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da

Embracing nightmares Embracing nightmares
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It was a good day.....

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Laurine de Sélys Laurine de Sélys
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I am All-maudra !

I was like a child when watching the "Dark Crystal age of resistance" show. So mesmerizing. I had to draw right after finishing all the episodes. Seladon's a queen ! [4 September 2019]

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Robert Falagrady Robert Falagrady
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Kiss kiss day

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Rigo Montes ♓️ Rigo Montes ♓️
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Embrace

Doodle done in my day planner

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Paul Streeter Paul Streeter
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Sky (Cobalt, Cora Blue) Trademark and Copyright Paul Streeter

Sky (Cobalt, Cora Blue) Trademark and Copyright Paul Streeter

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Kitsune Kitsune
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Dancing Lights

I just now realize she looks like Nikki from Camp Camp but whatever!

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Cobi Rogers Cobi Rogers
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“His Name is Buck!”

The most dangerous criminals are the ones who steal arms and advanced technology from Area 51.

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Cobi Rogers Cobi Rogers
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Dark Freezebrain

For day 2 I decided to cartoonize one of my ex-coworkers. Any emotion you get from this piece are the emotions I got from him everyday.

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Cobi Rogers Cobi Rogers
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Paramore

Day 1 of OCgust. Create an original character everyday of August. Why not October, because who likes October.

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LeBoucher LeBoucher
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Appropriationnisme ou le « Remake » Édouard Manet : le déjeuner sur l’herbe

Appropriationnisme ou le « Remake » Édouard Manet : le déjeuner sur l’herbe Français : L’Appropriationnisme ou le « Remake » est un concept simple. En effet, il suffit de reprendre le travail d’un artiste et signer la nouvelle production de son nom. Il ne s’agit, en aucun cas, de copier l’œuvre comme pourrait le faire un faussaire. Il ne s’agit pas non plus de plagier l’œuvre. En ce qui me concerne, j’utilise l’œuvre célèbre d’un artiste reconnu. En réutilisant une œuvre originale préexistante et célèbre, condition sine qua non, je propose de rendre un hommage. Il ne s’agit en aucun cas d’un manque d’inspiration surtout lorsque l’on sait maintenant que : « l’art naît de l’art et non de la nature » : Ernst Gombrich. Dans cette série, j’ai voulu revisiter des œuvres célèbres en utilisant ma technique graphique de l’éloge de l’approximation mettant en évidence la problématique de la défaillance et de la mémoire vaporeuse. English: Appropriationism or Remake is a simple concept. Indeed, it is enough to take again the work of an artist and to sign the new production of his name. It is not a question of copying the work as a forger could do. It is not a question of plagiarizing the work. As far as I'm concerned, I use the famous work of a recognized artist. By reusing a pre-existing and famous original work, condition sine qua non, I propose to pay tribute. It is by no means a lack of inspiration especially when we now know that: "art is born of art and not of nature": Ernst Gombrich. In this series, I wanted to revisit famous works using my graphic technique of praising the approximation highlighting the problem of failure and vaporous memory. https://www.pierretomyleboucher.fr

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Tony D Tony D
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Started as a cube ..... Follow the red - one plane..

Deceptive doodles using standard geometry & pencils....

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alex. bartfeld alex. bartfeld
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retired flamenco dancer (possibly)

done while in caffe and looking for something to draw' without beeing noticed.

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LeBoucher LeBoucher
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Appropriationnisme ou le « Remake » de la leçon de piano de Pierre-Auguste  Renoir

Français : L’Appropriationnisme ou le « Remake » est un concept simple. En effet, il suffit de reprendre le travail d’un artiste et signer la nouvelle production de son nom. Il ne s’agit, en aucun cas, de copier l’œuvre comme pourrait le faire un faussaire. Il ne s’agit pas non plus de plagier l’œuvre. En ce qui me concerne, j’utilise l’œuvre célèbre d’un artiste reconnu. En réutilisant une œuvre originale préexistante et célèbre, condition sine qua non, je propose de rendre un hommage. Il ne s’agit en aucun cas d’un manque d’inspiration surtout lorsque l’on sait maintenant que : « l’art naît de l’art et non de la nature » : Ernst Gombrich. Dans cette série, j’ai voulu revisiter des œuvres célèbres en utilisant ma technique graphique de l’éloge de l’approximation mettant en évidence la problématique de la défaillance et de la mémoire vaporeuse. English: Appropriationism or Remake is a simple concept. Indeed, it is enough to take again the work of an artist and to sign the new production of his name. It is not a question of copying the work as a forger could do. It is not a question of plagiarizing the work. As far as I'm concerned, I use the famous work of a recognized artist. By reusing a pre-existing and famous original work, condition sine qua non, I propose to pay tribute. It is by no means a lack of inspiration especially when we now know that: "art is born of art and not of nature": Ernst Gombrich. In this series, I wanted to revisit famous works using my graphic technique of praising the approximation highlighting the problem of failure and vaporous memory. https://www.pierretomyleboucher.fr

