doubt

Some crazy Moleskine doodles for the day. I haven’t been doing enough of these and really need to kick my butt harder. Not sure why because it’s so dang enjoyable.

When in doubt, draw something analog.

When in doubt, draw what's in front of you.

I do browse some weird things on places like Youtube, without a doubt! Definitely in the search of inspiration 9 out of 10 times though (as you can see)...

When in doubt, draw more whales!

This quote from Voltaire rings true, no doubt about that! “Those who can make you believe absurdities can make you commit atrocities.” - Voltaire.

This week’s been an interesting one for socialising in my world, no denying it. If I’m not getting acquainted with new folks at work or at my art clubs, it’s reconnecting with people I haven’t seen in 20+ years… certainly informed today’s piece, without a doubt!

New art supplies! Of course, I don’t need an excuse to get to work but if I had to pick a favourite then that’s my one, without a doubt.

‘tis true! No doubt about it.

At the end of all this self-isolation, I have no doubt folks will be as hungry as that Dalmatian pupper I named this piece after. Hungry for some actual social interaction in our cases, that is...

When in doubt, add a narwhal.

Four Tet's good for my creativity, no doubt about it.

Dmitry Shostakovich (1906–1975) Shostakovich’s contemporaries do not recall seeing him working, at least not in the traditional sense. The Russian composer was able to conceptualize a new work entirely in his head, and then write it down with extreme rapidity—if uninterrupted, he could average twenty or thirty pages of score a day, making virtually no corrections as he went. But this feat was apparently preceded by hours or days of mental composition—during which he “appeared to be a man of great inner tensions,” the musicologist Alexei Ikonnikov observed, “with his continually moving, ‘speaking’ hands, which were never at rest.” Shostakovich himself was afraid that perhaps he worked too fast. “I worry about the lightning speed with which I compose,” he confessed in a letter to a friend. Undoubtedly this is bad. One shouldn’t compose as quickly as I do. Composition is a serious process, and in the words of a ballerina friend of mine, “You can’t keep going at a gallop.” I compose with diabolical speed and can’t stop myself.… It is exhausting, rather unpleasant, and at the end of the day you lack any confidence in the result. But I can’t rid myself of the bad habit. - From Daily Rituals: How Artists Work by Mason Currey #dailyrituals #inktober #shostakovich @masoncurrey

It's my third illustration with a lantern theme. I had doubts while drawing this illustration. I changed the concept a few times. And I'm not sure if I got the expected effect. But I'm not afraid to share it and say: "this illustration could be better." It gives me the motivation to work harder. It gives me reasons to push myself forward. Have a creative weekend!

Letting go of self doubt and fear of failure in 2023

Had some doubts on this one. Originally planned for more in the back and foreground. Felt it might take away from the wolf as the focal point. Graphite pencils. Black was charcoal pencils.

A page of comic for a conquest The story End of the project: human species. The simulation has been achieving unexpected outcomes. Was increased free thought and the doubts fade away. At that time, I recreate my own image. However, it's behaviours came with anomalies. We aren't. You can't run away from you. Dreams were unexisted memories. The likehood was that we're living an illusion. But, we change our view. I couldn't attain the freedom I looked for. Everything became real. Everything came down. Am I still dreaming?

Hello guys. I just found this website and its seems really cool. I paint now and then and this is one of my paintings. I received a school assignment for my art class to do an artwork based on the society. Without doubting i chose my theme which is "body type". A very close friend of mine belongs to the not so "accepted" body types and it has been a really though time for her even though she doesn't really show her emotions. I painted a girl vs another girl with an atmosphere around them, based on their looks. U can see the difference on how they bring themselves to the society just by looking at their body position. So how the society influence their mental state.(I can only post 1 pic so the next post will be of the another girl) I got a B+ \(^O^)/

Just another test - working file to try and establish the feel of the book - problem i am having is book for adults, tweens, or kids - is it too scary? In the end there are a million things that harbour self doubt so better to just "do" instead of think too hard about it. - again just a test.

The symbolic painting "Expectations" is filled in with both literal and metaphorical meanings. Time passes very quickly, but when we are waiting for something, it practically stands still. Expecting an event can be unbearably tiring, or it can be enjoyable. It all depends on the circumstances. And everyone can remember something similar. The girl depicted in the painting is possibly expecting a child, or perhaps some other event. She gently hugs the clock, a symbol of time, like the belly of a pregnant woman. This expectation reveals all her inner feelings, doubts, fears, and hopes associated with this event. Time drags on for an impossibly long period, so long that it seems to her that she has already grown old from this expectation. In the painting, the artist indicates this with the gray hair of a young girl. Despite the long wait, the girl smiles and hopes for the best. The artist used warm pastel colors of oil paints on canvas with gilding. The painting was created using clockwork to enhance the meaning. The artwork "Expectations" is part of a “Time” series of paintings with clocks.

Noh Doubt About It: I drew 20 masks today.

