's cognitive processes through dialogue with space. The relationship between solitude and space is a subjective process of self-consciousness that involves the absence of social attributes and interaction with others. In other words, it is a non-objective state of space in which the self can find expression. Loneliness therefore manifests itself in a reluctance to approach groups.