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LeBoucher LeBoucher
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Appropriationnisme ou le « Remake » du Richelieu de Philippe de Champaigne

Français : L’Appropriationnisme ou le « Remake » est un concept simple. En effet, il suffit de reprendre le travail d’un artiste et signer la nouvelle production de son nom. Il ne s’agit, en aucun cas, de copier l’œuvre comme pourrait le faire un faussaire. Il ne s’agit pas non plus de plagier l’œuvre. En ce qui me concerne, j’utilise l’œuvre célèbre d’un artiste reconnu. En réutilisant une œuvre originale préexistante et célèbre, condition sine qua non, je propose de rendre un hommage. Il ne s’agit en aucun cas d’un manque d’inspiration surtout lorsque l’on sait maintenant que : « l’art naît de l’art et non de la nature » : Ernst Gombrich. Dans cette série, j’ai voulu revisiter des œuvres célèbres en utilisant ma technique graphique de l’éloge de l’approximation mettant en évidence la problématique de la défaillance et de la mémoire vaporeuse. English: Appropriationism or Remake is a simple concept. Indeed, it is enough to take again the work of an artist and to sign the new production of his name. It is not a question of copying the work as a forger could do. It is not a question of plagiarizing the work. As far as I'm concerned, I use the famous work of a recognized artist. By reusing a pre-existing and famous original work, condition sine qua non, I propose to pay tribute. It is by no means a lack of inspiration especially when we now know that: "art is born of art and not of nature": Ernst Gombrich. In this series, I wanted to revisit famous works using my graphic technique of praising the approximation highlighting the problem of failure and vaporous memory. https://www.pierretomyleboucher.fr

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Randa Taylor Randa Taylor
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Untitled

Working more on Ned. I liked this one the best out of todays session.

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Jannett Peña Jannett Peña
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Untitled

quick sketch by the work of Dali on whiteboard

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LeBoucher LeBoucher
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Béatrice Benoît-Gonin, Télématin, France 2, chroniqueurs

Réalisation du portrait de @Béatrice Benoît-Gonin dans le cadre de la préparation de l’exposition : « Les chroniqueurs de #Télématin sur #France 2 et la dissipation et vapeur de la mémoire télévisuelle.

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Dallas Johnson Dallas Johnson
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Night in Central Park/ Life’s Consequences

I did these two watercolour pieces today! Just want to post to get any feedback you might have. New to art so sorry if it may not be your taste.

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Jana Cechova Jana Cechova
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Rooster

Dark brown sepia - quick sketch of a rooster´s head

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Heather Maxey Heather Maxey
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Joust Another Day

A profile of a knight, with the pun of Joust Another Day. Done in a pencil sketch and then filled in with colored pencil.

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Chan yost Chan yost
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Spawn

Used blendable shading markers and a red copic maker for the Cape

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ESS22 ESS22
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Tears For The Damned

Momento Mori...

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John Pawlenty John Pawlenty
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100 Days of UX Sketches - Day 6

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Blanca del Carmen Mundaca Vasquez Blanca del Carmen Mundaca Vasquez
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Nicolas

Caricatura realizada a lápiz, con túnica de Harry Potter

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John Pawlenty John Pawlenty
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100 Days of UX Sketches - Day 5

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Giraffe Person Giraffe Person
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like to call em bru-phones

sketch of an idea. would you wear them? anyone, watching dan mace?

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Jura Peric Jura Peric
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Dangerous John

Dangerous. Is in the wild. Looks at everything weird. Yet again dangerous.

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Monica Hanlin Monica Hanlin
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Breathe away fear

As a professional energy healer, I listen to guided meditations most days. This is a phrase from one of my favorite meditations.

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erik cheung erik cheung
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Disintegration

Another transitional one from 2017 in the size of 18" x 24". Looking back, this work starts showing me some glimpses. Abstracts do have an impersonal quality to it. Since it is not grounded with our everyday familiar objects or people, not knowing the visual language would be hard to understand the merits. I guess that is why I fell back to semi figurative.

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Matthew Konicki Matthew Konicki
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Mermay Day 30: Castle

Mermay Day 30: Castle

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