I drew a girl holding a cupcake and felt bored by her, so I added some sweet-ass tats. This was fountain pen ink run through water brushes. For more Digital Random Joy™, be sure to check out Instagram Super_Starling, which is a fairly fun place, if I do say so myself.
Recently, I was asked to illustrate the Discworld as imagined in Terry Prachett's work. The illustration (24 "X 24") was printed on a self-adhesive vinyl and applied to the mandator's car.
Faster than you think. Simple finale. Drawn with the 'hay' technique, using a computer mouse, all with one brush. I've published the sketches before, so you can follow the creation process. The 'hay' sketch on one layer, then another on the other, on and on until you get the lineart, then shading and colors. That’s all.
I've completed my part of the art trade with @daydreamerdahlia!
At first, Anya was just in a dress, but then I thought it was kind of weird that Caroline was wearing a coat, and Anya was just in a dress outside, so I redrawn her coat.
The scar and earrings are still there! But I didn't want to hide her colorful coat under a shawl.
Green goes well with her red hair, and to blend in with Caroline, I went with green.
I imagine it as some kind of girls night out. Well, not a girls night out, Caroline in her male persona Smarty, I imagine her name already carrying weight and no one will bother them!
Tommy can chill at home this time.
This delicate digital illustration captures the quiet charm of a hazel dormouse, portrayed with soft textures and warm, natural tones. Every fine hair and subtle contour has been carefully rendered, bringing a lifelike sense of warmth and vulnerability to this enchanting woodland mammal. The dormouse’s glossy, expressive eyes and gentle posture invite the viewer into its secretive world, hidden among hedgerows and ancient woodlands. Created using digital drawing apps, this piece blends realism with a tender, almost storybook quality — a celebration of one of Britain’s most beloved yet rarely seen native species.
