India ink on tissue paper. I had never used ink on this kind of paper before; I really liked the results! There are some folds and wrinkles on the paper that give the pattern some interesting details. The paper is also super absorbing, which plays nicely with the quantities of ink. Since it's very thin, there can easily be overlays between textures. And finally, when trying to use less ink (so that it wouldn't seep through and cause a big dot - the absorbing quality is nice, but it was also somewhat of a challenge!) I used very little ink on the lettering, causing a scratchy, dry look.
The new Hasselblads are so dang out of my range! I can't even swing a used one. This is the first time using the oil brush in @procreate on a final illustration. I have to admit i didn’t want it to end.
Done with dip pen and black Talens Indian ink. The dip pen is very old, 1967, I used it at school when I was 10. The next year we started to use fountain pens. Only the nib I used was ofcourse new.
One of the most difficult practices is being ready to accept anything and everything that comes, without judgement, staying in the moment with our experience. This is a powerful practice. I tried to express some essence or feeling of it.
"Dementors are among the foulest creatures that walk this earth. They infect the darkest, filthiest places, they glory in decay and despair, they drain peace, hope, and happiness out of the air around them." - J.K. Rowling