Hii there!:) In the last few weeks i noticed, that sometimes when i started drawing there where insecurities that came up. Like: it is not good enough etc. Then I reminded myself that everyone can have that feeling when it comes to creating something that is important to them. Maybe when somebody writes a new song or edits a video they made etc. So I started drawing Talun. There is alot of aspects he is proud of and others that he feels insecure about. He reminds me, that it is natural to have some doubts or just insecurities. Talun wishes you a wonderful day! And of course, me too!

An artist and her inner world of self doubt and the highs and lows of pursuing her passion. Negative thoughts that appear to be real low vibe entities pressure her but still she believes in her dream.

Luminary Festival - Auren Farkis (Digital Portrait I did as a colour study) Crisp reverberating strings danced through the evening. Notes twisted and echoed up through the emerald, velvet tiers of Ridgedow Gardens. Dusk’s veil had long since darkened to a diamond-encrusted black, and Clarglow was alive with activity. Footpaths were choked with revellers that formed a river of light that coursed and pulsed through the park. Will-o-whisp spots of light also glowed among the neatly trimmed hedgerows and statues. Their magic-addled voices rose up, joining in with the music of the Luminary Festival. A young man, no more than a quarter of a century old, glowed brightest of all. A soft orange radiated from his eyes, and his veins pulsed a brilliant red. He was dripping in gold and gems. Over an outfit that somehow managed to be heavily layered and revealing at the same time, he wore a sheer cape, which was heavily embroidered with blood-red crystals that refracted his own light around him in dazzling, concentrated rays. It was such a dangerous colour of magic, but his expression was soft and dreamy. Excited laughter rose up as a clustered group shot metallic confetti skyward. Gold flake drifted down and settled into his silver hair, cheeks, and shoulders. No doubt he would discover the remnants of this festival in his home weeks from now. He increased his pace, stepping off the cobbled path to overtake the group, when one of their number split from the group. The coils of her dark hair were so saturated with gold that she looked like she belonged on a pedestal next to the other statues. She intercepted him, matching his pace. She snaked a long, slender arm around his waist and pulled him closer. She pressed her lips against his neck, leaving a wake of golden kisses up to his earlobe, where she leaned closer to whisper. — “Aurie, Luv, I know that look. Don’t tell me you’re headed home. The eve has only just begun. “ Her glowing eyes Locked with Auren’s, her grip tightening, slowing the both of them to a stop, causing a temporary blockage in the flow of people. “Overdid myself Mel.. you’ll have to –” –” Come with us to the reflecting pool.” She cooed, meeting his lips in an off-center kiss, smearing his inky wine lipstick. Momentarily, he allowed himself to relax. He considered saying yes. His heart pounding, he dipped his friend backwards gracefully, resenting that he had to leave. An itch in his left arm reminded his fuzzy brain that he was in danger. Gasping softly, he gently lifted Mella upright and spun her out towards her friends, who were growing impatient. He couldn’t make out their faces in the fuzz of the evening. “I can’t, I’m sorry Mel! We’ll talk later.” Before she could protest, he danced, spinning forward in a brilliant display of speed that ended in a stumble as he met a set of steep steps that coiled sharply upwards out of the park and onto the pink brick streets overlooking Ridgedow Gardens. The glazed windows facing the street were empty and blank… their occupants elsewhere, enjoying the festival. The empty buildings were like faces, judging him for his lack of zeal. Auren wound his way through streets and side streets, his pace increasing as he grew more and more alone. Finally, he was climbing a set of steps to his own front door. Smirking at the sight of it he reached down into the front of the bodice that held together the layers of his outfit pulling free a loop of keys that were on a long chain looped around his neck. Aligning it to the keyhole he struggled with the lock, cursing softly under his breath as it initially failed to cooperate with him. In the quiet black of his foyer, he latched the door behind him and stumbled forward, tearing at the ribbon that held the gleaming cape that draped from his bare shoulders. He let it drop on a black lacquered table. He reached up to unclasp an elaborate choker and tore his single, crimson glove down from his elbow. He pressed a gilded fingernail against a band of red ink encroached upon by a spreading corruption. Marginally extending beyond the band were sinews of mismatched muscle and skin; even his hair had begun to glow red. Pulse rising, he wrenched his rings from his fingers, casting them into the ever-darkening room. Precious jewellery piled under him until only the dimmest glow from his own veins remained.. Slumping onto the steps, he tightened his grip on his arm and twisted it ninety degrees. A sharp click of crystal against porcelain met his ears. The room was enveloped in black as his final stone slid away from his arm, rendering the prosthesis inert. He slid to his side, the sounds of the party below overtaken by his own gasping breaths, panic refusing to subside alongside his magic.

Dare to join this devious dinner? Melvin, Marigold, Morgana and Murial invite you to an evening filled with deathly excitement. Come and splurge on poisoned candied apples (which far outshine the pathetic apples of the evil queen), dragon roasted bone marrow, the most delicious pumpkin pies, chicken feed pot pies (a family recipe from the famous Baba Yaga herself), or a sinful devil's food cake (thank you, Uncle Mephistopheles). Maybe, my dear friend, a glass of wine or a vial of fresh, still warm blood will help to wash away all your doubts if to join or not- because what bad can happen with this splendid array of company nestled between the most beautiful blooming wisterias? Don´t be afraid! They don´t bite - at least not all of them.

