#26 Collection of unfinished doodles - The Brachiosaurus (from Joe & Mac) in the center was drawn tonight. The rest were drawn over the past few years and stored away in a folder because they are all unfinished. Everything was drawn digitally on magma.com with an iPad Pro. Other characters included are: The girl from stellar blade on right side (whatever her name is), Amy Rose, Chakan the Forever Man (bottom center), Toad & Bowsette, the Giga Mermaid (from Shantae), and Sonic the hedgehog - looking ridiculous because he is fun to draw as Sanic. Everything else is from imagination.
このデザインは私の Patreon でレター サイズで印刷可能で、価格は 3 ドルです | This design is available on my Patreon in letter size to print for $3 | Este diseño esta disponible en mi Patreon en tamaño carta para imprimir por $3: https://www.patreon.com/posts/bomu-bomb-bomba-136367770?source=storefront
Hey guys! It’s been a while, but I’m finally back to drawing! I found a way to make it low pressure and easy to motivate towards, and that’s super tiny portraits. Enjoy the series!
This was one of dozens of daily sketches I did in a small book for my daughter's Christmas present a couple of years ago. Love the wacky gulls. So many in my area.
Dmitry Shostakovich (1906–1975)
Shostakovich’s contemporaries do not recall seeing him working, at least not in the traditional sense. The Russian composer was able to conceptualize a new work entirely in his head, and then write it down with extreme rapidity—if uninterrupted, he could average twenty or thirty pages of score a day, making virtually no corrections as he went.
But this feat was apparently preceded by hours or days of mental composition—during which he “appeared to be a man of great inner tensions,” the musicologist Alexei Ikonnikov observed, “with his continually moving, ‘speaking’ hands, which were never at rest.”
Shostakovich himself was afraid that perhaps he worked too fast. “I worry about the lightning speed with which I compose,” he confessed in a letter to a friend. Undoubtedly this is bad. One shouldn’t compose as quickly as I do. Composition is a serious process, and in the words of a ballerina friend of mine, “You can’t keep going at a gallop.” I compose with diabolical speed and can’t stop myself.… It is exhausting, rather unpleasant, and at the end of the day you lack any confidence in the result. But I can’t rid myself of the bad habit.
- From Daily Rituals: How Artists Work by Mason Currey
#dailyrituals #inktober #shostakovich @masoncurrey
I just finished the Calandra Lark. Here are some facts about this beautiful bird...
Appearance: It's a large lark, about 17.5-20 cm long, with a robust build, a heavy bill, and noticeable pale eyebrows
. Its plumage is mainly greyish-brown streaked above and white below, with large black patches on the breast sides.
Habitat: This species is found in open plains, steppes, pastures, and dry cereal cultivations. It's mainly resident in the west of its range but Russian populations migrate further south in winter.
Diet: Their main food source is seeds, but they also consume insects when nesting.
Behaviour: Calandra Larks are known to be gregarious outside the breeding season, often forming large flocks.
Song: Their song is considered musical and slower than the Skylark's. It has been historically popular as a cagebird.
Immanuel Kant (1724–1804)
Kant’s biography is unusually devoid of external events.
As Heinrich Heine wrote: The history of Kant’s life is difficult to describe. For he neither had a life nor a history.
In actual fact, as Manfred Kuehn argues in his 2001 biography, Kant’s life was not quite as abstract and passionless as Heine and others have supposed…. If he failed to live a more adventurous life, it was largely due to his health: the philosopher had a congenital skeletal defect that caused him to develop an abnormally small chest, which compressed his heart and lungs and contributed to a generally delicate constitution. In order to prolong his life with the condition—and in an effort to quell the mental anguish caused by his lifelong hypochondria—Kant adopted what he called “a certain uniformity in the way of living and in the matters about which I employ my mind.”
This routine was as follows: Kant rose at 5:00 A.M., after being woken by his longtime servant, a retired soldier under explicit orders not to let the master oversleep. Then he drank one or two cups of weak tea and smoked his pipe. According to Kuehn, “Kant had formulated the maxim for himself that he would smoke only one pipe, but it is reported that the bowls of his pipes increased considerably in size as the years went on.”
- From Daily Rituals: How Artists Work by Mason Currey
#dailyrituals #inktober #ImmanuelKant @masoncurrey
