Close to a month ago, I had found out my design was selected for the Art Stop Program, and, yes, this is mainly what I've been working on since. I've never worked on a piece this large before, 72in x 24in, and I rarely make sketches of pieces before creating the final work. It's definitely a cool feeling to look at the finished board and see how the drawing actually came to life. (The Art Stop Program selects a handful of entered designs for the artists to create on a larger board, and these boards will then be inserted into bus stop benches around Niles, IL.) I can't wait to see the bench this will be in, and I'm so lucky I got to be part of the program.
This is my illustration of a specific scene from KotLC (those of you who have read Nightfall know what's about to go down). I hope you like it, please let me know what you think! I'm not good at drawing backgrounds, so I didn't do one for this picture.
just randomly thought of it and drew it,it doesn't like to be touched it also floats away whenever there's a disturbance (it hates loud noises,people in general)when there's danger it's true form is revealed (not cute or innocent looking anymore),scaring or possibly hurting whoever wanted to hurt this small monster thing in the first place.I might draw it again soon.
It's crazy to think that we've been in a pandemic for a year or to think we could ever get used to this new way of life. March 13th, 2020 was the day everything stopped for me: it was the last day I went to school and the last day I went to gymnastics for 5 months. The promise of two weeks' time, something I somewhat desperately held onto. Going into this, no one knew what to expect, it was the first time many of us saw life as we know it stop. Quarantine has definitely taught me a lot emotionally, mentally, and how to reach out and work through (and what bad panic attacks feel like :) ). I think it also goes without saying that I got through most of this because of the people around me, and I can't say enough how grateful I am to be surrounded by such amazing people. So, here I am. Life is still pretty rocky, but it's a process. Thank you to everyone who's been along for the ride so far ❤
Another OC redesign along with a new name,she still looks somewhat like her old design except now she has short hair instead of poofy long hair,green eyes,different horns,two lower fangs instead of one and lastly the sharp horns on each side of her face.she also doesn't have a hourglass body shape anymore (I don't want two female characters having the same body type)She is a good friend of Tenebris,they often challenge each other and have fights to see which who is stronger than each other,she is athletic,loud mouthed and mischevious and she is skilled in flying unlike Tenebris.
A LOGO design of the word "Mostafa" written in Arabic Calligraphy using Al Kufi writing style. The design is made via Adobe illustrator initialy to be printed as a laptop sticker.
These guys get a bad rap but they're just trying to help! This is my entry for the Kula Cloth design contest. A Kula Cloth is an a pee cloth for anybody that squats when they pee. Perfect for LNT hiking and camping!
“Claire!” Elle woke up with her daughter’s name on her lips. Startled, she sat up and looked around the living room with her heart still beating loudly in her chest. A dream, she realized dazedly.
Slowly, she crossed the way to the back door. With unseeing eyes she gazed out into the garden.
She remembered waking up in the hospital six years ago and seeing her husband sitting next to her. She remembered how he took her hand into his and looked at her with eyes full of despair. He told her that the doctor thought Claire might not survive. That she might die before she was even born, die before she had a chance to look into her mum’s eyes, feel a kiss on her forehead, clench her little fist around her dad’s finger, hear them speaking to her without a belly barrier between them… It was a silent, terrible death. It was the death of someone so precious, so innocent, so tiny…
Elle took a shuddering breath.
Reject friendly designs, return to Sister Location monstrosities. These are really just the 2.6 animatronics but with some changes. Drawn with Fire Alpaca.
Some LGBTQ+ members of the community can’t openly love who they want to love, so the bars represent that barrier. The fabric, with all its complex folds and creases represents sensuality, desire and love. Love, in all its forms is a complex thing of beauty.-------------
The companion piece to my previous post ‘Ecstasy.’ Agony and Ecstasy were always meant to be a diptych. The issue for me is that there is a two-year gap between the completion of the two - there is a noticeable difference in the the way both were drawn.
Faber Castell pastel pencils, Black and White Generals charcoal pencils on 9” x 12” Strathmore Toned Grey sketchbook paper.
