India ink on tissue paper. I had never used ink on this kind of paper before; I really liked the results! There are some folds and wrinkles on the paper that give the pattern some interesting details. The paper is also super absorbing, which plays nicely with the quantities of ink. Since it's very thin, there can easily be overlays between textures. And finally, when trying to use less ink (so that it wouldn't seep through and cause a big dot - the absorbing quality is nice, but it was also somewhat of a challenge!) I used very little ink on the lettering, causing a scratchy, dry look.
One of the most difficult practices is being ready to accept anything and everything that comes, without judgement, staying in the moment with our experience. This is a powerful practice. I tried to express some essence or feeling of it.
My favorite way to eliminate the often paralyzing fear of "ruining" "good" paper is to just paint on any and all junk mail that comes into my house. Higher end catalogs are great for this, they don't use slick, thin paper (and even that gets used in collage or as a desk cover for other projects) and they're already bound for you. Just add marks! Carry it with you. Scan the pages you like. Cut it up later for making other art. It's "just" junk mail, so there is literally no pressure. I have HUNDREDS of these type of things and I run across them all the time, forgotten, in some old backpack or purse or drawer and it's a treasure to look through them again, and add new marks, paints and words.
A strange beast . It sits by the lakes and plays tunes. Luring all who hear into its maw. It has four arms, And, typically, six fingers on each hand. Its mouth is located at its lower abdomen . I really like top imagine that it plays old 30's and 40's jazz and such ... "you keep a Nokken but you can't come in... I know you been drinkin' gin ... You been cheatin' round with other men, I'm busy and you can't come in... "