We try to drown out the little voice in our head that tells us that we're not good enough or that everyone thinks that we are imposters. It's often the self doubt that rings louder than reason and truth.

I don't know what the fuck I just made I was trying to draw a cookie but the reference that I had had a lot of like different cracks in it I wasn't familiar with. I was doing draw a box earlier in 2021 but I stopped doing it because I started getting into my head I started doubting myself I was like why am I just trying to seriously draw now at 27, why did I go to school for 6 years to get a 4 year art degree, why is my art is not at the level I want it to be compared to all my classmates; these are all reasons why I'm doing this 365 challenge and I should remind myself that all the fucking time. I'm also going back to work for the next 4 days and work takes all of my energy to do art. Tomorrow marks 20 days of doing this, I'm proud of that.

Peter took His Eye off Jesus and began to sink. Medium: Acrylic on canvas Size: 11”x 15” Date: 2019-2020 This illustration is one of nine, in a mural about the ministry of Christ. This image is block number 7. This painting illustrates Jesus rescuing peter, as he start to sink in to the sea, because he lost his faith when took his eyes off Jesus, and focused on the violence of the winds and waves of the storm. Matthew 14:22-33 New American Standard Bible (NASB) Jesus Walks on the Water 22 Immediately He [a]made the disciples get into the boat and go ahead of Him to the other side, while He sent the crowds away. 23 After He had sent the crowds away, He went up on the mountain by Himself to pray; and when it was evening, He was there alone. 24 But the boat was already [b]a long distance from the land, [c]battered by the waves; for the wind was [d]contrary. 25 And in the [e]fourth watch of the night He came to them, walking on the sea. 26 When the disciples saw Him walking on the sea, they were terrified, and said, “It is a ghost!” And they cried out [f]in fear. 27 But immediately Jesus spoke to them, saying, “Take courage, it is I; do not be afraid.” 28 Peter said to Him, “Lord, if it is You, command me to come to You on the water.” 29 And He said, “Come!” And Peter got out of the boat, and walked on the water and came toward Jesus. 30 But seeing the wind, he became frightened, and beginning to sink, he cried out, “Lord, save me!” 31 Immediately Jesus stretched out His hand and took hold of him, and *said to him, “You of little faith, why did you doubt?” 32 When they got into the boat, the wind stopped. 33 And those who were in the boat worshiped Him, saying, “You are certainly God’s Son!” When I did my research, I Found very few biblical accurate illustrations of the event. Very few captured the darkness and valiance of a stormy sky taking place at 3:00 am in the morning (which is the forth watch of the night. Many illustrations I found, their skies were too bright and calm. I found that the seas in these illustration had the same lack of movement and violence, the sea would have in a storm that was so strong the disciples were not able to make any headway in their crossing the lake. I notice that all illustrations of Jesus walking on water, show the viewer His feet. In reality the waves would most likely block the viewer from seeing his feet on top of the water. The unavoidable black eye in most of these illustrations of Jesus walking on water, is the ridicules and unrealistic possess they have Jesus in, of Him rescuing Peter. You know the ones where He is making some kind of sign with one hand, as it is held up toward the sky, and one hand reaching down to peter. What was I trying to accomplish in my illustration? I want to be careful, to being accurate with costumes styles, and colors worn by the poor people of Galilean society. I wanted to be accurate in illustrating a storm on the sea of Galilee. I looked over numerous photos on line, of storms taking place on the Sea of Galilee. To understanding how the water and sky behave during a storm I studied the colors of sky, clouds, and water, during these conditions, in this location of the world? Showing movement in the air and the water. I used stylist brush strokes, to create movement in the sky and in the water. I am hoping to make people feel the storm’s violent energy. Showing power of the wind blowing against the bodies of Jesus and peter, through the movement of clothes, and hair. Showing the anxiety of Pete, with his body swallowed up to the waist, his face looking up to Jesus to rescue him from drowning. Showing that Jesus offers security to Peter, from being swept away by the wave of the sea. By his secure grasp of Peter’s back arms. He is able to lift Peter out of the water. The message I want my view to receive, is that everyone who comes into the world will experience trials and tribulation. We can overcome our fears and be filled with courage, to enable us to battle our ways through these storm in life. When we place our trust in the one who has authority over the power of the storm, who is Jesus a member of the trinity of God that created all things. Written by Stephen J. Vattimo 3/16/2020

#1 #inktober #ring “Inside of a ring or out, ain't nothing wrong with going down. It's staying down that's wrong.” ― Muhammad Ali . First one down. I was so looking forward to these...fyi...for artist (in my opinion) it seems that we enjoy the first challenge, inspiration pumping...ideas flowing... others are so supportive...then about halfway through.. we start doubting... support dwindles t the same time...ideas do not flow as easily... this is when we need support... so mid-month check in with us and wham all of us with support to continue to the end.

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